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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Opera
Non classifié
577
Piano & claviers
Piano, Voix
478
Piano seul
283
Piano Facile
64
Piano, Voix et Guitare
28
Orgue
26
Accordéon
15
Instruments en Do
13
1 Piano, 4 mains
12
Piano grosses notes
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
18
Basse electrique
14
Ukulele
7
Ligne De Mélodie, (Paroles) et Accords
5
Mandoline
2
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Orchestre à Plectres
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
85
Voix seule
57
Chorale 3 parties
21
Voix Soprano, Piano
18
Chorale TTBB
17
Chorale 2 parties
14
Voix duo
13
Voix duo, Piano
13
Voix Tenor, Piano
8
Chorale SSAA
7
Voix haute
7
Voix Baryton, Piano
6
Voix Alto, Piano
5
Chorale Unison
5
Voix Soprano
4
Voix basse, Piano
4
Voix moyenne, Piano
3
Voix Tenor
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Saxophones: 4 saxophones
56
Clarinette
47
Clarinette et Piano
45
Saxophone Alto et Piano
45
Hautbois, Piano (duo)
42
2 Saxophones (duo)
41
Saxophone Alto
38
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone
35
Flûte traversière
35
Quintette de Saxophone: 5 saxophones
32
Saxophone Soprano et Piano
28
2 Flûtes traversières (duo)
28
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette, Basson
24
3 Saxophones (trio)
22
2 Clarinettes (duo)
21
Hautbois (partie séparée)
18
Saxophone Tenor
17
Ensemble de Clarinettes
16
Cor anglais, Piano
14
Flûte à bec Soprano
13
Saxophone Baryton, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
5 Flûtes à bec
10
Quatuor de Flûtes à bec
10
Flûte à Bec
9
Saxophone (partie séparée)
8
2 Flûte à bec (duo)
8
Ensemble de Flûtes
7
3 Clarinettes (trio)
7
2 Hautbois (duo)
7
Flûte, Clarinette (duo)
7
Quintette de Flûte : 5 flûtes
7
Ensemble de saxophones
7
Flûte, Clarinette et Basson
6
Flûte à bec, Guitare (duo)
6
Clarinette, Basson (duo)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
5
Clarinette, Harpe (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette Basse, Piano
4
Flûte, Hautbois, Basson
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Basson (duo)
4
Flûte, Violon, Piano
4
Hautbois
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Flûte à Bec, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Violon (duo)
2
2 Clarinettes, Piano
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Piano
2
Flûte, Violon
2
Flûte à bec Tenor
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte et Trio à cordes
1
Clarinette et Alto
1
Hautbois, Clarinette et Piano (Trio)
1
Harmonica
1
Cor anglais, Guitare (duo)
1
Hautbois, Harpe
1
Flûte, trombone et piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Clarinette (partie séparée)
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
38
Trompette
36
Trompette, Piano
35
Trombone
26
Cor et Piano
24
2 Trombones (duo)
24
Cor
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba et Piano
16
Tuba
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
2 Euphoniums (duo)
7
Ensemble de Trombones
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
5
Ensemble de Trompettes
4
2 Cors (duo)
4
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
Euphonium
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Trombone (partie séparée)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
90
Violoncelle, Piano
61
Violon
49
Alto, Piano
47
Violoncelle
37
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
25
2 Altos (duo)
17
2 Violons (duo)
15
Harpe, Flûte (duo)
14
Harpe
14
2 Violoncelles (duo)
12
2 Harpes (duo)
11
Contrebasse, Piano (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
8
Contre Basse
7
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
7
4 Violoncelles
6
Alto, Violoncelle (duo)
6
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
2
Harpe et Piano
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Flûte, Contrebasse (duo)
1
Trio à cordes
1
Violon, Basson (duo)
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
2 Violons et Basse continue
1
Harpe, Violon (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre
82
Ensemble de cuivres
52
Orchestre de chambre
52
Orchestre à Cordes
50
Ensemble de Percussions
9
Cloches
5
Marimba
2
Fanfare
2
Ensemble Jazz
2
Voix et Orchestre
1
Piano et Orchestre
1
+ 7 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Can Opera
Cor anglais, Piano
Partitions à imprimer
14 partitions trouvées
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1
Intermezzo from Cavalleria Rusticana - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Pietro Mascagni
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César Madeira
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Intermezzo from Cavalleria Rus
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1321231 Composed by Pietro Mascagni. Arranged by César Madeira. 20th Century,Lent,Opera,Romantic Period,Weddin...
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English Horn,Piano - Level 3 - SKU: A0.1321231 Composed by Pietro Mascagni. Arranged by César Madeira. 20th Century,Lent,Opera,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #909684. Published by Sheet Music To Play Editions (A0.1321231). Intermezzo from Cavalleria Rusticana by Mascagni. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Mascagni (1863 – 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Offenbach - Can-Can - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Jacques Offenbach
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César Madeira
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Offenbach - Can-Can - English
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1397425 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Film/TV,Roma...
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English Horn,Piano - Level 3 - SKU: A0.1397425 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Film/TV,Romantic Period. Score and part. 13 pages. Sheet Music To Play Editions #980751. Published by Sheet Music To Play Editions (A0.1397425). Can-Can by Jacques Offenbach. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Turkish March by Beethoven for English Horn
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Cor anglais, Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1155639 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score an...
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English Horn,Piano - Level 2 - SKU: A0.1155639 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755943. Published by Woods Only, Arrangements (A0.1155639). This arrangement adapted for cor anglais and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Scarlatti - Già il sole dal Gange - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alessandro Scarlatti
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César Madeira
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Scarlatti - Già il sole
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1472209 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Oper...
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English Horn,Piano - Level 3 - SKU: A0.1472209 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Opera. Score and part. 12 pages. Sheet Music To Play Editions #1049910. Published by Sheet Music To Play Editions (A0.1472209). Già il sole dal Gange by Scarlatti. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Alessandro Gaspare Scarlatti (1660 – 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Gregory Sullivan Isaacs: Song Without Words for english horn and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages...
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English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618663. Published by Musik Fabrik Music Publishing (A0.533375). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and...
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English Horn,Piano - Level 2 - SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042569. Published by David McKeown (A0.587904). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and...
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English Horn,Piano - Level 2 - SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042571. Published by David McKeown (A0.587905). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Symphony No. 5 by Beethoven for English Horn
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1154896 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Tradit...
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English Horn,Piano - Level 3 - SKU: A0.1154896 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755172. Published by Woods Only, Arrangements (A0.1154896). This adaptation was intended for a small group of cor anglais and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Ode to Joy by Beethoven for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for En
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1160382 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period....
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English Horn,Piano - Level 1 - SKU: A0.1160382 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760665. Published by Woods Only, Arrangements (A0.1160382). This arrangement adapted for cor anglais and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
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