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Vous avez sélectionné:
Symphony Brass Quintet,
Ensemble de Trompettes
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Trumpet Quintet)
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.813837 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. S...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.813837 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533947. Published by Regis Bookshar (A0.813837). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trumpet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trumpet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Finale to Symphony No. 1 for Trumpet Ensemble
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Ensemble de Trompettes
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AVANCÉ
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Sergei Rachmaninoff
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Charles Decker
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Finale to Symphony No. 1 for T
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Charles Decker Music Press
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SheetMusicPlus
Piccolo Trumpet - Level 5 - SKU: A0.817119 Composed by Sergei Rachmaninoff. Arranged by Charles Decker. Instructional,Romantic Period,Standards. 59 page...
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Piccolo Trumpet - Level 5 - SKU: A0.817119 Composed by Sergei Rachmaninoff. Arranged by Charles Decker. Instructional,Romantic Period,Standards. 59 pages. Charles Decker Music Press #3544115. Published by Charles Decker Music Press (A0.817119). This is a spectacular and challenging abridged arrangement for ambitious trumpet ensembles of the finale movement to Rachmaninov's youthful First Symphony of 1896. From his dramatic opening twenty-four measure fanfare to the concluding measures this arrangement is guaranteed to impress audiences and challenge the performers. Trumpets 1 and 2 double on piccolo trumpet in B-flat or A piccolo parts. Trumpet parts 3-6 and 8-10 each have optional C parts. Beyond brass ensemble programs and special events consider featuring your trumpet section with this impressive work on your next band concert. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.Check out more than 50+ homogeneous horn, trumpet and trombone ensemble works for inexperienced to advanced musicians with Charles Decker Music Press at Sheet Music Plus as well as 70 more Charles Decker Music Press publications for mixed brass ensembles with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include B-flat and alternate C trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also the Music of Black Composers Series for mixed brass ensembles with Charles Decker Music Press at Sheet Music Plus with arrangements of music ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. For more Charles Decker trumpet ensemble arrangements use this link to Kendor Music for listings of arrangements of music by Bach, Handel, and Renaissance composers Gervaise and Susato.
$16.95
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