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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria 4
Non classifié
1 043
Piano & claviers
Piano, Voix
1 280
Piano seul
849
Piano Facile
166
Piano, Voix et Guitare
129
1 Piano, 4 mains
126
Orgue
114
Instruments en Do
29
2 Pianos, 4 mains
19
Piano Trio: piano, violon, violoncelle
14
Accordéon
10
Accompagnement Piano
9
Piano grosses notes
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
2 Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
77
Guitare notes et tablatures
67
Basse electrique
29
4 Guitares (Quatuor)
18
2 Guitares (duo)
18
Ukulele
15
Ligne De Mélodie, (Paroles) et Accords
12
Mandoline
6
Piano, Guitare (duo)
3
Dulcimer
2
Banjo
1
Paroles et Accords
1
Guitare (partie séparée)
1
Ukulele Baryton
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
313
Voix Soprano, Piano
107
Chorale 3 parties
88
Chorale TTBB
48
Voix Tenor, Piano
39
Chorale SSAA
38
Voix haute
34
Voix seule
34
Voix Alto, Piano
33
Chorale Unison
27
Voix duo, Piano
25
Chorale 2 parties
22
Voix Baryton, Piano
13
Voix basse, Piano
11
Voix duo
10
Voix moyenne, Piano
9
Chorale
8
Voix Soprano
7
Voix Tenor
6
Voix Mezzo-Soprano, Piano
4
Chorale SSAATTBB
3
Voix duo, Orgue
3
Chorale SATTB
2
Pack Instrumental pour Chorale
2
Chorale, Orgue
1
Voix Moyenne
1
Chorale SSATTB
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
255
Quatuor de Clarinettes: 4 clarinettes
164
Flûte traversière et Piano
100
Quatuor de Flûtes : 4 flûtes
95
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Clarinette et Piano
73
2 Saxophones (duo)
69
Saxophone Alto et Piano
68
Saxophone Tenor et Piano
54
Hautbois, Piano (duo)
50
2 Clarinettes (duo)
46
Flûte traversière
45
2 Flûtes traversières (duo)
44
Flûte, Hautbois, Clarinette, Basson
42
Saxophone Soprano et Piano
41
Clarinette
33
Quatuor de Flûtes à bec
29
Saxophone Baryton, Piano
28
Ensemble de Clarinettes
24
Saxophone Alto
24
Flûte, Clarinette (duo)
21
Saxophone (partie séparée)
21
Ensemble de saxophones
18
Ensemble de Flûtes
17
Saxophone Tenor
17
Cor anglais, Piano
16
2 Hautbois (duo)
14
Hautbois (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
11
Clarinette Basse, Piano
11
Flûte et Guitare
10
Quintette de Saxophone: 5 saxophones
10
Clarinette (partie séparée)
9
Saxophone, Clarinette (duo)
9
Clarinette, Violon (duo)
8
Hautbois, Basson (duo)
8
3 Saxophones (trio)
8
Hautbois, Clarinette (duo)
6
Flûte à bec Soprano
6
Flûte, Violon
6
3 Clarinettes (trio)
6
Clarinette, Trompette (duo)
5
Saxophone Soprano
5
Hautbois, Flûte
5
2 Flûte à bec (duo)
5
Flûte, Saxophone (duo)
5
Quintette de Flûte : 5 flûtes
4
2 Clarinettes, Piano
4
Flûte, Violon et Violoncelle
4
Flûte, Violon, Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Piccolo, Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Clarinette, Basson (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Violoncelle
3
Clarinette et Alto
3
4 Hautbois
3
Hautbois
2
Harmonica
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Guitare
2
Cor Anglais
2
Saxophone
2
Flûte à bec Alto, Piano
2
Flûte à bec, Guitare (duo)
2
Flûte à Bec, Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone Baryton
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Saxophone et Orgue
1
Flute (partie séparée)
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
Piccolo
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte à Bec
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
3 Hautbois
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte traversière, Basse continue
1
Flute, harpe et violon
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
2 Saxophones, Piano
1
Flûte, Clarinette et Basson
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trombone et Piano
55
Trompette, Piano
44
Cor et Piano
43
Quatuor de cuivres: 4 trombones
43
Quatuor de cuivres: 4 cors
42
Trompette
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Tuba et Piano
26
2 Trompettes (duo)
22
Euphonium, Piano (duo)
20
Cor anglais, Piano
16
2 Trombones (duo)
15
Trombone
15
Trompette, Trombone (duo)
14
Cor
14
Quatuor de cuivres: 4 trompettes
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Trombone (partie séparée)
11
4 Tubas
11
2 Cors (duo)
8
Tuba
8
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
7
Ensemble de Trombones
6
Trompette, Cor (duo)
6
3 Trombones (trio)
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
Cor (partie séparée)
3
Euphonium
3
2 Euphoniums et 2 Tubas
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor Anglais
2
Quatuor de Cuivres
2
Trombone basse et Piano
2
Ensemble de Tubas
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trio de Cuivres
1
Cor et Harpe
1
Trompette, violon (duo)
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
Trompette, Harpe
1
Trompette et Guitare
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
121
Violoncelle, Piano
78
Alto, Piano
69
Trio à Cordes: violon, alto, violoncelle
63
Harpe
62
Violon, Violoncelle (duo)
59
Violon
51
2 Violons (duo)
44
4 Violoncelles
43
Violoncelle
40
2 Violoncelles (duo)
34
2 Altos (duo)
28
Contrebasse, Piano (duo)
21
Alto seul
21
Violon, Alto (duo)
19
Quatuor à cordes: 4 violons
17
Violon (partie séparée)
16
Contre Basse
14
Quatuor à cordes : 4 altos
14
Alto (partie séparée)
13
Trio à Cordes: 2 violons, violoncelle
12
Violon, Guitare (duo)
10
Alto, Violoncelle (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, alto
5
Contrebasse (partie séparée)
5
Trio à Cordes: 3 violoncelles
4
2 Harpes (duo)
4
Alto, Guitare (duo)
4
Harpe, Violon (duo)
4
Violoncelle , Guitare (duo)
4
Violoncelle, Contrebasse (duo)
3
Violon, Orgue
2
Violon, Basse continue
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
4 Contrebasses
2
Trio à cordes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Quatuor à cordes
1
Flûte, Contrebasse (duo)
1
Ensemble de Violons
1
Violon, Basson (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Harpe, Violoncelle (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre
157
Orchestre d'harmonie
148
Orchestre à Cordes
90
Batterie
80
Orchestre de chambre
61
Ensemble de cuivres
47
Ensemble Jazz
33
Cloches
24
Marimba
9
Jazz combo
9
Ensemble de Percussions
6
Percussion (partie séparée)
5
Fanfare
4
Instrumentation Flexible
3
Batterie (partie séparée)
1
Marimba et Orgue
1
Vibraphone
1
Percussion
1
2 Xylophones
1
Big band
1
+ 15 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Vous avez sélectionné:
Aria 4
Cor anglais, Piano
Partitions à imprimer
16 partitions trouvées
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1
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 page...
