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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Symphony No. 9
Non classifié
223
Piano & claviers
Piano seul
109
Piano Facile
49
Orgue
13
1 Piano, 4 mains
12
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano grosses notes
4
Piano, Voix
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano, Voix et Guitare
1
+ 9 instrumentations
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Guitares
Guitare
12
Guitare notes et tablatures
6
Ukulele
3
Piano, Guitare (duo)
2
2 Guitares (duo)
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
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Voix
Chorale 3 parties
13
Chorale SATB
12
Chorale TTBB
5
Chorale SSAA
4
Chorale 2 parties
1
Vents
Clarinette (partie séparée)
34
Clarinette
31
2 Flûtes traversières (duo)
24
Hautbois (partie séparée)
22
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière et Piano
19
Saxophone (partie séparée)
18
2 Saxophones (duo)
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Clarinette et Piano
12
Quintette de Saxophone: 5 saxophones
11
2 Clarinettes (duo)
10
Saxophone Alto et Piano
10
Saxophone Soprano et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Hautbois, Piano (duo)
9
Flute (partie séparée)
8
Saxophone Tenor
7
Saxophone Tenor et Piano
7
Saxophone Alto
7
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
6
2 Hautbois (duo)
6
Hautbois
5
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Hautbois, Flûte
4
Clarinette, Violon (duo)
4
Flûte, Violon
4
Hautbois, violon (duo)
4
Flûte, Trompette (duo)
4
Ensemble de Clarinettes
3
Saxophone
3
Quintette de Flûte : 5 flûtes
3
Ensemble de saxophones
2
Clarinette Basse
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
2
Piccolo
1
3 Clarinettes (trio)
1
Ensemble de Hautbois
1
Flûte à bec Alto, Piano
1
Flûte, Trombone (duo)
1
Cor Anglais
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Flûte à Bec
1
Flûte, Violoncelle
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
Flûte à Bec, Piano
1
Ensemble de Flûtes
1
+ 52 instrumentations
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Cuivres
Cor
39
Trombone (partie séparée)
34
Trompette (partie séparée)
31
Cor (partie séparée)
19
Trompette, Piano
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
9
Trombone
9
Tuba (partie séparée)
8
Cor et Piano
8
2 Trompettes (duo)
7
2 Trombones (duo)
7
Tuba
7
Trompette, Trombone (duo)
5
Ensemble de Trombones
5
Quatuor de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
Cornet A Pistons
3
Ensemble de Trompettes
3
Trompette, Cor (duo)
2
Tuba et Orgue
2
2 Euphoniums (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Orgue
1
3 Cors (trio)
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon
24
Violoncelle
24
Violon et Piano
20
Alto seul
19
Violon, Violoncelle (duo)
12
2 Violons (duo)
12
Alto, Piano
11
Violoncelle, Piano
11
Violon (partie séparée)
11
2 Violoncelles (duo)
11
Contre Basse
9
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle (partie séparée)
5
2 Altos (duo)
5
Alto, Violoncelle (duo)
5
Harpe
4
Contrebasse (partie séparée)
4
Contrebasse, Piano (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
Ensemble de Violons
2
Trio à cordes
1
Violon, Basson (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
63
Orchestre
53
Orchestre à Cordes
37
Orchestre de chambre
9
Timbales (partie séparée)
6
Ensemble de cuivres
4
Percussion (partie séparée)
4
Percussion
2
2 Xylophones
2
Cloches
2
Instrumentation Flexible
1
Xylophone
1
Timbales
1
+ 8 instrumentations
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CORNET
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DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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LUTH
MANDOLINE
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Vous avez sélectionné:
Symphony No. 9
Ensemble de Violons
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2 partitions trouvées
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
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Symphony No. 9 
