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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Sheetmusicplus
Non classifié
3 986
Piano & claviers
Instruments en Do
2 725
Piano, Voix
276
Piano seul
259
Piano Facile
229
Piano, Voix et Guitare
139
Accompagnement Piano
128
Piano Trio: piano, violon, violoncelle
38
1 Piano, 4 mains
25
Orgue
10
Accordéon
10
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Accordéons
7
Clavecin
3
Orgue, Piano (duo)
3
Tous Les Instruments
2
Accordéon, Voix
1
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
643
Guitare
598
2 Guitares (duo)
76
Basse electrique
70
Dulcimer
62
Ukulele
52
Guitare (partie séparée)
49
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37
Mandoline
17
Piano, Guitare (duo)
8
Banjo
5
3 Guitares (trio)
4
Paroles et Accords
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
+ 12 instrumentations
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Voix
Chorale Unison
148
Chorale 2 parties
106
Chorale SATB
65
Chorale 3 parties
53
Voix duo, Piano
36
Voix Alto, Piano
21
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13
Voix Tenor, Piano
12
Voix Baryton, Piano
12
Chorale SSAA
11
Voix duo
8
Chorale TTBB
8
Voix seule
7
Voix moyenne, Piano
3
Pack Instrumental pour Chorale
2
+ 10 instrumentations
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Instruments en Mib
229
Clarinette et Piano
160
Hautbois, Piano (duo)
133
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129
Flûte traversière et Piano
125
Flûte, Hautbois, Clarinette, Basson
109
Flûte, Clarinette (duo)
101
2 Saxophones (duo)
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Quatuor de Saxophones: 4 saxophones
71
Hautbois, Clarinette (duo)
71
Quintette de Saxophone: 5 saxophones
63
Saxophone Tenor et Piano
61
2 Flûte à bec (duo)
57
Flûte et Guitare
53
Flûte traversière
45
2 Flûtes traversières (duo)
38
Clarinette
38
Saxophone Soprano et Piano
36
Harmonica, Piano
36
Flûte, Violon
35
Flûte, Hautbois (duo)
35
Saxophone Alto
30
Hautbois
25
Saxophone Tenor
23
Flûte à bec Soprano
22
Clarinette, Violon (duo)
20
Hautbois, Flûte
19
2 Clarinettes (duo)
18
Hautbois (partie séparée)
17
Saxophone et Guitare
17
Hautbois, violon (duo)
15
Flûte, Trompette (duo)
15
2 Clarinettes, Piano
15
Clarinette, Trompette (duo)
15
Hautbois, Basson (duo)
13
Clarinette, Basson (duo)
12
Hautbois, Guitare (duo)
11
2 Hautbois (duo)
11
Flûte, Violon, Piano
10
Flûte, Basson et Piano
9
Clarinette, Guitare (duo)
9
Flûte, Clarinette et Basson
9
Flûte à Bec
9
Clarinette, Alto et Piano (trio)
8
Trio de Flûtes: 3 flûtes
8
Saxophone Soprano
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violoncelle
6
Saxophone, Clarinette (duo)
5
Saxophone Baryton
5
Saxophone Baryton, Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette, Violoncelle (duo)
5
3 Clarinettes (trio)
5
Hautbois, Violoncelle
5
Cor anglais, Guitare (duo)
4
Saxophone, Violon (duo)
4
Hautbois, Trompette (duo)
4
Flûte, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Quintette de Flûte : 5 flûtes
4
Piccolo, Piano
4
Flûte à bec Alto, Piano
3
Clarinette, Trombone (duo)
3
Ensemble de Clarinettes
3
Clarinette et Alto
3
2 Flûtes traversières, Piano
3
2 Cors Anglais Et Pianoforte
2
Flûte, Saxophone (duo)
2
Quatuor de Flûtes à bec
2
Quatuor de Flûtes : 4 flûtes
2
3 Saxophones (trio)
2
3 Hautbois
2
Flûte à bec Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo
2
2 Hautbois, Piano
2
Saxophone (partie séparée)
2
Flûte, Hautbois, Piano (trio)
2
Cor anglais, Piano
2
Flûte, Alto (duo)
1
Clarinette, Orgue
1
Harmonica
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
Flûte traversière, Orgue (duo)
1
2 Saxophones, Piano
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Cor Anglais
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
Hautbois et alto (duo)
1
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Bass Clef Instruments
202
Instruments en Sib
160
