Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des'ree
Non classifié
3 220
Piano & claviers
Piano seul
2 992
Piano Facile
633
Piano, Voix
501
Orgue
282
Piano, Voix et Guitare
245
Accordéon
190
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
37
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Voix
1
2 Pianos, 8 mains
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare
657
Basse electrique
312
Guitare notes et tablatures
235
Ukulele
76
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Banjo
16
Dulcimer
16
2 Guitares (duo)
15
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
11
Guitare (partie séparée)
6
Ukulele Baryton
6
3 Guitares (trio)
4
2 Dulcimers (duo)
3
Ensemble de guitares
3
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
739
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
99
Pack Instrumental pour Chorale
78
Chorale TTBB
61
Chorale SSAA
41
Voix Soprano, Piano
22
Chorale
18
Voix Alto, Piano
15
Voix duo, Piano
15
Voix duo
15
Voix Baryton, Piano
11
Voix haute
11
Voix moyenne, Piano
4
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Male Voice
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix Tenor
1
Chorale SSAB, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
Voix Soprano
1
+ 21 instrumentations
Retracter
Vents
Saxophone
1 170
Clarinette
662
Flûte traversière
658
Flûte traversière et Piano
314
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
121
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Alto et Piano
103
Hautbois
98
Hautbois, Piano (duo)
98
Trio de Flûtes: 3 flûtes
98
Flûte à Bec
96
Saxophone Alto
88
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
84
Quatuor de Flûtes : 4 flûtes
81
Saxophone Tenor
80
2 Clarinettes (duo)
67
Flûte à bec Soprano
63
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
53
3 Saxophones (trio)
45
Saxophone Soprano et Piano
44
Flûte et Guitare
37
Hautbois (partie séparée)
37
Flûte, Clarinette (duo)
35
Ensemble de saxophones
32
Saxophone Baryton, Piano
31
Hautbois, Basson (duo)
30
Ensemble de Clarinettes
30
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Flûte, Violon
23
Quintette de Clarinettes: 5 clarinettes
22
Quatuor de Flûtes à bec
22
2 Hautbois (duo)
22
Flûte, Violon, Piano
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Clarinette Basse, Piano
15
Ensemble de Flûtes
15
Flûte à bec Soprano, Piano
15
Hautbois, Clarinette (duo)
15
Ocarina
14
3 Flûtes à bec (trio)
14
Quintette de Flûte : 5 flûtes
14
2 Flûte à bec (duo)
14
Flûte, Hautbois, Clarinette (trio)
14
Saxophone Soprano
12
Clarinette, Trompette (duo)
12
Clarinette (partie séparée)
12
Clarinette, Basson (duo)
12
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violoncelle
11
Harmonica
10
Clarinette et Alto
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Flûte, Basson et Piano
9
Flûte, Trompette (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Cor anglais, Guitare (duo)
8
2 Flûtes traversières, Piano
7
Flûte à bec Alto
7
Flûte, Violon et Violoncelle
6
Flûte à Bec, Piano
6
Flute (partie séparée)
6
Flûte, Hautbois (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Clarinette et Basson
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
Flute, harpe et violon
3
Flûte irlandaise
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, trompette et piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Tuba (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Ensemble de Hautbois
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone Baryton
1
Clarinette Basse
1
Saxophone et Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte de Pan
1
Piccolo
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Violon (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte et Quatuor à Cordes
1
Piccolo, Piano
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
525
Trombone
466
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
88
Trompette, Piano
84
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
36
2 Trompettes (duo)
34
2 Trombones (duo)
33
Tuba et Piano
33
Trombone (partie séparée)
29
Euphonium, Piano (duo)
29
Trompette, Trombone (duo)
28
Trompette (partie séparée)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
3 Trompettes (trio)
10
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
8
Cor anglais, Guitare (duo)
8
Quatuor de cuivres: 4 trompettes
7
Ensemble de Cors
7
Euphonium, Tuba (duo)
6
Cor (partie séparée)
6
4 Tubas
6
Trombone basse
6
Trompette, violon (duo)
4
Bass Clef Instruments
4
Cor, Violoncelle (duo)
4
Cor, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Tuba (partie séparée)
3
Trompette, Cor (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Euphoniums (duo)
3
Trombone basse et Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Cors (trio)
2
3 Euphoniums
2
Tuba et Orgue
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 141
Violon
777
Trio à Cordes: violon, alto, violoncelle
586
Violoncelle
449
Alto seul
376
Violon et Piano
255
Trio à cordes: 3 violins
240
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
117
Violoncelle, Piano
109
Alto, Piano
107
Harpe
106
Violon, Violoncelle (duo)
93
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
41
Contre Basse
39
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, alto
16
Quatuor à cordes : 4 altos
16
Alto (partie séparée)
14
Trio à cordes
14
Violon, Guitare (duo)
14
Contrebasse (partie séparée)
14
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe et Piano
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle , Guitare (duo)
7
Ensemble d'Altos
6
Alto, Guitare (duo)
5
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
4 Contrebasses
4
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
3
Harpe et mandoline
2
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
2 Violons, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Quatuor à cordes
1
4 Harpes
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Autoharp
1
Ensemble de Violoncelles
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 188
Orchestre d'harmonie
913
Batterie
405
Orchestre
370
Ensemble Jazz
164
Ensemble de cuivres
120
Cloches
92
Jazz combo
70
Fanfare
60
Orchestre de chambre
59
Ensemble de Percussions
36
Marimba
10
Percussion
10
Percussion (partie séparée)
7
Vibraphone
4
Batterie (partie séparée)
3
Xylophone, Piano
2
Orchestre, Violon
2
Xylophone
1
3 Percussions
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
18
Librairie Musicale
2
Matériel de Musique
10 214
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Des'ree
Cor anglais, Piano
Partitions à imprimer
18 partitions trouvées
<
1
An die Türen (I will creep up to the doors) for cor anglais and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
An die Türen
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576699 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 5...
