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First Light Romantic
Non classifié
49
Piano & claviers
Piano seul
67
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35
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20
Piano Trio: piano, violon, violoncelle
3
Orgue
3
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2
2 Pianos, 4 mains
1
+ 2 instrumentations
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12
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2
4 Guitares (Quatuor)
1
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1
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5
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2
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1
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1
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1
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1
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1
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19
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16
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11
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8
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7
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6
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6
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4
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4
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4
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3
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3
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2
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1
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1
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1
Saxophone Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
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11
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8
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5
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5
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4
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4
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4
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2
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2
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1
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1
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1
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1
Tuba
1
Quatuor de Cuivres
1
+ 11 instrumentations
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20
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11
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9
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9
Harpe
4
Trio à Cordes: violon, alto, violoncelle
4
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4
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
Violoncelle
1
Trio à cordes: 3 violins
1
Violon, Violoncelle (duo)
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
15
Orchestre
11
Orchestre d'harmonie
7
Ensemble de cuivres
3
Orchestre de chambre
3
Marimba, Piano (duo)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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CORNET
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Vous avez sélectionné:
First Light Romantic
Cor anglais, Piano
Partitions à imprimer
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
I Love You Truly-English horn/piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.844639 Composed by Phil Bea…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414777. Published by Phil Beaman (A0.844639). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.52 €
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Cor anglais, Piano
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Phil Beaman
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I Love You Truly-English horn/piano
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Phil Beaman
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SheetMusicPlus
Après un rêve (Fauré) for English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.1303409 Composed by Gabriel…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.1303409 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892983. Published by SCORE EDITIONS (A0.1303409). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
5.52 €
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Cor anglais, Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Romance, Op. 36
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.1510798 Composed by Camille…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.1510798 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century. Score and part. 8 pages. Nagamon Publications #1086003. Published by Nagamon Publications (A0.1510798). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
7.38 €
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Cor anglais, Piano
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Camille Saint-Saens
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Steven Nunes
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
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