Trompette, Piano
148
Tuba et Piano
104
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Tuba
74
Trompette, Trombone (duo)
71
Trompette, Cor (duo)
70
2 Tubas (duo)
69
Trombone et Piano
66
Cor et Piano
57
Quatuor de Cuivres
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
44
Cor
37
Trombone
31
Trompette, Saxophone (duo)
18
Trombone, violoncelle (duo)
15
2 Trompettes (duo)
15
2 Trombones (duo)
13
2 Cors (duo)
12
Trombone, Tuba (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba et Orgue
8
Trompette (partie séparée)
7
Euphonium, Piano (duo)
7
Trombone (partie séparée)
6
Trombone, Cor (duo)
5
Ensemble de Trompettes
5
Cor anglais, Guitare (duo)
4
Trompette, violon (duo)
4
Cor, Violoncelle (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Tuba (duo)
3
Trompette et Guitare
3
Ensemble de Trombones
3
Trompette, Basson (duo)
2
2 Cors, Piano
2
2 Cors Anglais Et Pianoforte
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Cor, Tuba (duo)
2
Cor anglais, Piano
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
1
Euphonium
1
Cor et Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
2 Trombones, Piano
1
Trompette, Harpe
1
Cor et Orgue
1
Trompette, Violoncelle (duo)
1
Cor Anglais
1
3 Trompettes (trio)
1
4 Tubas
1
+ 51 instrumentations
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Cordes
Violon et Piano
322
Violon, Violoncelle (duo)
167
Violon, Alto (duo)
150
Quatuor à cordes: 2 violons, alto, violoncelle
135
Alto, Piano
128
Violoncelle, Piano
96
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
Violon
78
2 Contrebasses (duo)
61
Violoncelle
58
Alto seul
57
Piano Trio: Violon, Alto, Piano
43
Alto, Violoncelle (duo)
41
Violon, Guitare (duo)
36
Contrebasse, Piano (duo)
36
Contre Basse
28
2 Violons (duo)
27
2 Violoncelles (duo)
26
Violoncelle , Guitare (duo)
19
Harpe
18
Trio à Cordes: 2 violons, violoncelle
16
2 Harpes (duo)
12
2 Altos (duo)
10
Alto, Guitare (duo)
8
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Alto et Basson
6
Trio à cordes: 3 violins
5
Alto (partie séparée)
4
Violon, Basson (duo)
4
Trio à Cordes: 2 violons, alto
4
Harpe, Flûte (duo)
4
Ensemble de Violons
3
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
2
Trio à cordes: 3 altos
2
2 Violoncelles, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
3 Contrebasses
2
Ensemble d'Altos
2
Harpe, Violon (duo)
2
2 Violons, Piano
2
2 Altos, Piano
1
Harpe, Voix
1
Alto et Harpe
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
+ 45 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
52
Ensemble Jazz
50
Orchestre
23
Orchestre à Cordes
22
Jazz combo
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Ensemble de cuivres
11
Cloches
8
Orchestre de chambre
5
Xylophone, Piano
4
Ensemble de Percussions
4
Fanfare
2
Vibraphone et Marimba
1
Piano et Orchestre
1
Percussion
1
Xylophone
1
2 Xylophones
1
+ 12 instrumentations
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Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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COR ANGLAIS
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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DIDGERIDOO
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Allegro (from "Concerto for Four Claviers") (G min) (Violin Quintet)
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Ensemble de Violons
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 5 - SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Mu...
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String Ensemble,String Quintet Violin - Level 5 - SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209859. Published by Regis Bookshar (A0.813409). Violin Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violin Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Violins, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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