Partitions Numériques de 3 Hymns pour Cor anglais, Piano

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TRI ET FILTRES

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PIANO & CLAVIERS

Piano seul 565 Piano, Voix et Guitare 341 Orgue 169 Accompagnement Piano 128 Piano Facile 79

Piano, Voix 59 Piano Trio: piano, violon, violoncelle 39 Instruments en Do 10 2 Pianos, 4 mains 9 1 Piano, 4 mains 8 Orgue, Trompette (duo) 4 Piano Quatuor: piano, 2 violons, violoncelle 2 Orgue, Piano (duo) 2 Piano Quatuor: piano, violon, alto, violoncelle 1 Clavier 1

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GUITARES

Guitare 23 Guitare notes et tablatures 13 Ukulele Baryton 2 2 Guitares (duo) 2 Ligne De Mélodie, (Paroles) et Accords 1

3 Guitares (trio) 1 Ukulele 1

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VOIX

Chorale SATB 176 Chorale 3 parties 141 Chorale 2 parties 74 Voix duo, Piano 27 Voix duo 23

Chorale Unison 20 Chorale TTBB 14 Chorale SSAA 3 Voix moyenne, Piano 2 Voix haute 1 Voix seule 1 Voix Soprano, Piano 1 Chorale SSATTB 1 Chorale 1

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VENTS

Saxophone Alto et Piano 159 Hautbois, Piano (duo) 145 Flûte traversière et Piano 131 Clarinette et Piano 96 Saxophone Tenor et Piano 68 Saxophone Baryton, Piano 55 2 Flûtes traversières (duo) 27 Hautbois, Basson (duo) 19 2 Saxophones (duo) 19 2 Hautbois (duo) 18 Clarinette, Basson (duo) 17 Quatuor de Clarinettes: 4 clarinettes 17 Flûte traversière 15 2 Clarinettes (duo) 15 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 14 Flûte, Trompette (duo) 12 3 Saxophones (trio) 11 Hautbois (partie séparée) 11 Clarinette 11 Flûte, Hautbois, Clarinette, Basson 11 Quatuor de Saxophones: 4 saxophones 10 Saxophone Alto 10 2 Saxophones, Piano 10 Clarinette (partie séparée) 9 3 Clarinettes (trio) 8 Saxophone Tenor 8 Flûte, Basson et Piano 8 Flûte, Clarinette (duo) 8 Saxophone Soprano et Piano 7 Flute (partie séparée) 6 Trio de Flûtes: 3 flûtes 6 Flûte, Alto et Piano 5 Flûte, Trombone (duo) 5 Clarinette, Basson, Piano (trio) 5 Clarinette, Violoncelle, Piano (trio) 5 Saxophone (partie séparée) 5 Quatuor de Flûtes : 4 flûtes 5 Cor anglais, Piano 4

Flûte, Violon, Piano 4 Flûte, Hautbois, Clarinette (trio) 4 Flute, Cor (duo) 4 Quintette de Saxophone: 5 saxophones 3 Clarinette, Harpe (duo) 3 Clarinette, Alto et Piano (trio) 3 Clarinette Basse, Piano 3 Hautbois, Clarinette (duo) 3 Flûte, Violon 3 2 Clarinettes, Piano 3 Flûte, Violoncelle, Piano (trio) 3 2 Flûte à bec (duo) 2 Flûte, Alto (duo) 2 Flûte, Violoncelle 2 Flûte, Saxophone (duo) 2 Saxophone et Harpe 2 Hautbois, Flûte 2 Flûte et Guitare 2 Clarinette, Violon (duo) 2 Flûte, Hautbois (duo) 2 Flute, harpe et violon 1 Ensemble de Clarinettes 1 Piccolo, Piano 1 Flûte, Clarinette, Piano (trio) 1 Flûte, Clarinette et Basson 1 Quintette de Clarinettes: 5 clarinettes 1 2 Flûtes traversières, Piano 1 Saxophone, Clarinette (duo) 1 Instruments en Mib 1 Ensemble de Flûtes 1 Flûte, Harpe et Violoncelle 1 Flûte, Clarinette, Violon (trio) 1 Hautbois, Harpe 1 Quatuor de Flûtes à bec 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Flûte, Hautbois, Violon 1 Flûte, Violon, Violoncelle et Piano 1

