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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Op Song
Non classifié
453
Piano & claviers
Piano, Voix
1 923
Piano seul
644
Piano Facile
99
Orgue
53
1 Piano, 4 mains
33
Piano, Voix et Guitare
17
Piano grosses notes
13
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
8
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Clavier
1
+ 10 instrumentations
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Guitares
Guitare
35
Guitare notes et tablatures
12
2 Guitares (duo)
4
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
+ 1 instrumentations
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Voix
Chorale SATB
80
Voix seule
61
Voix haute
49
Voix moyenne, Piano
42
Voix basse, Piano
39
Chorale
23
Voix duo, Piano
17
Chorale 3 parties
13
Voix Soprano, Piano
8
Chorale 2 parties
7
Voix basse
4
Chorale SSAA
4
Chorale TTBB
4
Voix Mezzo-Soprano, Piano
3
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3
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3
Voix Tenor, Piano
3
Voix Baryton, Piano
2
Voix duo
2
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix Soprano
1
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1
Chorale SSATTB
1
+ 19 instrumentations
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Vents
Flûte traversière et Piano
98
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65
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56
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52
Hautbois, Piano (duo)
47
Saxophone Soprano et Piano
36
Saxophone Tenor et Piano
26
Clarinette
26
Flûte, Hautbois, Clarinette, Basson
25
Saxophone Baryton, Piano
21
2 Saxophones (duo)
17
Cor anglais, Piano
17
Quatuor de Clarinettes: 4 clarinettes
17
2 Clarinettes (duo)
16
Flûte traversière
15
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15
2 Flûtes traversières (duo)
13
Flûte et Guitare
13
Clarinette Basse, Piano
12
Flûte, Violon, Piano
8
Hautbois (partie séparée)
8
Saxophone Alto
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Saxophone
6
Flûte à Bec
6
Hautbois
5
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Hautbois (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Alto et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Guitare (duo)
2
Ensemble de Flûtes
2
Saxophone Tenor
2
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Piccolo, Piano
1
Flûte à bec Alto
1
Flûte, Violon
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violoncelle
1
Ensemble de saxophones
1
Flûte et Trio à cordes
1
Hautbois, Violoncelle
1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violon (duo)
1
Flûte à bec Alto, Piano
1
Harmonica
1
3 Clarinettes (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 54 instrumentations
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Cuivres
Cor et Piano
35
Trombone et Piano
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trompette, Piano
26
Trompette
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Euphonium, Piano (duo)
19
Cor anglais, Piano
17
Trombone
8
Tuba et Piano
8
Cor
7
Ensemble de Trombones
6
Trompette (partie séparée)
5
Tuba
5
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres
3
Trompette et Guitare
2
4 Tubas
2
Trombone (partie séparée)
2
Ensemble de Trompettes
2
Euphonium
2
2 Trompettes (duo)
2
2 Cors (duo)
1
Trio de Cuivres
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
2 Trombones (duo)
1
+ 26 instrumentations
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Cordes
Violon et Piano
135
Violoncelle, Piano
94
Quatuor à cordes: 2 violons, alto, violoncelle
80
Alto, Piano
67
Violon
18
Violoncelle
16
2 Violons (duo)
14
Alto seul
11
2 Violoncelles (duo)
11
4 Violoncelles
10
2 Altos (duo)
9
Violon, Violoncelle (duo)
7
Contrebasse, Piano (duo)
5
Harpe
5
Quatuor à cordes: 4 violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
Ensemble de Violons
2
Alto et Basson
1
Violoncelle, Basse continue
1
Violon, Violoncelle, Clarinette
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
Violon (partie séparée)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre à Cordes
43
Orchestre de chambre
33
Orchestre
28
Ensemble de cuivres
7
Vibraphone
1
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Op Song
Ensemble de Violons
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
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