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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des
Non classifié
2 782
Piano & claviers
Piano seul
2 965
Piano, Voix
1 559
Piano Facile
754
Instruments en Do
238
Orgue
194
Piano, Voix et Guitare
82
1 Piano, 4 mains
60
Piano Trio: piano, violon, violoncelle
53
2 Pianos, 4 mains
39
Accordéon
36
Accompagnement Piano
33
Orgue, Trompette (duo)
28
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quatuor: piano, 2 violons, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Orgue, Piano (duo)
7
Clavecin
3
1 Piano, 6 mains
3
Piano (partie séparée)
2
2 Accordéons
2
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
409
Guitare notes et tablatures
247
Mandoline
59
2 Guitares (duo)
41
Paroles et Accords
29
Ukulele
28
Basse electrique
26
Ligne De Mélodie, (Paroles) et Accords
22
4 Guitares (Quatuor)
10
3 Guitares (trio)
9
Piano, Guitare (duo)
8
Guitare (partie séparée)
6
Guitare, Quatuor à cordes
4
Banjo
4
Ukulele Baryton
4
Ensemble de guitares
3
Dulcimer
2
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Guitare Pedal Steel
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
112
Voix seule
102
Chorale 3 parties
56
Chorale TTBB
26
Voix haute
26
Chorale 2 parties
21
Pack Instrumental pour Chorale
16
Chorale SSAA
16
Voix Tenor, Piano
12
Voix Soprano, Piano
11
Voix basse, Piano
10
Voix Baryton, Piano
9
Voix duo, Piano
9
Chorale
6
Voix moyenne, Piano
5
Chorale Unison
5
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix Alto, Piano
2
Voix Soprano
1
Voix basse
1
Voix et basse continue
1
Chorale SSAATTBB
1
Voix Moyenne
1
Chorale, Orgue
1
Voix, Guitare
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
401
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
336
Quatuor de Saxophones: 4 saxophones
316
2 Saxophones (duo)
270
Quatuor de Clarinettes: 4 clarinettes
267
Clarinette et Piano
252
2 Flûtes traversières (duo)
251
Flûte, Hautbois, Clarinette, Basson
208
Hautbois, Piano (duo)
178
Flûte traversière
173
Clarinette
167
Saxophone Alto et Piano
166
Quintette de Saxophone: 5 saxophones
155
2 Clarinettes (duo)
135
Flûte à bec Soprano
122
Quatuor de Flûtes : 4 flûtes
118
Saxophone Tenor et Piano
106
Saxophone Soprano et Piano
98
Flûte, Clarinette (duo)
86
3 Clarinettes (trio)
70
3 Saxophones (trio)
69
Saxophone Alto
69
Ensemble de saxophones
68
Flûte à bec Soprano, Piano
63
Saxophone (partie séparée)
62
Flûte et Guitare
61
Saxophone Baryton, Piano
60
Ensemble de Clarinettes
60
Saxophone Tenor
55
2 Hautbois (duo)
51
Hautbois (partie séparée)
50
2 Flûte à bec (duo)
49
Flûte à bec Alto
48
Cor anglais, Piano
48
Quatuor de Flûtes à bec
48
Ensemble de Flûtes
44
Quintette de Clarinettes: 5 clarinettes
38
Harmonica
34
Flûte à Bec
34
Trio de Flûtes: 3 flûtes
34
Hautbois
33
Clarinette (partie séparée)
33
Flûte à Bec, Piano
32
Flûte, Violoncelle
31
Hautbois, Basson (duo)
29
3 Flûtes à bec (trio)
26
Clarinette, Basson (duo)
23
Quintette de Flûte : 5 flûtes
22
Flûte, Hautbois, Clarinette (trio)
21
Flûte, Clarinette et Basson
20
Flûte et Quatuor à Cordes
19
Clarinette Basse, Piano
19
Saxophone
19
Hautbois, Clarinette (duo)
19
Saxophone Baryton
18
Flûte, Violon
17
Hautbois, Clarinette, Basson (trio d'anches)
17
Saxophone Soprano
17
Clarinette, Guitare (duo)
15
Flute (partie séparée)
15
Flûte à bec, Guitare (duo)
15
Flûte, Violon, Piano
15
Clarinette, Violoncelle (duo)
14
Ensemble à vent
13
Flûte, Alto (duo)
12
Clarinette et Alto
12
Flûte, Trombone (duo)
11
Flûte, Violon et Violoncelle
11
5 Flûtes à bec
10
Flûte et Trio à cordes
10
Flûte à bec Alto, Piano
10
Flûte, Hautbois (duo)
10
2 Saxophones, Piano
10
2 Flûtes traversières, Piano
10
Clarinette, Violon (duo)
10
Flûte, Violoncelle, Piano (trio)
10
