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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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ASIE
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CELTIQUE - IRISH - S…
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PIANO & CLAVIERS
Piano seul
614
Piano, Voix et Guitare
577
Piano, Voix
356
Orgue
348
Piano Facile
242
Instruments en Do
36
1 Piano, 4 mains
32
Accompagnement Piano
24
Piano Trio: piano, violon, violoncelle
13
Piano grosses notes
8
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
6
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Clavecin
3
Accordéon
2
Clavier
1
1 Piano, 6 mains
1
Ensemble de Pianos
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
104
Ukulele
63
Guitare notes et tablatures
57
Guitare
37
Paroles et Accords
25
2 Guitares (duo)
7
4 Guitares (Quatuor)
5
Basse electrique
3
Piano, Guitare (duo)
2
Banjo
2
3 Guitares (trio)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
668
Chorale 3 parties
186
Chorale 2 parties
80
Chorale TTBB
74
Chorale SSAA
47
Voix duo, Piano
31
Chorale Unison
28
Voix seule
18
Chorale
11
Voix Soprano, Piano
9
Voix duo
8
Chorale SSAATTBB
8
Voix Baryton, Piano
6
Voix haute
5
Chorale SSAB a cappella
4
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSATB
3
Voix, Guitare
3
Chorale SSATTB
2
Voix basse
1
Chorale SSATBB
1
Chorale SATTB
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
75
Flûte, Hautbois, Clarinette, Basson
63
Quatuor de Saxophones: 4 saxophones
60
Hautbois, Piano (duo)
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
Saxophone Alto et Piano
45
Clarinette et Piano
44
Saxophone Tenor et Piano
44
Clarinette
39
3 Saxophones (trio)
36
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone (partie séparée)
32
Flûte traversière
32
2 Saxophones (duo)
31
2 Flûtes traversières, Piano
29
2 Flûtes traversières (duo)
27
2 Clarinettes (duo)
26
Saxophone Alto
26
Flûte à Bec
25
Quatuor de Flûtes : 4 flûtes
25
2 Flûte à bec (duo)
24
Saxophone Soprano et Piano
23
Quintette de Saxophone: 5 saxophones
19
3 Clarinettes (trio)
18
Saxophone Tenor
16
Saxophone Baryton, Piano
13
Flûte, Clarinette (duo)
12
Hautbois (partie séparée)
12
3 Flûtes à bec (trio)
12
Flûte et Guitare
12
Quatuor de Flûtes à bec
11
Trio de Flûtes: 3 flûtes
11
Quintette de Clarinettes: 5 clarinettes
11
Cor anglais, Piano
10
Clarinette (partie séparée)
10
Ensemble de Clarinettes
10
Quintette de Flûte : 5 flûtes
8
Saxophone Soprano
7
Flute (partie séparée)
7
5 Flûtes à bec
6
Ensemble de saxophones
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
6
Flûte à bec Soprano, Piano
6
Ensemble de Flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte à bec Alto, Basse continue
4
2 Hautbois (duo)
4
2 Clarinettes, Piano
4
Flûte à bec Soprano
4
Hautbois, Basson (duo)
4
Clarinette, trompette et piano
3
Flûte, Violon, Piano
3
Flûte, Violon
3
Flûte, trombone et piano
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse, Piano
3
Ensemble De Flûte à bec
3
Flûte, Violon et Violoncelle
3
Clarinette, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor Anglais
2
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle et Piano
2
Flûte, Alto et Piano
2
Hautbois
2
Flûte à Bec, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte irlandaise
1
Flûte à bec Tenor
1
Flûte, Basson et Piano
1
Flûte à bec, Guitare (duo)
1
Flute, harpe et violon
1
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, Clarinette (duo)
1
3 Hautbois
1
Clarinette, Orgue
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Harpe
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Hautbois
1
Saxophone et Piano
1
Flûte, Violon, Guitare
1
Instrumentations suivantes
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CUIVRES
Trompette
80
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette, Piano
46
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor et Piano
17
Trompette (partie séparée)
16
2 Trompettes (duo)
15
Cor
11
Cor anglais, Piano
10
Quatuor de cuivres: 4 trombones
10
Euphonium, Piano (duo)
9
Tuba
9
Quatuor de cuivres: 4 cors
9
Quatuor de Cuivres
8
Trombone (partie séparée)
8
2 Trombones (duo)
7
2 Cors (duo)
7
3 Trompettes (trio)
5
Trompette, Cor (duo)
5
Cor (partie séparée)
5
Ensemble de Cors
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Euphonium
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
4 Tubas
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
3
Cor Anglais
2
2 Tubas (duo)
2
Trombone basse
2
2 Euphoniums (duo)
2
Trio de Cuivres
2
Ensemble de Trompettes
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Cor (duo)
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trompette, Violoncelle et Piano
1
Trompette, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
86
2 Violoncelles (duo)
79
Violoncelle, Piano
61
2 Violons (duo)
52
Violon
50
Violon (partie séparée)
47
Alto, Piano
42
Harpe
41
Violon, Violoncelle (duo)
36
Violoncelle (partie séparée)
34
2 Altos (duo)
27
Alto seul
26
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
21