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English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658345. Published by David McKeown (A0.594415). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cor Anglais (or English Horn) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Der Vogelfänger bin ich ja
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Cor anglais, Piano
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DÉBUTANT
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Classique
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Der Vogelfänger bin ich j
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Andre_Nusa
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1241768 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Opera. Score and part. 4 pages. Andre_Nus...
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English Horn,Piano - Level 1 - SKU: A0.1241768 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Opera. Score and part. 4 pages. Andre_Nusa #837145. Published by Andre_Nusa (A0.1241768). Discover the whimsical melodies of Der Vogelfänger bin ich ja from Mozart's The Magic Flute with this delightful arrangement for easy piano and english horn. This sheet music brings the joyous and playful aria to life, allowing beginner musicians to enjoy and perform this classic composition. The easy piano part offers simplified yet recognizable accompaniment, while the english horn takes on the charming and melodic lines of the original composition. From the very first note, you'll be transported to a world of adventure and humor. The catchy melody and spirited rhythms will inspire a sense of delight and encourage toe-tapping along with the music. Perfect for beginners, students, or casual play, this arrangement allows you to enjoy the beauty of Mozart's composition without the complexity of advanced techniques. Whether you're a novice pianist or a beginner english horn player, this arrangement provides a platform to explore Mozart's music and develop your skills.
$4.99
Deep River, Gospel Song for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Deep River, Gospel Song for En
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.592693 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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English Horn,Piano - Level 2 - SKU: A0.592693 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411723. Published by David McKeown (A0.592693). Deep River is a beautiful gospel song arranged here for Solo English Horn and Piano.Deep River was first published in 1917 and quickly became a public favourite. The writer and origin of the song is unknown, but certainly stretch back into the nineteenth century. In the recording age, Deep River was made famous by Marian Anderson, Paul Robeson and Tommy Dorsey.
$2.49
Deep River, Gospel Song for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Deep River, Gospel Song for Co
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.592689 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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English Horn,Piano - Level 2 - SKU: A0.592689 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411715. Published by David McKeown (A0.592689). Deep River is a beautiful gospel song arranged here for Solo Cor Anglais and Piano.Deep River was first published in 1917 and quickly became a public favourite. The writer and origin of the song is unknown, but certainly stretch back into the nineteenth century. In the recording age, Deep River was made famous by Marian Anderson, Paul Robeson and Tommy Dorsey.
$2.49
Morning Has Broken
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Cor anglais, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...
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English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Dangerous Woman
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ariana Grande
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James M
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drums) and nightclubs.
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Dangerous Woman
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.548240 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score ...
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English Horn,Piano - Level 4 - SKU: A0.548240 By Ariana Grande. By Johan Carlsson, Max Martin, and Ross Golan. Arranged by James M. Guthrie. Pop. Score and part. 8 pages. Jmsgu3 #3224957. Published by jmsgu3 (A0.548240). DUration: 3:20 Score: 6 pages, Part: 2 pages, Tempo: eighth note = 134, Meter: 12/8 Works well for recitals, encores, jazz combo performance (just add bass & drums) and nightclubs.
$64.95
Czardas (Vittorio Monti) for English Horn and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Vittorio Monti
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Harry Walker
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Czardas
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1455595 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. ...
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English Horn,Piano - Level 4 - SKU: A0.1455595 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. Score and part. 17 pages. SCORE EDITIONS #1034689. Published by SCORE EDITIONS (A0.1455595). Vittorio Monti's Csárdás is a vibrant celebration of Hungarian musical tradition. Composed in 1904, the piece is based on the traditional csárdás dance, distinguished by its variations in tempo and intensity. From its slow, expressive introduction to its fast, dynamic conclusion, the work offers an exhilarating musical journey that displays both technical prowess and emotional depth. Monti succeeded in capturing the essence of a culture and transporting it to global audiences, making Csárdás an enduring and beloved piece in the classical repertoire. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
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