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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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UKULELE
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VIOLON
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XYLOPHONE
Der General
Non classifié
916
Piano & claviers
Piano seul
374
Orgue
147
Piano Facile
98
Piano, Voix
89
Piano grosses notes
73
Piano, Voix et Guitare
39
Accompagnement Piano
32
1 Piano, 4 mains
13
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
3
Instruments en Do
3
Accordéon
2
Orgue, Voix
2
+ 11 instrumentations
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Guitares
Guitare
31
Guitare notes et tablatures
15
2 Guitares (duo)
2
Ensemble de Ukulélés
1
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Ukulele
1
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Voix
Chorale SATB
506
Chorale Unison
161
Chorale 3 parties
116
Chorale 2 parties
70
Chorale TTBB
25
Chorale
14
Chorale SSAA
8
Voix seule
6
Voix Soprano, Piano
4
Voix duo
3
Chorale SSATB
2
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Tenor, Piano
1
+ 11 instrumentations
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Vents
Flûte traversière et Piano
58
Clarinette et Piano
35
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Alto et Piano
25
Quatuor de Clarinettes: 4 clarinettes
20
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18
Quintette de Saxophone: 5 saxophones
18
Ensemble de saxophones
17
Hautbois, Piano (duo)
17
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Flûtes à bec
10
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Ensemble de Clarinettes
6
Clarinette
6
Flûte et Guitare
5
Saxophone Alto
5
Hautbois (partie séparée)
4
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Ensemble de Flûtes
4
Saxophone Tenor
3
Cor anglais, Piano
3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Violon (duo)
2
Flûte à bec, Guitare (duo)
2
5 Flûtes à bec
2
Saxophone (partie séparée)
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
2 Clarinettes (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Quintette de Flûte : 5 flûtes
2
Flûte à Bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Basson et Piano
1
Flûte, Violoncelle
1
Flûte à bec Tenor
1
Hautbois
1
Saxophone, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto
1
Clarinette, trompette et piano
1
Saxophone et Orgue
1
Hautbois, Basson et Piano
1
Ocarina
1
Flûte et Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
2 Saxophones (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes traversières, Piano
1
+ 58 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Ensemble de Trompettes
34
Trompette, Piano
22
Cor et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette
14
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
5
Tuba et Piano
5
Quatuor de cuivres: 4 cors
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trompettes
3
Trombone
2
2 Trompettes (duo)
2
3 Trompettes (trio)
2
Cor
2
Trompette (partie séparée)
2
Trombone (partie séparée)
2
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1
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1
2 Trompettes, Clavier (piano ou orgue)
1
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1
Quatuor de Cuivres
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
45
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28
Harpe
23
Alto, Piano
23
Violon
18
Violon, Violoncelle (duo)
13
Trio à Cordes: violon, alto, violoncelle
10
Harpe, Voix
6
Violoncelle
5
2 Violons (duo)
4
Alto seul
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Alto (duo)
3
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Alto (partie séparée)
2
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Contre Basse
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Trio à cordes
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse, Piano (duo)
1
Ensemble de Violoncelles
1
+ 26 instrumentations
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Orchestre & Percussions
Cloches
169
Orchestre d'harmonie
52
Orchestre
31
Orchestre à Cordes
17
Orchestre de chambre
11
Ensemble Jazz
10
Ensemble de Percussions
7
Ensemble de cuivres
7
Ensemble d'École
5
Batterie
4
Vibraphone
2
Instrumentation Flexible
2
Xylophone
2
Piano et Orchestre
1
Xylophone, Piano
1
Percussion (partie séparée)
1
+ 11 instrumentations
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Autres
Formation musicale - Solfège
6
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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Der General
Cor anglais, Piano
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Faith in the Darkest Times - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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James Michael Stevens
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James Michael Stevens
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Faith in the Darkest Times - E
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James M Stevens Music ASCA
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SheetMusicPlus
Piano Solo, English Horn, English Horn Solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. P...
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Piano Solo, English Horn, English Horn Solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Sacred, General Worship, Lent, Graduation. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCA
Written January 13, 2021, this an original English horn & piano composition in an inspiration style in the key of G major. There is a separate horn part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available under "Faith in the Darkest Times Piano Track.
James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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