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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hey Mon
Non classifié
935
Piano & claviers
Piano seul
414
Piano, Voix
123
Piano Facile
109
Piano, Voix et Guitare
90
Orgue
39
Instruments en Do
32
1 Piano, 4 mains
15
Accompagnement Piano
11
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Trio: piano, violon, violoncelle
7
Clavecin
3
Piano (partie séparée)
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
83
Guitare notes et tablatures
59
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
8
Paroles et Accords
5
Banjo
3
Mandoline
3
2 Guitares (duo)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Guitare (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
231
Chorale 2 parties
201
Chorale 3 parties
126
Chorale SSAA
43
Chorale TTBB
41
Chorale Unison
24
Voix Soprano, Piano
15
Voix seule
9
Voix duo, Piano
9
Voix Baryton, Piano
6
Voix duo
6
Voix Tenor
3
Chorale
3
Voix Soprano
3
Voix Alto, Piano
3
Voix moyenne, Piano
2
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Hautbois, Piano (duo)
58
Clarinette, Violon (duo)
53
Saxophone Alto et Piano
52
2 Flûtes traversières (duo)
51
Clarinette et Piano
49
Flûte, Clarinette (duo)
47
Flûte, Violon
47
Quatuor de Saxophones: 4 saxophones
47
Quintette de Saxophone: 5 saxophones
35
Flûte traversière
34
Quatuor de Clarinettes: 4 clarinettes
31
Clarinette
27
2 Clarinettes (duo)
27
Flûte, Hautbois, Clarinette, Basson
27
2 Saxophones (duo)
26
Saxophone Soprano et Piano
24
Hautbois (partie séparée)
24
Saxophone Tenor et Piano
24
2 Flûte à bec (duo)
23
Saxophone (partie séparée)
22
Flûte et Guitare
21
Ensemble de Clarinettes
18
Saxophone Alto
17
Harmonica
16
Quatuor de Flûtes : 4 flûtes
15
Ensemble de saxophones
14
Clarinette, Guitare (duo)
14
Saxophone Baryton, Piano
10
Ensemble de Flûtes
10
Saxophone, Clarinette (duo)
9
Hautbois, Clarinette (duo)
9
Flûte à Bec
8
Saxophone Tenor
8
Hautbois, Basson (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Quintette de Flûte : 5 flûtes
8
3 Clarinettes (trio)
8
Cor anglais, Piano
6
Flûte, Clarinette et Basson
6
2 Hautbois (duo)
5
Flute (partie séparée)
5
Cor anglais, Guitare (duo)
5
Clarinette (partie séparée)
5
Saxophone et Guitare
5
Clarinette Basse, Piano
5
Hautbois
4
3 Saxophones (trio)
4
Clarinette, Violoncelle (duo)
3
Ocarina
3
Flûte, Violon, Piano
3
5 Flûtes à bec
3
Flûte, Violoncelle
3
Hautbois, Violoncelle
3
Clarinette et Alto
3
Clarinette, Basson (duo)
3
Hautbois, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone
3
Flûte, Hautbois, Basson
3
Piccolo, Piano
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano
2
2 Flûtes traversières, Piano
2
Clarinette Basse
2
Cor Anglais
2
Flûte à bec Alto
2
Flûte, Hautbois (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Flûte, Clarinette, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Melodica
1
Flûte, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Piccolo
1
Flûte, Basson et Piano
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trombone et Piano
48
Cor et Piano
36
Trompette
33
Trompette, Piano
30
Trombone
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Tuba et Piano
26
Cor
24
Tuba
19
Quatuor de Cuivres
17
Euphonium, Piano (duo)
15
Trompette (partie séparée)
13
Ensemble de Trombones
13
Trombone (partie séparée)
10
2 Trompettes (duo)
10
Ensemble de Trompettes
9
Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Tubas (duo)
7
2 Trombones (duo)
7
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
6
Euphonium
5
Cor anglais, Guitare (duo)
5
2 Cors (duo)
5
Tuba (partie séparée)
4
Ensemble de Cors
4
3 Trompettes (trio)
4
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Violoncelle (duo)
2
Cor Anglais
2
Trompette, Cor (duo)
2
Cor (partie séparée)
1
Cor et Basson (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Basson (duo)
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
4 Tubas
1
2 Cors, Piano
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon et Piano
80
2 Violons (duo)
56
Alto, Piano
54
Violoncelle, Piano
53
Violon
51
Trio à Cordes: violon, alto, violoncelle
48
Violon, Violoncelle (duo)
47
Harpe
43
2 Harpes (duo)
36
Violoncelle
35
Alto seul
19
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
9
Contrebasse, Piano (duo)
9
2 Altos (duo)
8
Violon, Alto (duo)
8
Alto (partie séparée)
8
4 Violoncelles
7
Violoncelle , Guitare (duo)
7
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
6
Ensemble de Violons
5
Violon (partie séparée)
4
Alto, Guitare (duo)
4
Alto et Basson
3
Ensemble d'Altos
3
Violon, Basson (duo)
3
Quatuor à cordes : 4 altos
2
2 Altos, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Basse continue
1
Autoharp
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 774
Orchestre à Cordes
60
Orchestre
60
Ensemble Jazz
50
Fanfare
34
Ensemble de cuivres
30
Orchestre de chambre
24
Jazz combo
20
Cloches
14
Ensemble de Percussions
6
Xylophone, Piano
5
Percussion (partie séparée)
4
Marimba
4
Batterie (partie séparée)
3
Batterie
3
Percussion
2
Piano et Orchestre
1
2 Marimbas
1
Xylophone
1
Timbales (partie séparée)
1
Orchestre, Violon
1
Vibraphone
1
+ 17 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Hey Mon
Ensemble de Violons
Partitions à imprimer
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1
Silent Night (Bb) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
#
Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Recordare (from "Requiem") (F) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1108399 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructi...
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String Quintet Violin - Level 4 - SKU: A0.1108399 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711041. Published by Regis Bookshar (A0.1108399). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Violin Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Violin Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Violin Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Burgundian Air/March of the Three Kings (F min) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813077 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classica...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813077 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. Score and parts. 21 pages. Regis Bookshar #6097395. Published by Regis Bookshar (A0.813077). Violin Quintet - Intermediate - . This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Violins, by Regis Bookshar. It would be a great addition to any music library. It incorporates two traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (21 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
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