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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
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MANDOLINE
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OCARINA
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Non classifié
359
Piano & claviers
Piano seul
838
Piano, Voix
381
Piano Facile
23
Piano, Voix et Guitare
13
Accordéon
10
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
6
Orgue
5
Instruments en Do
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
1
+ 7 instrumentations
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Guitare
40
Guitare notes et tablatures
28
2 Guitares (duo)
4
Ukulele
4
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2
Banjo
1
Mandoline
1
Orchestre à Plectres
1
2 Ukuleles
1
Piano, Guitare (duo)
1
+ 5 instrumentations
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376
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25
Chorale 3 parties
17
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9
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8
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4
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2
Voix Alto, Piano
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
+ 7 instrumentations
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Vents
Flûte traversière
191
Clarinette
125
2 Saxophones (duo)
76
Flûte à Bec
63
Saxophone Alto
46
Saxophone Tenor
41
Quatuor de Saxophones: 4 saxophones
40
Clarinette et Piano
35
Flûte traversière et Piano
29
Hautbois, Piano (duo)
25
3 Saxophones (trio)
24
Hautbois
24
Saxophone
24
2 Flûtes traversières (duo)
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Tenor et Piano
20
2 Clarinettes (duo)
19
2 Hautbois (duo)
19
Saxophone Baryton, Piano
19
Saxophone Soprano et Piano
18
Quatuor de Flûtes : 4 flûtes
16
Saxophone Alto et Piano
16
Quintette de Saxophone: 5 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
15
Cor anglais, Piano
15
Saxophone Soprano
13
2 Flûte à bec (duo)
13
Saxophone (partie séparée)
11
3 Clarinettes (trio)
10
Ensemble de Clarinettes
10
Flûte, Clarinette (duo)
9
Flûte à bec Soprano
9
Hautbois (partie séparée)
8
Piccolo
8
Clarinette Basse, Piano
8
Quatuor de Flûtes à bec
7
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois (duo)
7
Cor Anglais
7
Saxophone Baryton
7
Hautbois, Basson (duo)
6
Flûte, Hautbois, Piano (trio)
6
Clarinette, Basson (duo)
5
Flûte à bec Alto
5
Flûte à bec Alto, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Hautbois, Basson
4
Piccolo, Piano
4
5 Flûtes à bec
4
Ensemble de saxophones
4
Ensemble De Flûte à bec
4
Flûte à bec Tenor
4
Flûte à Bec, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte irlandaise
1
Ocarina
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Piano
1
+ 60 instrumentations
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Trompette
68
Trombone
48
Trompette, Piano
33
Cor
30
Trombone et Piano
26
Tuba
19
Cor et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Tuba et Piano
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Cor anglais, Piano
15
2 Trombones (duo)
13
2 Trompettes (duo)
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
11
2 Cors (duo)
11
Trombone basse
8
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 cors
7
Cor Anglais
7
Euphonium
6
Trompette, Cor (duo)
6
2 Tubas (duo)
5
Ensemble de Trombones
4
Trombone basse et Piano
4
3 Trombones (trio)
4
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
4 Tubas
2
3 Trompettes (trio)
2
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
+ 32 instrumentations
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Cordes
Violon
285
Violoncelle
127
Alto seul
93
Quatuor à cordes: 2 violons, alto, violoncelle
68
2 Violons (duo)
35
Violon et Piano
28
Violon, Violoncelle (duo)
27
Violoncelle, Piano
23
Trio à Cordes: violon, alto, violoncelle
22
2 Violoncelles (duo)
20
Violon, Alto (duo)
19
Alto, Piano
19
2 Altos (duo)
18
Contre Basse
11
4 Violoncelles
10
Violon (partie séparée)
9
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
8
Contrebasse, Piano (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
6
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 altos
5
Violon, Guitare (duo)
4
Harpe
4
2 Contrebasses (duo)
3
Alto, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
+ 30 instrumentations
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Orchestre d'harmonie
159
Orchestre à Cordes
27
Orchestre
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Ensemble de cuivres
5
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4
Ensemble Jazz
2
Vibraphone
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Cloches
1
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CLASSIQUE - BAROQUE - ROMANTIQUE
Ensemble de Violons
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
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