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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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1 066
Piano & claviers
Piano seul
575
Piano Facile
124
Piano, Voix
99
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64
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55
Orgue
32
1 Piano, 4 mains
14
Accompagnement Piano
13
2 Pianos, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
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Guitares
Piano, Guitare (duo)
125
Guitare
58
2 Guitares (duo)
51
Ligne De Mélodie, (Paroles) et Accords
28
Guitare notes et tablatures
26
4 Guitares (Quatuor)
11
3 Guitares (trio)
7
Ukulele
4
Ensemble de guitares
2
Dulcimer
1
Paroles et Accords
1
Basse electrique
1
+ 7 instrumentations
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Voix
Chorale SATB
304
Chorale 3 parties
159
Chorale TTBB
65
Chorale 2 parties
59
Chorale SSAA
44
Chorale Unison
26
Voix duo, Piano
10
Voix duo
4
Voix Tenor, Piano
3
Voix Tenor
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix haute
1
Chorale SSAB a cappella
1
+ 9 instrumentations
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Vents
Clarinette et Piano
234
Flûte traversière et Piano
230
Hautbois, Piano (duo)
219
Saxophone Alto et Piano
171
Saxophone Tenor et Piano
155
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153
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
149
Quatuor de Clarinettes: 4 clarinettes
101
Ensemble de saxophones
79
Flûte traversière
68
Flûte, Hautbois, Clarinette, Basson
66
2 Saxophones (duo)
54
Saxophone Alto
49
Quintette de Saxophone: 5 saxophones
47
Saxophone Tenor
39
Flûte et Guitare
32
Clarinette
29
Saxophone (partie séparée)
26
3 Saxophones (trio)
24
2 Clarinettes (duo)
21
Hautbois (partie séparée)
19
2 Flûtes traversières (duo)
18
Saxophone Soprano et Piano
16
Quatuor de Flûtes : 4 flûtes
14
3 Clarinettes (trio)
13
Saxophone Baryton, Piano
10
Saxophone Soprano
9
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Hautbois, Clarinette (trio)
8
Ensemble de Clarinettes
8
Flûte, Clarinette (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Flûtes traversières, Piano
6
Saxophone, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Basson (duo)
6
Flûte, Violon, Piano
5
Hautbois
4
Clarinette, Violon (duo)
4
2 Flûte à bec (duo)
3
Flûte, Violon
3
Cor Anglais
3
Clarinette, Trompette (duo)
3
Clarinette, Basson (duo)
3
2 Hautbois (duo)
3
Melodica
2
Flûte, Saxophone (duo)
2
Saxophone Baryton
2
Hautbois, Clarinette (duo)
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Hautbois, Guitare (duo)
2
Saxophone et Guitare
2
Flûte à Bec
2
Clarinette Basse, Piano
2
Hautbois, Flûte
2
Ensemble de Flûtes
2
Clarinette, Guitare (duo)
2
Flûte, Violoncelle
2
Flûte à bec Soprano
1
5 Flûtes à bec
1
Flûte, alto et harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
Flûte et Quatuor à Cordes
1
2 Clarinettes, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Piano
1
Flûte, Violoncelle, Piano (trio)
1
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1
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1
Flûte, Hautbois (duo)
1
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172
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130
Trompette
120
Trompette, Piano
96
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78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Trombone
38
Cor et Piano
26
Trompette (partie séparée)
13
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
12
Quatuor de Cuivres
12
Cor
8
Euphonium, Piano (duo)
7
2 Trompettes (duo)
6
2 Trombones (duo)
5
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Tuba
3
Cor Anglais
3
Ensemble de Trombones
2
Euphonium
2
Trio de Cuivres
2
Ensemble de Trompettes
1
Trombone et orchestre
1
2 Tubas (duo)
1
Cor anglais, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Tubas
1
Trombone basse et Piano
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
340
Violon et Piano
224
Alto, Piano
207
Violoncelle, Piano
190
Violon
81
Violoncelle
62
Violon, Violoncelle (duo)
53
Harpe
37
Trio à Cordes: violon, alto, violoncelle
31
Alto seul
25
4 Violoncelles
14
Contrebasse, Piano (duo)
11
Violon, Alto (duo)
11
2 Violons (duo)
11
Alto (partie séparée)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à cordes: 3 violins
8
Contre Basse
8
2 Violoncelles (duo)
7
Quatuor à cordes : 4 altos
6
Trio à Cordes: 2 violons, violoncelle
6
Quatuor à cordes: 4 violons
6
Piano Trio: Violon, Alto, Piano
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes
3
Harpe, Voix
3
Harpe, Violoncelle (duo)
2
2 Harpes (duo)
2
2 Violons, Piano
2
Ensemble de Violons
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 35 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
157
Ensemble de cuivres
140
Orchestre
133
Orchestre d'harmonie
117
Ensemble Jazz
32
Orchestre de chambre
26
Ensemble de Percussions
5
Jazz combo
4
Vibraphone
2
Fanfare
2
Marimba
1
Cloches
1
Batterie
1
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Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Fantasia No.1 (Moss Moor) Solo Tuba
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Eoin Buchanan
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Fantasia No.1
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7plc Music
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.1017088 Composed by Eoin Buchanan. 20th Century,Concert,Contemporary. Individual part. 3 pages. 7plc Music #6214815. Publi...
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Tuba Solo - Level 4 - SKU: A0.1017088 Composed by Eoin Buchanan. 20th Century,Concert,Contemporary. Individual part. 3 pages. 7plc Music #6214815. Published by 7plc Music (A0.1017088). An adaptation for Solo Bass Tuba of Moss Moor Fantasia also available from SMP. The original used a mixture of percussion to accompany the tuba. With lockdowns and groups being unable to gather, this version is offered for solo tuba.Moss Moor rises above Wearhead in the North Pennines AONB in Northern England (UK). Bleak, rugged and yet so very beautiful. Enjoy!
$7.00
Old Man River
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Tuba
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INTERMÉDIAIRE
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Jazz
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Tradition
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K Davies
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Old Man River
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Bandmusic.co.uk
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.867570 Composed by Tradition. Arranged by K Davies. Jazz. Individual part. 8 pages. Bandmusic.co.uk #4574553. Published by...
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Tuba Solo - Level 3 - SKU: A0.867570 Composed by Tradition. Arranged by K Davies. Jazz. Individual part. 8 pages. Bandmusic.co.uk #4574553. Published by Bandmusic.co.uk (A0.867570). The opening classic melody is followed by a swung section forming an interesting solo for Eb Bass, Bb Bass or Bass Trombone with piano accompaniment (reduced from the Brass Band version).
$15.00
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