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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
M'man
Non classifié
435
Piano & claviers
Piano seul
327
Orgue
48
Piano, Voix et Guitare
18
Piano, Voix
16
Piano Trio: piano, violon, violoncelle
9
Instruments en Do
8
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
22
Guitare
15
Basse electrique
4
Guitare notes et tablatures
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Ukulele
1
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
71
Chorale TTBB
19
Voix seule
13
Chorale 3 parties
9
Chorale SSAA
8
Voix Soprano, Piano
6
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale Unison
1
Voix Alto, Piano
1
Voix basse
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
51
Quintette de Saxophone: 5 saxophones
34
Flûte traversière et Piano
34
Quatuor de Saxophones: 4 saxophones
30
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette et Piano
16
Saxophone Alto et Piano
16
Ensemble de Clarinettes
15
Saxophone Tenor et Piano
13
Clarinette
12
Hautbois, Piano (duo)
11
Saxophone Soprano et Piano
11
Ensemble de Flûtes
9
Flûte traversière
9
Saxophone Baryton, Piano
7
Saxophone Tenor
7
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
Quintette de Flûte : 5 flûtes
6
Cor anglais, Piano
6
2 Saxophones (duo)
5
Clarinette Basse, Piano
5
Saxophone Alto
3
Flûte, Hautbois, Clarinette, Basson
3
3 Saxophones (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière, Orgue (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Guitare (duo)
2
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Flûte et Guitare
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Flûte, Violon
1
Flute (partie séparée)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Ensemble de Trompettes
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Ensemble de Trombones
14
Quatuor de Cuivres
13
Trompette, Piano
9
Cor et Piano
6
Trompette
6
Cor anglais, Piano
6
Trio de Cuivres
5
Euphonium, Piano (duo)
5
Ensemble de Cors
5
Trombone
4
Trombone et Piano
4
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Tuba et Piano
3
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Trombone (partie séparée)
2
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba
1
2 Trombones (duo)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
102
Violon, Violoncelle (duo)
46
Trio à Cordes: violon, alto, violoncelle
34
Trio à Cordes: 2 violons, violoncelle
33
Violoncelle, Piano
25
Alto, Piano
23
Violon
20
Violoncelle
16
2 Violoncelles (duo)
13
2 Violons (duo)
10
Ensemble d'Altos
6
Ensemble de Violons
6
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, alto
6
Harpe
5
Alto seul
5
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
Violon, Guitare (duo)
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Contre Basse
1
4 Violoncelles
1
Alto (partie séparée)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
75
Orchestre
46
Orchestre d'harmonie
22
Orchestre de chambre
15
Ensemble Jazz
13
Jazz combo
12
Ensemble de cuivres
9
Fanfare
5
2 Xylophones
2
Marimba
2
Cloches
2
Xylophone, Piano
1
Piano et Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
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BASSON
BATTERIE
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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SAXOPHONE
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VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
M'man
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Cor anglais, Piano
Partitions à imprimer
6 partitions trouvées
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Dangerous Woman
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.548240 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score ...
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English Horn,Piano - Level 4 - SKU: A0.548240 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score and part. 8 pages. Jmsgu3 #3224957. Published by jmsgu3 (A0.548240). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Alexandre Glazunov: Le Chant du Ménestrel (The Minstral's Song), op. 71, - english horn a
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Alexandre Glazunov
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Paul Wehage
#
Alexandre Glazunov: Le Chant d
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.534749 Composed by Alexandre Glazunov. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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English Horn,Piano - Level 4 - SKU: A0.534749 Composed by Alexandre Glazunov. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #6607895. Published by Musik Fabrik Music Publishing (A0.534749). A lyrical work by the Romantic Russian composer. In the original key.
$10.35
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Fauré: Élégie Op. 24 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549735 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period...
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English Horn,Piano - Level 4 - SKU: A0.549735 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531657. Published by jmsgu3 (A0.549735). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.
$32.95
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