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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Easter Song - Flute
Non classifié
501
Piano & claviers
Piano seul
386
Piano, Voix
249
Piano, Voix et Guitare
90
Piano Facile
78
Orgue
51
Accompagnement Piano
30
Piano Trio: piano, violon, violoncelle
26
Piano grosses notes
24
Instruments en Do
24
1 Piano, 4 mains
10
2 Pianos, 4 mains
7
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
20
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
11
Basse electrique
7
2 Guitares (duo)
6
Guitare notes et tablatures
5
Piano, Guitare (duo)
3
Mandoline
2
Paroles et Accords
2
Ensemble de guitares
1
Banjo
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
331
Chorale 2 parties
153
Pack Instrumental pour Chorale
117
Chorale 3 parties
105
Voix duo, Piano
76
Chorale Unison
66
Voix Soprano, Piano
29
Voix Alto, Piano
29
Voix Tenor, Piano
27
Voix basse, Piano
26
Voix duo
23
Chorale TTBB
21
Chorale SSAA
6
Voix seule
4
Voix haute
4
Chorale
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
Voix basse
1
Voix Tenor
1
+ 18 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
28
Quatuor de Saxophones: 4 saxophones
25
Clarinette et Piano
24
Clarinette
24
Saxophone Alto et Piano
21
Saxophone Tenor et Piano
20
2 Saxophones (duo)
17
Saxophone Soprano et Piano
15
Saxophone Alto
15
3 Saxophones (trio)
14
Quatuor de Clarinettes: 4 clarinettes
14
Quintette de Saxophone: 5 saxophones
12
Hautbois (partie séparée)
11
Saxophone Baryton, Piano
10
Saxophone Tenor
10
Quintette de Clarinettes: 5 clarinettes
9
Flûte à bec Soprano
9
Saxophone (partie séparée)
8
Hautbois
6
Cor anglais, Piano
5
3 Clarinettes (trio)
5
Saxophone Soprano
5
Flûte à Bec
5
Clarinette (partie séparée)
4
Flûte à bec Alto
4
2 Flûte à bec (duo)
4
2 Clarinettes (duo)
4
Flûte à bec Alto, Piano
3
2 Hautbois (duo)
3
Saxophone et Guitare
3
Quatuor de Flûtes à bec
3
Saxophone Baryton
2
Clarinette Basse, Piano
2
Ensemble de Clarinettes
2
Harmonica
2
Clarinette, Harpe (duo)
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
Ocarina
1
Ensemble De Flûte à bec
1
3 Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette, Basson (duo)
1
Ensemble de saxophones
1
Clarinette Basse
1
Cor anglais, Guitare (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Trombone et Piano
28
Trompette
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone
21
Trompette, Piano
18
Cor et Piano
16
Quatuor de cuivres: 4 trombones
13
Cor
13
Tuba et Piano
12
Quatuor de Cuivres
11
Tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette (partie séparée)
7
Quatuor de cuivres: 4 trompettes
6
2 Trombones (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor anglais, Piano
5
3 Trompettes (trio)
5
Trombone (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Euphonium, Piano (duo)
3
2 Cors (duo)
3
3 Trombones (trio)
3
Ensemble de Trompettes
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
4 Tubas
2
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Trombone, Orgue
1
3 Cors (trio)
1
2 Tubas (duo)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
Trompette, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
3 Tubas (trio)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
57
Alto, Piano
35
Violoncelle, Piano
35
Violon
35
Violoncelle
19
Alto seul
19
2 Violons (duo)
19
Trio à Cordes: 2 violons, violoncelle
17
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
16
Contre Basse
13
Harpe
13
2 Violoncelles (duo)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Harpes (duo)
4
Quatuor à cordes : 4 altos
4
4 Violoncelles
3
2 Altos (duo)
3
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Contrebasse (partie séparée)
2
2 Violons, Piano
2
Alto, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Violon, Guitare (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Violon, Alto (duo)
1
Quatuor à cordes: 4 violons
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
28
Cloches
24
Orchestre à Cordes
23
Orchestre
20
Ensemble de cuivres
19
Orchestre d'harmonie
18
Jazz combo
5
Marimba
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Fanfare
2
Timbales (partie séparée)
1
Ensemble Jazz
1
Percussion
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Easter Song - Flute
Cor anglais, Piano
Partitions à imprimer
5 partitions trouvées
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1
Morning Has Broken
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Cor anglais, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...
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English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
O Jesulein süss by Bach for English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1049922 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 ...
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English Horn,Piano - Level 1 - SKU: A0.1049922 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654315. Published by Woods Only, Arrangements (A0.1049922). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
A Mighty Fortress is Our God by Luther for English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1076818 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and pa...
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English Horn,Piano - Level 1 - SKU: A0.1076818 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680933. Published by Woods Only, Arrangements (A0.1076818). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
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Easter Song - Flute