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CUIVRES

Trombone et Piano 113 Trompette, Piano 86 Cor et Piano 82 2 Cors (duo) 43 Trompette 35 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 27 Quatuor de Cuivres : 2 trompettes, trombone, tuba 25 2 Trombones (duo) 19 Trombone 8 Trombone (partie séparée) 7 Cor 6 3 Trombones (trio) 6 3 Trompettes (trio) 5 Quatuor de Cuivres 5 Cor anglais, Piano 4

Quatuor de Cuivres: 2 trompettes, Cor, trombone 4 Trompette (partie séparée) 4 Quatuor de cuivres: 4 cors 3 2 Trompettes, Clavier (piano ou orgue) 3 Trompette, Harpe 2 Trio de Cuivres 2 Euphonium, Piano (duo) 2 Tuba 2 Trompette, Trombone (duo) 2 Cor (partie séparée) 1 Tuba (partie séparée) 1 Trompette, Violoncelle et Piano 1 Ensemble de Cors 1 Cor et Harpe 1 Trombone, Violon (duo) 1 Clarinette, Cor (duo) 1 Instruments en Fa 1 Ensemble de Trombones 1 2 Trompettes (duo) 1 Tuba et Piano 1 Instruments en Sib 1 Bass Clef Instruments 1

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CORDES

Violon et Piano 148 Violoncelle, Piano 93 Alto, Piano 93 Harpe 63 Quatuor à cordes: 2 violons, alto, violoncelle 43

Violon, Violoncelle (duo) 20 Violon, Alto (duo) 19 Violon 18 Trio à Cordes: 2 violons, violoncelle 18 2 Violons (duo) 16 Harpe, Flûte (duo) 15 Violoncelle 14 Trio à Cordes: violon, alto, violoncelle 13 2 Harpes (duo) 11 Piano Trio: Violon, Alto, Piano 11 Alto, Violoncelle (duo) 9 Alto seul 6 Alto (partie séparée) 6 2 Altos (duo) 4 Violon (partie séparée) 4 2 Violoncelles (duo) 3 Trio à cordes: 3 violins 3 Trio à Cordes: 2 violons, alto 3 Contrebasse (partie séparée) 2 Violon, Clarinette, Piano (trio) 2 Trio à Cordes: 3 violoncelles 2 Harpe, Violoncelle (duo) 2 Harpe, Violon (duo) 2 Quatuor à cordes: 4 violons 2 4 Violoncelles 1 Harpe, Trombone (duo) 1 2 Violons, Piano 1 Violon, Basson (duo) 1 Harpe et Orgue 1 Trio à cordes: 3 altos 1 Alto et Harpe 1 Harpe, Voix 1 Violon, Trompette et Piano 1

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PERCUSSIONS & ORCHESTRES

Cloches 208 Orchestre d'harmonie 35 Ensemble de cuivres 34 Orchestre 23 Orchestre à Cordes 9

Marimba 6 Orchestre de chambre 2 Ensemble Jazz 2 Percussion (partie séparée) 2 Jazz combo 2

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AUTRES

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3 Hymns

Cor anglais, Piano

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4 partitions trouvées

Amazing Grace, Gospel Hymn for English Horn and Piano

Cor anglais, Piano

Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Downlo…(+)

Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo English Horn and Piano. Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain. The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet. If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo English Horn and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series. To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203Amazing Grace is a beautiful hymn arranged here for Solo English Horn and Piano. Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain. The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet. If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo English Horn and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series. To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203

$2.49 2.28 € #Cor anglais, Piano #John Newton #David McKeown #Worship #Amazing Grace, Gospel Hymn for English Horn and Piano #David McKeown #SheetMusicPlus

Morning Has Broken

Cor anglais, Piano

English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By C…(+)

English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia

$47.95 43.84 € #Cor anglais, Piano #Cat Stevens #James M #Morning Has Broken #jmsgu3 #SheetMusicPlus

Luther: Out of the Depths for English Horn & Piano

Cor anglais, Piano

English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin L…(+)

English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 22.81 € #Cor anglais, Piano #Martin Luther #James M #Luther: Out of the Depths for English Horn & Piano #jmsgu3 #SheetMusicPlus

Sullivan: The Lost Chord for English Horn & Piano

Cor anglais, Piano

English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arth…(+)

English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 24.64 € #Cor anglais, Piano #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for English Horn & Piano #jmsgu3 #SheetMusicPlus