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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of Songs Music
Non classifié
194
Piano & claviers
Piano seul
588
Piano, Voix
146
Piano, Voix et Guitare
29
Instruments en Do
22
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
6
Orgue
3
Accompagnement Piano
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Ukulele
41
Guitare
24
Basse electrique
15
Mandoline
13
Guitare notes et tablatures
8
2 Guitares (duo)
6
Dulcimer
3
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
81
Voix seule
64
Voix Soprano, Piano
13
Chorale TTBB
8
Voix Baryton, Piano
7
Voix duo
5
Voix Tenor, Piano
5
Chorale 3 parties
5
Chorale SSAA
4
Voix haute
4
Voix Alto, Piano
3
Voix Tenor
2
Voix duo, Piano
2
Voix, Guitare
1
Voix moyenne, Piano
1
Chorale 2 parties
1
Chorale Unison
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Saxophones: 4 saxophones
18
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto et Piano
17
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
16
Hautbois, Piano (duo)
13
Flûte traversière et Piano
13
Saxophone Soprano et Piano
12
Ensemble de Flûtes
11
Quatuor de Flûtes : 4 flûtes
8
Quintette de Saxophone: 5 saxophones
7
2 Flûtes traversières (duo)
5
Cor anglais, Piano
5
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
5
Ensemble de Clarinettes
4
Trio de Flûtes: 3 flûtes
4
Ensemble de saxophones
4
3 Clarinettes (trio)
3
2 Saxophones (duo)
3
Clarinette
3
Flûte, Clarinette (duo)
3
Flûte traversière
3
2 Clarinettes (duo)
3
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette et Basson
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Alto
1
Ensemble De Flûte à bec
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
Saxophone Tenor
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
Flûte et Guitare
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette
9
Trombone et Piano
9
Cor et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trombone
5
Cor anglais, Piano
5
Tuba et Piano
5
Euphonium, Piano (duo)
5
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
3
2 Euphoniums et 2 Tubas
3
Ensemble de Trombones
2
2 Cors (duo)
2
Quatuor de Cuivres
2
Cor
1
Trompette, Trombone (duo)
1
4 Tubas
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Harpe
39
Violon, Violoncelle (duo)
34
Alto, Piano
26
Violoncelle, Piano
19
Violon et Piano
19
Trio à Cordes: 2 violons, violoncelle
11
Trio à Cordes: violon, alto, violoncelle
11
Violon
10
2 Violons (duo)
4
2 Violoncelles (duo)
4
Harpe, Voix
4
Trio à cordes
3
Alto seul
3
Contrebasse, Piano (duo)
3
Violoncelle
3
2 Altos (duo)
2
2 Harpes (duo)
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
53
Orchestre
38
Orchestre d'harmonie
34
Orchestre à Cordes
19
Orchestre de chambre
16
Ensemble Jazz
10
Jazz combo
10
Fanfare
1
Cloches
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Song of Songs Music
avancé
Cor anglais, Piano
Partitions à imprimer
5 partitions trouvées
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Barton Cummings: Two Songs for English Horn and Strings, reduction for english horn and piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Barton Cummings
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Barton Cummings: Two Songs for
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.534345 Composed by Barton Cummings. Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music ...
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English Horn,Piano - Level 4 - SKU: A0.534345 Composed by Barton Cummings. Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #3364723. Published by Musik Fabrik Music Publishing (A0.534345). Barton Cummings enjoys a distinguished international musical career. Recognized as an author, composer, conductor, educator, and performing artist, he has pursued these activities successfully for more than forty years. The music of Barton Cummings has been performed throughout the world by such prominent artists and ensembles as Mark Nelson, Mary Ann Craig, Fritz Kaenzig, Janet Polk, David Deason, Bowling Green State University Euphonium-Tuba Ensemble, the Colonial Tuba Quartet, the Meridian Arts Ensemble Brass Quintet, the Tokyo Bari-Tuba Ensemble, and the University of Michigan Euphonium-Tuba Ensemble. Recordings of his original and transcribed music can be found on Channel Classics, Crystal Records and Mark Records.
$16.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Grieg: Peer Gynt Suite Complete for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306323. Published by jmsgu3 (A0.551501). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
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