Flûte, Saxophone (duo)
9
Hautbois, Violoncelle
9
Flûte à bec Soprano, Basse continue
8
Flûte, Hautbois, Basson
8
2 Clarinettes, Piano
7
Flûte, Trompette (duo)
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte à bec Tenor
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Tuba (duo)
4
Piccolo, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Saxophone, Clarinette (duo)
4
4 Hautbois
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Harpe (duo)
4
Ensemble De Flûte à bec
4
Clarinette, trompette et piano
3
Ocarina
3
Cor anglais, Guitare (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, violon (duo)
3
Clarinette Basse
3
Flûte, Basson et Piano
3
Saxophone, Violon (duo)
3
Flûte, Violoncelle, Guitare
3
Piccolo
3
Ensemble de Hautbois
2
Hautbois, Harpe
2
Saxophone et Piano
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Violon
2
Flûte, trombone et piano
2
Cor Anglais
2
Flûte, Alto et Piano
2
Flûte irlandaise
2
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Guitare
1
2 Flûtes à bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte de Pan
1
Hautbois, Basson et Piano
1
Saxophone, Basson (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Hautbois, Piano
1
Clarinette, Orchestre
1
Hautbois, Flûte
1
Harmonica, Piano
1
Flûte traversière, Orgue (duo)
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
231
Trompette, Piano
155
Trombone et Piano
152
Quatuor de Cuivres: 2 trompettes, Cor, trombone
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
139
Cor et Piano
114
Trompette
107
2 Trompettes (duo)
95
2 Trombones (duo)
93
Tuba et Piano
79
Trombone
74
Trompette, Trombone (duo)
68
2 Cors (duo)
66
Cor
64
Cor anglais, Piano
48
Tuba
47
Quatuor de cuivres: 4 trombones
45
Quatuor de Cuivres
43
Euphonium, Piano (duo)
42
Trombone (partie séparée)
31
Trompette (partie séparée)
24
Ensemble de Trombones
23
Quatuor de cuivres: 4 cors
22
2 Tubas (duo)
22
3 Trombones (trio)
20
Trompette, Cor (duo)
17
Ensemble de Cors
16
Quatuor de cuivres: 4 trompettes
16
Ensemble de Trompettes
13
4 Tubas
13
Cor (partie séparée)
13
Tuba et Orgue
11
Euphonium
11
Tuba (partie séparée)
11
Trompette, Violoncelle (duo)
10
Trompette, violon (duo)
10
2 Euphoniums et 2 Tubas
10
Cor, Violoncelle (duo)
10
Cor, Tuba (duo)
9
3 Trompettes (trio)
8
Trompette, Basson (duo)
6
Euphonium, Tuba (duo)
6
Trombone, Cor (duo)
5
Trio de Cuivres
5
Cornet A Pistons
5
Trompette et Guitare
5
Trombone, Orgue
4
3 Cors (trio)
4
Trompette, Trombone, Piano
4
3 Tubas (trio)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cor et Basson (duo)
4
Trompette, Saxophone (duo)
4
Cor anglais, Guitare (duo)
3
2 Euphoniums (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor Anglais
2
Cor, Violoncelle et Piano
2
Trombone basse et Piano
2
Trombone, Tuba (duo)
2
Trombone basse
2
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
2 Cors, Piano
1
Trompette, Harpe
1
Trompette, Tuba (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
4 Euphoniums
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 975
Trio à Cordes: violon, alto, violoncelle
709
Violon
526
Quintette à cordes: 2 violons, alto, violoncelle, basse
373
Violoncelle
349
Violon et Piano
342
Trio à Cordes: 2 violons, violoncelle
324
Alto seul
288
Violoncelle, Piano
262
Trio à cordes: 3 violins
223
Quatuor à cordes: 4 violons
215
Alto, Piano
213
Trio à Cordes: 3 violoncelles
184
Quatuor à cordes : 4 altos
148
2 Violons (duo)
141
Violon, Violoncelle (duo)
126
2 Violoncelles (duo)
112
2 Altos (duo)
105
Trio à cordes
101
Harpe
90
Violon, Alto (duo)
83
Trio à cordes: 3 altos
80
Trio à Cordes: 2 violons, alto
75
Contrebasse, Piano (duo)
67
Violon (partie séparée)
53
Contre Basse
46
Quintette à cordes: 2 violons, 2 altos, violoncelle
41
