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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Art is a fire!
Non classifié
331
Piano & claviers
Piano seul
202
Piano, Voix
90
Piano Facile
30
Piano, Voix et Guitare
14
Piano grosses notes
12
Instruments en Do
9
1 Piano, 4 mains
8
Accompagnement Piano
7
Orgue
6
Piano (partie séparée)
6
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 6 mains
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Clavecin
1
+ 13 instrumentations
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Guitares
Guitare (partie séparée)
14
Guitare
11
Guitare notes et tablatures
7
2 Guitares (duo)
6
Basse electrique
6
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline
1
Ukulele
1
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Chorale SATB
103
Chorale 3 parties
37
Chorale 2 parties
19
Chorale TTBB
16
Chorale SSAA
11
Chorale Unison
7
Voix Soprano, Piano
3
Chorale SSATTB
2
Voix duo
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
+ 7 instrumentations
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Vents
Saxophone (partie séparée)
50
Flûte traversière et Piano
25
Quatuor de Saxophones: 4 saxophones
25
Flûte, Hautbois, Clarinette, Basson
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte traversière
16
Hautbois, Piano (duo)
15
Clarinette
14
Quatuor de Flûtes : 4 flûtes
14
Clarinette (partie séparée)
13
Saxophone Alto et Piano
12
Hautbois (partie séparée)
12
Saxophone Tenor et Piano
12
2 Saxophones (duo)
11
Clarinette et Piano
11
Saxophone Alto
10
Saxophone Tenor
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Ensemble de saxophones
6
Flute (partie séparée)
6
Saxophone Soprano et Piano
6
Flûte et Guitare
4
2 Hautbois (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
4
Quintette de Saxophone: 5 saxophones
4
Clarinette Basse, Piano
3
Cor anglais, Piano
3
Flûte, Violon, Piano
3
Clarinette, Violon (duo)
3
Ensemble de Flûtes
3
Flûte, Clarinette (duo)
3
Hautbois
2
3 Clarinettes (trio)
2
Hautbois, Flûte
2
Quatuor de Flûtes à bec
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Saxophone, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Clarinette, trompette et piano
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Ensemble à vent
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Violon
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois (duo)
1
Clarinette et Alto
1
Flûte à Bec
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Flûte, trombone et piano
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
+ 60 instrumentations
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Cuivres
Trombone (partie séparée)
43
Trompette (partie séparée)
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
13
Cor (partie séparée)
12
Cor et Piano
10
Trombone et Piano
10
Trombone
10
Trompette, Piano
9
Tuba
8
Tuba (partie séparée)
8
Cor
7
Euphonium, Piano (duo)
7
Euphonium
5
2 Trombones (duo)
4
Cor anglais, Piano
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trompette, Saxophone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
Euphonium, Tuba (duo)
1
Trompette, Trombone (duo)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon (partie séparée)
24
Violon et Piano
22
Violon
20
Alto, Piano
19
Violoncelle
16
Contrebasse (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto (partie séparée)
12
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Piano
9
Harpe
9
Alto seul
7
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
2 Harpes (duo)
4
Contre Basse
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
2
Violoncelle (partie séparée)
2
Alto, Guitare (duo)
2
Trio à cordes: 3 violins
2
Contrebasse, Piano (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
340
Orchestre
57
Orchestre à Cordes
55
Ensemble de cuivres
35
Fanfare
33
Ensemble Jazz
27
Batterie
20
Jazz combo
15
Orchestre de chambre
14
Percussion (partie séparée)
10
Batterie (partie séparée)
8
Cloches
7
Ensemble de Percussions
2
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Vous avez sélectionné:
Art is a fire!
Cor anglais, Piano
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Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Morning Has Broken
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Cor anglais, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...
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English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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