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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Say
Sheetmusicplus
Non classifié
553
Piano & claviers
Piano seul
379
Piano, Voix et Guitare
245
Piano, Voix
226
Piano Facile
104
Instruments en Do
48
Piano grosses notes
26
Orgue
12
1 Piano, 4 mains
12
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
Accordéon
2
Clavecin
1
Accompagnement Piano
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
97
Ligne De Mélodie, (Paroles) et Accords
38
Guitare
37
Basse electrique
32
Ukulele
29
Paroles et Accords
24
Guitare (partie séparée)
4
Piano, Guitare (duo)
4
2 Guitares (duo)
3
Dulcimer
2
Banjo
2
Mandoline
2
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
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Voix
Chorale 3 parties
213
Chorale SATB
210
Chorale TTBB
49
Chorale 2 parties
33
Pack Instrumental pour Chorale
30
Chorale SSAA
27
Chorale Unison
16
Voix haute
9
Voix duo
6
Voix Soprano, Piano
5
Voix Soprano
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Voix seule
2
Voix Alto, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix duo, Piano
1
Chorale
1
Voix basse
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSAATB
1
+ 18 instrumentations
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Vents
Saxophone (partie séparée)
43
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière
35
Clarinette
34
Flûte traversière et Piano
27
Saxophone Alto
25
Saxophone Tenor
25
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Alto et Piano
20
Saxophone Tenor et Piano
19
Clarinette et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Quatuor de Clarinettes: 4 clarinettes
18
Hautbois, Piano (duo)
17
Quintette de Saxophone: 5 saxophones
14
2 Saxophones (duo)
12
2 Clarinettes (duo)
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte et Guitare
8
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Clarinettes
7
Flûte, Clarinette (duo)
5
Ensemble de Flûtes
5
Flûte, Clarinette et Basson
5
Cor anglais, Guitare (duo)
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Cor anglais, Piano
4
Saxophone, Clarinette (duo)
3
Saxophone et Guitare
3
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
Quintette de Flûte : 5 flûtes
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Saxophone Baryton, Piano
2
Flûte traversière, Orgue (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Quatuor de Flûtes à bec
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûte à bec (duo)
1
3 Hautbois
1
Clarinette, trompette et piano
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Trompette (duo)
1
+ 65 instrumentations
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Cuivres
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette (partie séparée)
22
Trombone
19
Cor
18
Trombone et Piano
17
Trombone (partie séparée)
13
Trompette, Piano
13
Cor et Piano
9
Tuba
8
Tuba et Piano
5
Euphonium
4
Ensemble de Trompettes
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Guitare (duo)
4
Cor anglais, Piano
4
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
3
2 Trombones (duo)
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
Tuba (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon
74
Violon et Piano
36
Violoncelle
35
Harpe
32
Alto seul
21
Violon, Violoncelle (duo)
20
Alto, Piano
19
Violoncelle, Piano
19
Trio à Cordes: violon, alto, violoncelle
14
2 Violons (duo)
12
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
4 Violoncelles
4
Violoncelle , Guitare (duo)
4
Violon, Alto (duo)
4
Violon, Guitare (duo)
3
Ensemble de Violons
3
2 Altos (duo)
3
Alto, Violoncelle (duo)
3
Alto, Guitare (duo)
2
Alto et Harpe
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Harpe, Flûte (duo)
1
Harpe, Voix
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Contre Basse
1
Violon (partie séparée)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre à Cordes
32
Orchestre
31
Ensemble Jazz
25
Batterie
17
Ensemble de cuivres
15
Orchestre de chambre
12
Fanfare
12
Cloches
10
Ensemble de Percussions
7
Jazz combo
6
Marimba
3
Batterie (partie séparée)
3
Marimba, Piano (duo)
1
Percussion
1
Orchestre, Violon
1
2 Percussions
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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OPERA
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POP ROCK - ROCK CLAS…
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Partitions à imprimer
4 partitions trouvées
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1
Christ the Lord is Risen Today (Trumpet Quintet)
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Trumpet Quintet - Level 3 - SKU: A0.1152177 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sa...
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Trumpet Quintet - Level 3 - SKU: A0.1152177 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 23 pages. John A. Dempsey #752390. Published by John A. Dempsey (A0.1152177). Ours the cross, the grave, the skies, Alleluia.  Arranged as a lively Bb trumpet quintet, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude or special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  Concert Key: Bb major.  19 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3, trumpet 4 and trumpet 5)Christ the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia   .
$14.00
Concerto for Seven Trumpets and Timpani for Trumpet Ensemble (two complete editions, Ab & F concert)
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Ensemble de Trompettes
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INTERMÉDIAIRE/AVANCÉ
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Johann Ernst Altenburg
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Charles Decker
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Concerto for Seven Trumpets an
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 4 - SKU: A0.817150 Composed by Johann Ernst Altenburg. Arranged by Charles Decker. Baroque,Chamber,Classical,Contest,Fe...
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Trumpet Ensemble Trumpet - Level 4 - SKU: A0.817150 Composed by Johann Ernst Altenburg. Arranged by Charles Decker. Baroque,Chamber,Classical,Contest,Festival. 68 pages. Charles Decker Music Press #5324601. Published by Charles Decker Music Press (A0.817150). Need an impressive and accessible showcase for your ambitious trumpet section? Then this famous and elegant three-movement, mini-concerto for trumpeters from Johann Ernst Altenburg’s extensive 1795 treatise Essay on an introduction to the heroic and musical trumpeters’ and kettledrummers’ art is a rewarding experience for trumpeters to expand their musical horizons. Composed for 18th century court trumpeters with valveless instruments, the work is scored for solo trumpet with two antiphonal trios and timpani. Each movement presents contrasting musical styles, the first fanfare figures, the second expressive lyricism, and the third facile scale runs. Two complete editions for B-flat trumpets are included, each with full score and parts, one in A-flat concert for more advanced players and a second in F concert to make it more accessible for less experienced trumpeters. The second and third movements, traditionally set in 4/8 and 3/8, are changed to 4/4 and 3/4 as more frequently encountered time signatures. Consider opening your next band concert featuring the trumpet section performing this impressive work. The sound file is an actual trumpet ensemble performance of the entire edition and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$13.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trumpet Quintet)
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.813837 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. S...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.813837 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533947. Published by Regis Bookshar (A0.813837). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trumpet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trumpet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
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