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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Hey Song
Non classifié
1 295
Piano & claviers
Piano seul
729
Piano, Voix
557
Piano Facile
412
Piano, Voix et Guitare
291
Accompagnement Piano
114
Instruments en Do
104
Orgue
40
Piano grosses notes
28
Piano Trio: piano, violon, violoncelle
18
1 Piano, 4 mains
17
2 Pianos, 4 mains
12
Accordéon
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble d'Accordéons
1
Clavecin
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
114
Piano, Guitare (duo)
98
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
25
Basse electrique
14
Paroles et Accords
7
2 Guitares (duo)
6
Banjo
5
Dulcimer
4
Mandoline
3
4 Guitares (Quatuor)
2
Basse électrique (partie séparée)
2
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
376
Chorale 2 parties
256
Chorale 3 parties
188
Chorale Unison
103
Voix Alto, Piano
90
Voix Tenor, Piano
86
Voix Soprano, Piano
73
Chorale TTBB
73
Chorale SSAA
52
Voix Tenor
34
Voix Baryton, Piano
32
Voix Soprano
27
Voix haute
19
Voix duo, Piano
19
Voix moyenne, Piano
15
Voix duo
15
Voix basse, Piano
9
Voix seule
6
Chorale SSATTB
2
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
270
Flûte traversière et Piano
252
Clarinette et Piano
250
Saxophone Alto et Piano
183
Saxophone Tenor et Piano
124
Quatuor de Saxophones: 4 saxophones
93
Flûte traversière
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Clarinette
71
Flûte, Hautbois, Clarinette, Basson
68
Saxophone Alto
62
2 Saxophones (duo)
61
Hautbois (partie séparée)
55
2 Flûtes traversières (duo)
44
2 Clarinettes (duo)
43
Quintette de Saxophone: 5 saxophones
38
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone Soprano et Piano
28
Saxophone (partie séparée)
26
Hautbois
21
Saxophone Tenor
20
Flûte, Clarinette (duo)
19
Flûte et Guitare
17
Quatuor de Flûtes : 4 flûtes
16
3 Saxophones (trio)
14
Ensemble de Clarinettes
13
Clarinette, Violon (duo)
13
2 Hautbois (duo)
13
Saxophone Baryton, Piano
12
Clarinette, Guitare (duo)
12
Ensemble de Flûtes
11
Saxophone, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
9
Hautbois, Clarinette (duo)
9
Ensemble de saxophones
8
Clarinette, Trompette (duo)
7
Hautbois, Flûte
7
Flûte, Violon
7
2 Flûte à bec (duo)
7
Flute (partie séparée)
6
Clarinette (partie séparée)
5
2 Flûtes traversières, Piano
5
Saxophone Soprano
5
Trio de Flûtes: 3 flûtes
5
Flûte, Clarinette et Basson
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette Basse, Piano
5
3 Clarinettes (trio)
4
Quatuor de Flûtes à bec
4
Clarinette et Alto
4
Flûte, Alto (duo)
4
Saxophone et Guitare
4
Ocarina
4
Cor anglais, Guitare (duo)
3
Flûte à bec Soprano, Piano
3
2 Clarinettes, Piano
3
2 Hautbois, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Saxophone (duo)
3
Flûte, Hautbois, Piano (trio)
2
Hautbois, Guitare (duo)
2
Cor anglais, Piano
2
Flûte, Violon, Piano
2
Flûte, Trompette (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Basson
2
Flûte à bec Soprano
2
Flûte irlandaise
2
5 Flûtes à bec
2
Flûte à bec Tenor
1
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
Ensemble à vent
1
Flûte, Hautbois (duo)
1
Saxophone
1
Flûte à bec Alto
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Flûte et Quatuor à Cordes
1
Flûte à Bec
1
Flûte, Basson et Piano
1
3 Hautbois
1
Flûte à Bec, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
198
Trompette
147
Trompette, Piano
114
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
88
Trombone
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
70
Cor et Piano
68
Tuba et Piano
50
Cor
50
Tuba
38
Quatuor de Cuivres
27
Trompette (partie séparée)
19
2 Trombones (duo)
18
2 Trompettes (duo)
16
2 Cors (duo)
10
Quatuor de cuivres: 4 trombones
10
Ensemble de Trombones
9
Euphonium, Piano (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de cuivres: 4 cors
6
Trio de Cuivres
5
Cor (partie séparée)
5
Trombone (partie séparée)
5
Ensemble de Trompettes
4
3 Trompettes (trio)
3
2 Cors, Piano
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
3
Tuba (partie séparée)
3
2 Tubas (duo)
3
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone basse
2
Trompette, Tuba (duo)
1
4 Tubas
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
272
Violon et Piano
250
Alto, Piano
223
Violoncelle, Piano
208
Violon
130
Violoncelle
97
Violon, Violoncelle (duo)
68
Alto seul
65
Harpe
46
Trio à Cordes: violon, alto, violoncelle
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
2 Violons (duo)
27
2 Violoncelles (duo)
23
Trio à Cordes: 2 violons, violoncelle
22
Contrebasse, Piano (duo)
21
Alto (partie séparée)
20
2 Altos (duo)
17
Contre Basse
15
Violon, Alto (duo)
12
4 Violoncelles
10
Violon (partie séparée)
9
2 Harpes (duo)
8
Violoncelle , Guitare (duo)
6
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Flûte (duo)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Violoncelle (partie séparée)
2
3 Harpes
2
5 Harpes
2
2 Violons, Piano
2
2 Violoncelles, Piano
2
Ensemble d'Altos
2
Harpe, Violon (duo)
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Voix
1
Autoharp
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
266
Orchestre à Cordes
67
Orchestre
57
Ensemble Jazz
49
Ensemble de cuivres
45
Cloches
32
Fanfare
28
Orchestre de chambre
18
Jazz combo
14
Percussion (partie séparée)
9
Ensemble de Percussions
7
Batterie
7
Batterie (partie séparée)
6
Marimba
3
Timbales (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Vibraphone
2
+ 13 instrumentations
Retracter
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ACCORDEON
ALTO
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CHANSON FRANÇAISE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
The Hey Song
Ensemble de Violons
Partitions à imprimer
4 partitions trouvées
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Silent Night (Bb) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
O Christmas Tree (G) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Noël
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813955 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multi...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813955 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 8 pages. Regis Bookshar #6632167. Published by Regis Bookshar (A0.813955). Violin Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Violin Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
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