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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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CLARINETTE
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COR
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CORNET
DEEJAY
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EUPHONIUM
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HARMONICA
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LUTH
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ORGUE
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Henri F
Non classifié
119
Piano & claviers
Piano, Voix
561
Piano seul
151
Piano Facile
146
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29
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
4
Orgue
4
1 Piano, 4 mains
3
Instruments en Do
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
60
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
1
Ukulele
1
Voix
Chorale 3 parties
164
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153
Chorale SATB
99
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14
Chorale TTBB
2
Voix duo
2
Voix duo, Piano
1
Voix Alto, Piano
1
+ 3 instrumentations
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Vents
Flûte traversière et Piano
90
Hautbois, Piano (duo)
81
Saxophone Alto et Piano
77
Saxophone Soprano et Piano
75
Saxophone Tenor et Piano
74
Saxophone Baryton, Piano
71
Clarinette et Piano
69
Flûte traversière
10
Saxophone et Guitare
6
Hautbois, Guitare (duo)
6
Flûte et Guitare
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
4
2 Flûtes traversières (duo)
3
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone et Piano
2
Ensemble de Clarinettes
2
Cor anglais, Piano
2
Flûte, Basson et Piano
2
3 Clarinettes (trio)
1
Hautbois, Basson et Piano
1
+ 18 instrumentations
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Cuivres
Trombone et Piano
74
Cor et Piano
65
Trompette, Piano
63
Tuba et Piano
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette
5
Trombone
3
2 Cors (duo)
3
Ensemble de Cors
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
2
Cor anglais, Piano
2
Trompette, Cor (duo)
2
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor (partie séparée)
1
Trompette et Guitare
1
+ 12 instrumentations
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Cordes
Violon et Piano
102
Violoncelle, Piano
79
Alto, Piano
78
Contrebasse, Piano (duo)
71
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon
23
Violon, Guitare (duo)
7
Alto seul
6
Violoncelle , Guitare (duo)
6
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
Harpe, Flûte (duo)
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Guitare (duo)
1
Violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
+ 17 instrumentations
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6
Orchestre à Cordes
4
Ensemble de cuivres
4
Fanfare
3
Orchestre de chambre
3
Orchestre d'harmonie
3
Cloches
2
Ensemble Jazz
1
Xylophone, Piano
1
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Vous avez sélectionné:
Henri F
Cor anglais, Piano
Partitions à imprimer
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Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
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Henri F
