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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
chords included.
Non classifié
935
Piano & claviers
Piano, Voix
516
Piano, Voix et Guitare
468
Piano Facile
451
Piano seul
275
Accompagnement Piano
117
Instruments en Do
98
1 Piano, 4 mains
8
Clavecin
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
188
Dulcimer
179
Ukulele
67
Ligne De Mélodie, (Paroles) et Accords
59
Guitare
31
Guitare (partie séparée)
27
2 Dulcimers (duo)
18
Basse electrique
18
Mandoline
15
Paroles et Accords
13
2 Guitares (duo)
10
Piano, Guitare (duo)
6
Banjo
5
Ensemble de guitares
3
3 Guitares (trio)
3
Dobro
2
4 Guitares (Quatuor)
2
2 Ukuleles
1
+ 13 instrumentations
Retracter
Voix
Chorale Unison
196
Chorale SATB
120
Chorale 2 parties
115
Chorale 3 parties
114
Chorale
26
Voix duo, Piano
17
Chorale SSAA
12
Chorale TTBB
7
Voix seule
4
Voix moyenne, Piano
3
Voix duo
3
Voix Alto, Piano
2
Voix Soprano, Piano
1
Voix Tenor, Piano
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Flûte traversière
47
Clarinette et Piano
43
Clarinette
42
Hautbois, Piano (duo)
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quintette de Saxophone: 5 saxophones
27
Hautbois (partie séparée)
27
Saxophone Alto et Piano
25
Flûte, Hautbois, Clarinette, Basson
23
Quatuor de Saxophones: 4 saxophones
21
Saxophone Alto
20
Saxophone Tenor et Piano
19
Saxophone Tenor
18
Hautbois
15
Saxophone Soprano et Piano
14
2 Saxophones (duo)
10
Saxophone Baryton, Piano
10
Flûte et Guitare
8
Saxophone (partie séparée)
8
Saxophone Soprano
7
Saxophone Baryton
7
2 Clarinettes (duo)
6
Cor Anglais
6
2 Flûtes traversières (duo)
6
Ensemble de Clarinettes
5
Quintette de Flûte : 5 flûtes
5
Clarinette Basse
4
Flûte à bec Soprano
4
Flûte, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
2 Hautbois (duo)
4
3 Clarinettes (trio)
3
Flûte, Violon
2
Ensemble de saxophones
2
Flûte, Saxophone (duo)
2
Flûte irlandaise
2
Saxophone, Clarinette (duo)
2
Flûte, Hautbois (duo)
1
Flûte, Trompette (duo)
1
Clarinette, Trompette (duo)
1
Flute (partie séparée)
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Basson et Piano
1
Cor anglais, Piano
1
Flûte à bec Alto
1
3 Saxophones (trio)
1
Hautbois, Clarinette (duo)
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
Clarinette Basse, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette et Alto
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 52 instrumentations
Retracter
Cuivres
Trompette
40
Trombone
32
Tuba
24
Trompette, Piano
24
Cor
22
Trombone et Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Tuba et Piano
16
Cor et Piano
14
Quatuor de Cuivres
7
Trio de Cuivres
6
Cor Anglais
6
Ensemble de Trombones
4
2 Trombones (duo)
4
Ensemble de Trompettes
4
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Euphonium
2
2 Cors (duo)
2
Trompette et Guitare
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Saxophone (duo)
1
Trombone (partie séparée)
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Tuba et Orgue
1
+ 28 instrumentations
Retracter
Cordes
Violon
72
Violon et Piano
68
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violoncelle, Piano
43
Violoncelle
42
Alto, Piano
42
Harpe
41
Alto seul
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Contre Basse
23
Contrebasse, Piano (duo)
20
2 Violons (duo)
18
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
10
Violon, Guitare (duo)
8
2 Altos (duo)
7
2 Violoncelles (duo)
7
Alto (partie séparée)
6
Violon, Alto (duo)
5
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble d'Altos
2
Trio à cordes
1
2 Harpes (duo)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Autoharp
1
+ 30 instrumentations
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Orchestre & Percussions
Ensemble Jazz
20
Orchestre à Cordes
18
Cloches
17
Orchestre d'harmonie
13
Jazz combo
10
Orchestre
7
Marimba
7
Xylophone
6
Ensemble de cuivres
4
Xylophone, Piano
4
Fanfare
1
Percussion
1
Orchestre de chambre
1
Vibraphone et Marimba
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMBONE
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TUBA
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Ensemble de Violons
Partitions à imprimer
3 partitions trouvées
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Allegro (from "Concerto for Four Claviers") (G min) (Violin Quintet)
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Ensemble de Violons
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 5 - SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Mu...
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String Ensemble,String Quintet Violin - Level 5 - SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209859. Published by Regis Bookshar (A0.813409). Violin Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violin Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Violins, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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