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
Alto, Violoncelle (duo)
16
Alto (partie séparée)
15
Contrebasse (partie séparée)
12
4 Violoncelles
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Piano Trio: Violon, Alto, Piano
7
2 Harpes (duo)
6
Trio à cordes: 3 violins
6
Contre Basse
6
Trio à Cordes: 3 violoncelles
6
Harpe, Flûte (duo)
5
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Violon, Basse continue
4
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Orgue
2
Violoncelle, Basse continue
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
Harpe (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
155
Orchestre à Cordes
70
Orchestre
38
Cloches
36
Ensemble de cuivres
25
Batterie
22
Ensemble Jazz
19
Orchestre de chambre
17
Marimba
9
Percussion (partie séparée)
9
Jazz combo
8
Ensemble de Percussions
8
Fanfare
5
Percussion
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Chris Ott
Cor anglais, Piano
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Just As I Am, Gospel Hymn for English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.592918 Composed by Charlott…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.592918 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413421. Published by David McKeown (A0.592918). Just as I Am is a beautiful hymn arranged here for Solo English Horn and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Cor anglais, Piano
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for English Horn and Piano
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David McKeown
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SheetMusicPlus
Just As I Am, Gospel Hymn for Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.592914 Composed by Charlott…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.592914 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413413. Published by David McKeown (A0.592914). Just as I Am s a beautiful hymn arranged here for Solo Cor Anglais and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Cor anglais, Piano
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Morning Has Broken
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By C…
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.03 €
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Cor anglais, Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.550926 Composed by J. S. Ba…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Cor anglais, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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jmsgu3
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SheetMusicPlus
L'abito Di Festa
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.640020 Composed by Guglielm…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.640020 Composed by Guglielmo Cottrau. Arranged by Kaiserin Rebecca. Christmas,Holiday,Wedding. Score and part. 2 pages. Kaiserin Rebecca #3627561. Published by Kaiserin Rebecca (A0.640020). For English horn solo and piano accompaniment with chords.Key: F majorDuration: 0'40.
$4.99
4.58 €
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Cor anglais, Piano
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Guglielmo Cottrau
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Kaiserin Rebecca
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L'abito Di Festa
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Kaiserin Rebecca
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.1076818 Composed by Martin …
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English Horn,Piano - Level 1 - Digital Download SKU: A0.1076818 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680933. Published by Woods Only, Arrangements (A0.1076818). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.83 €
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Cor anglais, Piano
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Martin Luther
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Ander
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A Mighty Fortress is Our God by Luther for English Horn and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Moonlight Sonata by Beethoven for English Horn
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.1156931 Composed by Ludwig …
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English Horn,Piano - Level 1 - Digital Download SKU: A0.1156931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757275. Published by Woods Only, Arrangements (A0.1156931). This arrangement adapted for cor anglais and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.83 €
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Cor anglais, Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for English Horn
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Woods Only, Arrangements
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Me…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Cor anglais, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
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