Alto (partie séparée)
36
Quintette à cordes : 2 violons, alto et 2 violoncelles
33
4 Violoncelles
31
Alto, Violoncelle (duo)
28
Violoncelle , Guitare (duo)
28
Piano Trio: Violon, Alto, Piano
24
2 Contrebasses (duo)
22
Contrebasse (partie séparée)
20
Violoncelle, Contrebasse (duo)
19
Alto, Guitare (duo)
17
Violoncelle (partie séparée)
17
Violon, Guitare (duo)
16
2 Harpes (duo)
15
4 Contrebasses
13
Harpe, Flûte (duo)
13
Flûte, Contrebasse (duo)
11
Alto et Basson
9
Harpe, Violon (duo)
8
Violon, Basson (duo)
6
2 Violoncelles, Piano
5
Harpe et Piano
5
2 Violons, Piano
5
3 Contrebasses
4
Ensemble de Violons
4
Violon, Orgue
4
Ensemble d'Altos
3
Violon, Basse continue
2
2 Altos, Piano
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violon, Violoncelle, Clarinette
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
Alto et Harpe
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
Violoncelle, Orchestre
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
3 738
Orchestre d'harmonie
492
Orchestre
258
Ensemble de cuivres
113
Orchestre de chambre
68
Percussion
34
Cloches
27
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Percussion (partie séparée)
15
Ensemble de Percussions
11
Ensemble Jazz
10
Caisse Claire
8
Timbales (partie séparée)
7
Xylophone, Piano
7
2 Xylophones
7
Xylophone
5
Fanfare
5
Marimba
4
Batterie (partie séparée)
3
Vibraphone
2
Ensemble d'École
2
Orchestre, Violon
2
Batterie
1
Vibraphone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Quintette à Vent
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
179
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
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CORNET
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Ensemble de Violons
Partitions à imprimer
4 partitions trouvées
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1
Recordare (from "Requiem") (F) (Violin Quintet)
#
Ensemble de Violons
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1108399 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
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String Quintet Violin - Level 4 - SKU: A0.1108399 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711041. Published by Regis Bookshar (A0.1108399). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Violin Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Violin Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Violin Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Coronation March (Db) (Violin Quintet)
#
Ensemble de Violons
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 4 - SKU: A0.1083853 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Fe...
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String Ensemble,String Quintet Violin - Level 4 - SKU: A0.1083853 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 16 pages. Regis Bookshar #688053. Published by Regis Bookshar (A0.1083853). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Violin Quintet - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Violin Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Violin Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
Three selections based on "Christ lag in Todesbanden" (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Histor...
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String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #850734. Published by Regis Bookshar (A0.1257411). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Violin Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar had transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Violin Quintet. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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