(+)
English Horn,Piano - Level 3 - SKU: A0.576699 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 5 pages. David Warin Solomons #90231. Published by David Warin Solomons (A0.576699). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707255
$8.00
Gesänge des Harfners (Songs of the Harpist) for cor anglais and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
Gesänge des Harfners
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576701 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 1...
(+)
English Horn,Piano - Level 3 - SKU: A0.576701 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 19 pages. David Warin Solomons #90235. Published by David Warin Solomons (A0.576701). All three of Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview of the first song. The three songs are also available individually on this site. If you would like to download mp3s of the piano accompaniments please use these references in the search box on sheetmusicplus:
$20.00
Jesu, joy of man's desiring by Bach for English Horn and Piano
#
Cor anglais, Piano
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by
#
Woods Only, Arrangements
#
SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1049396 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pa...
(+)
English Horn,Piano - Level 1 - SKU: A0.1049396 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653745. Published by Woods Only, Arrangements (A0.1049396). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Wer nie sein Brot mit Tränen ass (Who never ate his bread with tears) for cor anglais and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
Wer nie sein Brot mit Trä
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576697 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7...
(+)
English Horn,Piano - Level 3 - SKU: A0.576697 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7 pages. David Warin Solomons #90225. Published by David Warin Solomons (A0.576697). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707251
$8.00
Wer sich der Einsamkeit ergibt (Who gives himself to solitude) for cor anglais and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
Wer sich der Einsamkeit ergibt
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576695 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7...
(+)
English Horn,Piano - Level 3 - SKU: A0.576695 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7 pages. David Warin Solomons #90221. Published by David Warin Solomons (A0.576695). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707253
$8.00
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
(+)
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
#
Cor anglais, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
(+)
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
A Whole New World
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Alan Menken and Tim Rice
#
Harry Walker
#
A Whole New World
#
SCORE EDITIONS
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1458242 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/...
(+)
English Horn,Piano - Level 3 - SKU: A0.1458242 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037219. Published by SCORE EDITIONS (A0.1458242). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
Après un rêve (Fauré) for English Horn and Piano
#
Cor anglais, Piano
#
FACILE
#
Classique
#
Gabriel Faure
#
Harry Walker
#
Après un rêve
#
SCORE EDITIONS
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1303409 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score...
(+)
English Horn,Piano - Level 2 - SKU: A0.1303409 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892983. Published by SCORE EDITIONS (A0.1303409). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
Debussy: Claire de Lune for English Horn & Piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Claude Debussy
#
James M
#
Debussy: Claire de Lune for En
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550112 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,Wor...
(+)
English Horn,Piano - Level 3 - SKU: A0.550112 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595955. Published by jmsgu3 (A0.550112). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Bach-Gounod: Ave Maria for English Horn & Piano
#
Cor anglais, Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Eng
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
(+)
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for English Horn & Piano
#
Cor anglais, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for English H
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
(+)
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
The First Noel (Solo English Horn & Piano)
#
Cor anglais, Piano
#
FACILE
#
Musique Sacrée
#
Garrett Breeze
#
The First Noel
#
Lagom Music
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.723326 Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 9 pages. Lagom Mu...
(+)
English Horn,Piano - Level 2 - SKU: A0.723326 Arranged by Garrett Breeze. Christian,Christmas,Praise & Worship,Sacred. Score and part. 9 pages. Lagom Music #6114251. Published by Lagom Music (A0.723326). This new setting of The First Noel for solo instrument and piano includes multiple key changes and a lush, expansive piano part that makes for a stirring and emotional arrangement equally suitable for sacred and concert settings.
$5.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
#
Cor anglais, Piano
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
(+)
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
#
Cor anglais, Piano
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
(+)
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Gregory Sullivan Isaacs: Song Without Words for english horn and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Song
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages...
(+)
English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618663. Published by Musik Fabrik Music Publishing (A0.533375). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
(+)
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stand...
(+)
English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508043. Published by jmsgu3 (A0.549564). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
