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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
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MARIMBA
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PERCUSSION
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Angel G
Non classifié
113
Piano & claviers
Piano seul
90
Piano, Voix
60
Piano Facile
26
Piano, Voix et Guitare
21
Orgue
19
Accompagnement Piano
4
Instruments en Do
3
Piano grosses notes
2
1 Piano, 4 mains
1
+ 4 instrumentations
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Guitare notes et tablatures
16
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
6
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5
2 Guitares (duo)
2
Paroles et Accords
2
Dulcimer
1
Piano, Guitare (duo)
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
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Voix
Chorale SATB
74
Voix seule
5
Chorale Unison
5
Voix duo, Piano
3
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3
Chorale SSAA
2
Chorale SSATTB
1
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1
Voix haute
1
Voix Soprano
1
Chorale 2 parties
1
Chorale TTBB
1
+ 7 instrumentations
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Vents
Hautbois, Piano (duo)
11
2 Saxophones (duo)
9
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9
Clarinette et Piano
8
Saxophone Tenor et Piano
7
2 Flûtes traversières (duo)
6
Saxophone Alto et Piano
5
Clarinette
5
Saxophone
4
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4
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4
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4
Clarinette (partie séparée)
3
Hautbois, Basson (duo)
3
2 Clarinettes (duo)
3
Flûte, Violon, Piano
3
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2
Flûte et Guitare
2
Flûte, Clarinette et Basson
2
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2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
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2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Alto
1
Clarinette, Violon (duo)
1
Ensemble de Flûtes
1
Flûte traversière, Orgue (duo)
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
Clarinette Basse, Piano
1
3 Flûtes à bec (trio)
1
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1
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1
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1
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1
3 Saxophones (trio)
1
Cor anglais, Piano
1
Saxophone (partie séparée)
1
Quatuor de Saxophones: 4 saxophones
1
+ 35 instrumentations
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Trompette, Piano
6
Trompette (partie séparée)
5
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone, Tuba (duo)
2
Trombone et Piano
2
Ensemble de Trombones
2
Trompette, Tuba (duo)
2
Euphonium, Piano (duo)
2
Cor
2
Tuba
2
Quatuor de cuivres: 4 trompettes
2
Trombone (partie séparée)
1
Instruments en Sib
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
Cor (partie séparée)
1
2 Trombones (duo)
1
2 Euphoniums (duo)
1
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Cordes
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
21
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12
Violon
11
Violon, Violoncelle (duo)
10
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9
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8
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7
2 Violons (duo)
7
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6
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6
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3
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3
Violon (partie séparée)
3
Alto seul
3
2 Harpes (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
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29
Ensemble Jazz
26
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19
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15
Cloches
6
Ensemble de cuivres
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2
Jazz combo
1
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1
Percussion (partie séparée)
1
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Angel G
Cor anglais, Piano
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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