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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ace Of Base
Non classifié
405
Piano & claviers
Piano seul
255
Piano, Voix
215
Orgue
59
Accompagnement Piano
52
Piano Facile
46
Piano, Voix et Guitare
44
Instruments en Do
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Clavecin
3
2 Pianos, 8 mains
1
Accordéon
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
8
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Dulcimer
2
Ukulele
2
Basse electrique
2
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
235
Chorale 3 parties
53
Voix Alto, Piano
39
Chorale 2 parties
39
Chorale Unison
35
Voix Soprano, Piano
35
Voix Tenor, Piano
33
Chorale TTBB
31
Voix Baryton, Piano
16
Voix duo, Piano
16
Chorale SSAA
14
Voix haute
6
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quintette de Saxophone: 5 saxophones
22
Saxophone (partie séparée)
21
Flûte traversière et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
Flûte, Hautbois, Clarinette, Basson
12
Hautbois, Piano (duo)
12
2 Flûtes traversières (duo)
12
Clarinette
12
Flûte traversière
11
Flûte et Guitare
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Ensemble de Clarinettes
9
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
7
Flute (partie séparée)
7
Ensemble de saxophones
6
Saxophone Tenor et Piano
6
Clarinette, Guitare (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Saxophone Alto
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo, Piano
1
Flûte à bec Alto
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Clarinette, Orchestre
1
Hautbois, Guitare (duo)
1
Cor anglais, Piano
1
Cor Anglais
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone (partie séparée)
22
Trompette (partie séparée)
19
Trombone et Piano
13
Trompette, Piano
11
Trompette
9
Ensemble de Trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
8
Cor
6
Ensemble de Trompettes
5
Trombone
5
Tuba (partie séparée)
4
Tuba et Piano
4
2 Trombones (duo)
3
2 Trompettes (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Euphonium, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Cor anglais, Piano
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violon, Violoncelle (duo)
21
Violoncelle, Piano
16
Violon
13
Alto, Piano
10
Violoncelle
10
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse (partie séparée)
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe
5
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Ensemble de Violons
3
Alto (partie séparée)
3
Violon, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Violon, Orgue
1
4 Harpes
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
195
Ensemble Jazz
73
Orchestre
53
Orchestre à Cordes
44
Orchestre de chambre
27
Ensemble de cuivres
24
Cloches
17
Batterie
6
Jazz combo
6
Batterie (partie séparée)
5
Ensemble de Percussions
5
Vibraphone
5
Marimba
3
Orchestre, Violon
3
Percussion
2
Piano et Orchestre
2
Fanfare
1
Percussion (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Crtitères actifs :
Ace Of Base
Ensemble de Violons
Partitions à imprimer
3 partitions trouvées
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Three selections based on "Christ lag in Todesbanden" (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Histor...
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String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #850734. Published by Regis Bookshar (A0.1257411). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Violin Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar had transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Violin Quintet. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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Ace Of Base
