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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At home
Non classifié
795
Piano & claviers
Piano, Voix
534
Piano seul
531
Piano, Voix et Guitare
206
Piano Facile
166
Accompagnement Piano
31
Instruments en Do
31
1 Piano, 4 mains
21
Orgue
18
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
7
Piano (partie séparée)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Ligne De Mélodie, Piano
1
Accordéon
1
+ 11 instrumentations
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Guitares
Guitare
40
Guitare notes et tablatures
37
Mandoline
9
Ukulele
9
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
7
Guitare (partie séparée)
6
Banjo
3
2 Guitares (duo)
3
Paroles et Accords
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
171
Chorale 3 parties
48
Chorale TTBB
33
Chorale Unison
20
Chorale 2 parties
19
Chorale SSAA
14
Voix Soprano, Piano
9
Voix Tenor, Piano
7
Voix duo
6
Voix duo, Piano
6
Voix Alto, Piano
4
Voix Tenor
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Chorale
2
Voix haute
2
+ 11 instrumentations
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Vents
Flûte traversière et Piano
86
Hautbois, Piano (duo)
67
Clarinette et Piano
61
Saxophone Alto et Piano
60
2 Saxophones (duo)
55
Clarinette
54
Saxophone (partie séparée)
44
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière
38
Hautbois (partie séparée)
36
Saxophone Tenor et Piano
33
Flûte, Hautbois, Clarinette, Basson
33
2 Clarinettes (duo)
32
Saxophone Alto
32
Saxophone Tenor
29
2 Flûtes traversières (duo)
28
Quintette de Saxophone: 5 saxophones
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Flûte, Clarinette (duo)
23
Saxophone Soprano et Piano
23
Flûte à Bec
22
Quatuor de Clarinettes: 4 clarinettes
20
Saxophone Baryton, Piano
19
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
16
Ensemble de Flûtes
15
Hautbois
13
Flûte, Violon, Piano
13
2 Hautbois (duo)
12
Clarinette, Violon (duo)
11
Ensemble de saxophones
11
Flûte à bec Soprano
10
Cor anglais, Piano
10
3 Clarinettes (trio)
9
Hautbois, Flûte
8
Hautbois, Basson (duo)
7
Clarinette Basse, Piano
7
Hautbois, Clarinette (duo)
6
2 Flûte à bec (duo)
6
Clarinette, Trompette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Violon
5
Clarinette et Alto
5
Flûte, Saxophone (duo)
4
Ocarina
4
Quatuor de Flûtes : 4 flûtes
4
Harmonica
4
Flûte, Violoncelle
4
Quintette de Flûte : 5 flûtes
4
3 Saxophones (trio)
3
Flûte et Guitare
3
Clarinette (partie séparée)
3
Clarinette, Basson (duo)
3
Flûte à bec Alto, Piano
3
Flûte à bec Alto
3
Piccolo, Piano
2
Quatuor de Flûtes à bec
2
Flute (partie séparée)
2
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte, Alto (duo)
1
3 Flûtes à bec (trio)
1
Instruments en Mib
1
Flûte à bec Tenor
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Flûte irlandaise
1
Cor Anglais
1
+ 70 instrumentations
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Cuivres
Trombone et Piano
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trompette, Piano
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette
36
Cor et Piano
34
Trombone
21
Trombone (partie séparée)
20
Cor
18
Quatuor de cuivres: 4 trombones
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba et Piano
13
Tuba
12
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
Trompette (partie séparée)
12
Ensemble de Trombones
11
Cor anglais, Piano
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Quatuor de Cuivres
8
Euphonium
7
Ensemble de Trompettes
6
2 Cors (duo)
6
Cor (partie séparée)
5
Trompette, Trombone (duo)
5
Tuba (partie séparée)
3
Trio de Cuivres
2
2 Tubas (duo)
2
Cor, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
Cor, Violoncelle (duo)
1
Cornet et orchestre
1
Tuba et Orgue
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Instruments en Fa
1
Bass Clef Instruments
1
Cor Anglais
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
177
Violon et Piano
134
Violon, Violoncelle (duo)
119
Violoncelle
88
Violoncelle, Piano
80
Violon
77
Alto, Piano
71
Trio à Cordes: 2 violons, violoncelle
69
2 Violons (duo)
37
Alto seul
36
Violon, Alto (duo)
36
2 Violoncelles (duo)
34
Trio à Cordes: violon, alto, violoncelle
29
Harpe
22
Alto, Violoncelle (duo)
15
2 Altos (duo)
14
Alto (partie séparée)
11
Contrebasse, Piano (duo)
10
Contre Basse
10
Violon (partie séparée)
8
Trio à cordes
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse (partie séparée)
6
Ensemble de Violons
4
2 Harpes (duo)
3
Violon, Guitare (duo)
2
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
Ensemble d'Altos
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Autoharp
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
209
Orchestre
50
Ensemble Jazz
37
Orchestre à Cordes
35
Orchestre de chambre
24
Ensemble de cuivres
17
Jazz combo
16
Cloches
12
Xylophone
9
Xylophone, Piano
9
Ensemble de Percussions
4
Percussion (partie séparée)
3
Fanfare
3
Batterie (partie séparée)
3
Batterie
2
Marimba
1
Percussion
1
2 Xylophones
1
2 Marimbas
1
+ 14 instrumentations
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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At home
Ensemble de Violons
Partitions à imprimer
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Silent Night (Bb) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
March (from "The Nutcracker Suite") (F) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 4 - SKU: A0.813867 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instruction...
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String Ensemble,String Quintet Violin - Level 4 - SKU: A0.813867 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612505. Published by Regis Bookshar (A0.813867). Violin Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Violin Quintet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
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