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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composition for orchestra No. 2
Sheetmusicplus
Non classifié
48
Piano & claviers
Piano seul
18
Piano Facile
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
1
2 Guitares (duo)
1
Voix
Vents
Flûte traversière et Piano
9
Hautbois, Piano (duo)
4
Saxophone Soprano et Piano
4
Saxophone Alto et Piano
4
Clarinette et Piano
4
Saxophone Baryton, Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Cor anglais, Piano
3
Saxophone Tenor et Piano
3
Clarinette Basse, Piano
2
Hautbois (partie séparée)
2
2 Clarinettes (duo)
2
Hautbois, Basson (duo)
2
2 Hautbois (duo)
2
2 Flûtes traversières (duo)
1
Cor Anglais
1
Clarinette
1
Quatuor de Flûtes : 4 flûtes
1
+ 13 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
4
Cor et Piano
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
2 Euphoniums et 2 Tubas
1
Cor
1
Tuba et Piano
1
Cor Anglais
1
2 Tubas (duo)
1
2 Trombones (duo)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon et Piano
6
Violoncelle, Piano
5
Alto, Piano
4
Trio à cordes: 3 violins
3
Violon, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Flûte, Contrebasse (duo)
2
2 Altos (duo)
2
2 Violons (duo)
1
Alto seul
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Harpe
1
Trio à Cordes: 2 violons, alto
1
Violon (partie séparée)
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
56
Orchestre
50
Orchestre de chambre
12
Orchestre d'harmonie
6
Ensemble Jazz
2
Ensemble de cuivres
1
Cloches
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Composition for orchestra No. 2
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Partitions à imprimer
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Concerto for English horn in Bb Major, Op. 9 No. 11
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Cor anglais, Piano
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AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in B
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.955167 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 38 pa...
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English Horn,Piano - Level 5 - SKU: A0.955167 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and part. 38 pages. Chamber Ensemble of Minnesota, Inc. #6039001. Published by Chamber Ensemble of Minnesota, Inc. (A0.955167). English horn solo, Piano accompaniment/score of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This English horn arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$8.75
Adagio Sostenuto from "Piano Concerto No. 2" for English Horn and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1228565 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,R...
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English Horn,Piano - Level 3 - SKU: A0.1228565 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #824643. Published by Diego Marani (A0.1228565). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for english horn (cor anglais) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
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