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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sour.
Non classifié
1 629
Piano & claviers
Piano seul
430
Piano, Voix et Guitare
386
Instruments en Do
252
Piano Facile
181
Piano, Voix
174
Accompagnement Piano
69
Orgue
64
Piano Trio: piano, violon, violoncelle
20
1 Piano, 4 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
6
Clavecin
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Piano grosses notes
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
972
Guitare
72
Ukulele
27
Ligne De Mélodie, (Paroles) et Accords
20
Mandoline
10
2 Guitares (duo)
7
Dulcimer
6
Basse electrique
6
Paroles et Accords
5
Piano, Guitare (duo)
3
Banjo
3
2 Mandolines (duo)
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
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Voix
Chorale SATB
824
Chorale 3 parties
346
Chorale 2 parties
242
Chorale Unison
121
Chorale TTBB
37
Chorale
31
Voix duo, Piano
31
Chorale SSAA
14
Voix seule
6
Voix duo
5
Voix Baryton, Piano
4
Voix moyenne, Piano
4
Voix basse, Piano
4
Voix haute
4
Voix Soprano, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
+ 15 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
100
Flûte traversière
89
Flûte, Hautbois, Clarinette, Basson
82
2 Saxophones (duo)
77
Flûte traversière et Piano
77
Saxophone Alto et Piano
70
Clarinette et Piano
66
Saxophone Tenor et Piano
60
Clarinette
59
Quintette de Saxophone: 5 saxophones
56
Saxophone Soprano et Piano
55
3 Saxophones (trio)
50
Hautbois, Piano (duo)
48
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Saxophone Alto
38
Saxophone Baryton, Piano
30
2 Flûtes traversières (duo)
30
Saxophone Tenor
28
Hautbois
26
2 Flûtes traversières, Piano
26
Saxophone Baryton
24
Saxophone Soprano
24
2 Flûte à bec (duo)
24
Quatuor de Flûtes : 4 flûtes
24
Quatuor de Clarinettes: 4 clarinettes
23
2 Clarinettes (duo)
20
Flûte, Clarinette (duo)
18
Hautbois (partie séparée)
16
Ensemble de Clarinettes
16
2 Hautbois (duo)
15
Flûte, Hautbois, Clarinette (trio)
14
Flûte à Bec
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à bec Soprano
13
Quatuor de Flûtes à bec
11
Cor anglais, Piano
11
3 Clarinettes (trio)
9
Clarinette, Basson (duo)
9
Trio de Flûtes: 3 flûtes
9
Flûte à bec Alto
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Saxophone (partie séparée)
7
Ensemble de saxophones
6
Piccolo, Piano
6
Saxophone et Orgue
6
Quintette de Clarinettes: 5 clarinettes
6
Ensemble de Flûtes
6
Flûte, Hautbois (duo)
5
Piccolo
5
Hautbois, Basson (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Tenor
4
Ensemble De Flûte à bec
4
Hautbois, Clarinette (duo)
4
Flûte, Violon, Piano
4
Flûte à bec Alto, Piano
4
Instruments en Mib
4
Clarinette Basse, Piano
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Piano (trio)
2
Cor Anglais
2
Clarinette, Trompette (duo)
2
4 Hautbois
2
Clarinette, Violon (duo)
2
Flûte à bec Soprano, Piano
2
Ocarina
2
Hautbois, Flûte
1
Clarinette, Orgue
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Alto (duo)
1
Flûte, Alto et Piano
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Flûte, Violon
1
Saxophone
1
Flûte, Saxophone (duo)
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte, Trompette (duo)
1
Harmonica
1
5 Flûtes à bec
1
+ 80 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Trompette
65
Trombone et Piano
61
Trompette, Piano
59
Cor et Piano
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Tuba et Piano
40
Trombone
39
Tuba
37
Cor
36
2 Trombones (duo)
25
2 Trompettes (duo)
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
2 Cors (duo)
17
Trompette, Cor (duo)
14
Trompette, Trombone (duo)
11
Cor anglais, Piano
11
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 trombones
8
Trombone, Tuba (duo)
6
2 Tubas (duo)
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Ensemble de Trombones
5
Ensemble de Trompettes
4
Quatuor de Cuivres
3
Trombone, Orgue
3
Instruments en Sib
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Cor (duo)
3
Trombone basse
2
3 Cors (trio)
2
Cor Anglais
2
3 Tubas (trio)
2
3 Trompettes (trio)
2
Cor et Orgue
2
Trombone basse et Piano
2
Euphonium, Tuba (duo)
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
2
2 Euphoniums (duo)
1
Cor, Violoncelle (duo)
1
Euphonium
1
4 Tubas
1
Trio de Cuivres
1
Trompette, Basson (duo)
1
+ 44 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
146
Violon et Piano
109
Violon
80
Violoncelle, Piano
76
Alto, Piano
58
Violoncelle
57
Trio à Cordes: violon, alto, violoncelle
48
Alto seul
45
2 Violons (duo)
37
Contre Basse
36
Contrebasse, Piano (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
26
Harpe
25
Violon, Violoncelle (duo)
21
2 Altos (duo)
16
Violon, Alto (duo)
13
Piano Trio: Violon, Alto, Piano
12
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
8
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
6
Alto, Violoncelle (duo)
6
4 Violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Quatuor à cordes: 4 violons
5
Violoncelle, Contrebasse (duo)
5
Violon (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Orgue
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
2 Harpes (duo)
1
Violon, Basse continue
1
Harpe, Trombone (duo)
1
Violon, Guitare (duo)
1
2 Violoncelles, Piano
1
Ensemble d'Altos
1
Violon, Orgue
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
192
Orchestre à Cordes
57
Orchestre
57
Orchestre de chambre
54
Cloches
49
Ensemble de cuivres
26
Fanfare
14
Jazz combo
13
Ensemble de Percussions
11
Batterie
11
Ensemble Jazz
11
Marimba
10
Instrumentation Flexible
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
4
Piano et Orchestre
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 13 instrumentations
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Autres
Formation musicale - Solfège
10
Instruments
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FLUTE A BEC
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Ensemble de Violons
Partitions à imprimer
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Three selections based on "Christ lag in Todesbanden" (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on &quo
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Regis Bookshar
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SheetMusicPlus
String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Histor...
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String Quintet Violin - Level 4 - SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #850734. Published by Regis Bookshar (A0.1257411). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Violin Quintet - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar had transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Violin Quintet. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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