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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Liszt
Non classifié
199
Piano & claviers
Piano seul
1 055
Piano, Voix
521
Piano Facile
74
Orgue
54
1 Piano, 4 mains
29
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano, Voix et Guitare
7
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
4
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
29
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
2
Basse electrique
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Banjo
1
Mandoline
1
Ukulele
1
+ 5 instrumentations
Retracter
Voix
Voix seule
72
Chorale SATB
15
Chorale SSAA
6
Chorale 3 parties
5
Voix basse, Piano
5
Chorale TTBB
3
Voix haute
3
Chorale 2 parties
2
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
30
Saxophone Alto et Piano
25
Clarinette et Piano
21
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Soprano et Piano
13
Saxophone Tenor et Piano
13
2 Saxophones (duo)
12
2 Clarinettes (duo)
12
Saxophone Baryton, Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette Basse, Piano
9
Clarinette
7
Flûte traversière
6
Saxophone (partie séparée)
5
Ensemble de Clarinettes
5
Cor anglais, Piano
5
2 Flûtes traversières (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone et Guitare
4
Quatuor de Flûtes : 4 flûtes
4
Piccolo, Piano
3
Flûte, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette (partie séparée)
3
Hautbois (partie séparée)
3
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Flûte à bec, Guitare (duo)
2
Flûte, Violoncelle
2
Saxophone Alto
2
Flûte, Clarinette et Basson
2
2 Hautbois (duo)
2
Ensemble de saxophones
2
Saxophone Tenor
2
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Harmonica
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Clarinette Basse
1
Piccolo
1
2 Saxophones, Piano
1
Flûte, Alto et Piano
1
+ 46 instrumentations
Retracter
Cuivres
Trombone et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor et Piano
12
Euphonium, Piano (duo)
12
Trompette, Piano
11
Tuba et Piano
9
Trompette
6
Trombone (partie séparée)
5
Cor anglais, Piano
5
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
3
Trombone
2
Cor (partie séparée)
2
Trompette et Guitare
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
Cor
1
2 Cors (duo)
1
3 Tubas (trio)
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
Tuba (partie séparée)
1
+ 22 instrumentations
Retracter
Cordes
Violon et Piano
40
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
28
Alto, Piano
27
Violon
11
Violon (partie séparée)
10
2 Violons (duo)
7
Violoncelle
6
Trio à Cordes: 2 violons, violoncelle
5
Violon, Violoncelle (duo)
5
Violoncelle (partie séparée)
4
Contrebasse, Piano (duo)
4
Alto seul
3
2 Altos (duo)
3
Contrebasse (partie séparée)
3
2 Violons, Piano
2
Violoncelle , Guitare (duo)
2
Harpe
2
2 Violoncelles (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Violon (duo)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Violon, Basson (duo)
1
2 Altos, Piano
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
49
Orchestre d'harmonie
37
Orchestre à Cordes
29
Ensemble de cuivres
7
Piano et Orchestre
3
Orchestre de chambre
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Jazz combo
1
Vibraphone (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Liszt
Cor anglais, Piano
Partitions à imprimer
5 partitions trouvées
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Liszt: Liebestraume for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Franz Liszt
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James M
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Liszt: Liebestraume for Englis
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550067 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedd...
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English Horn,Piano - Level 3 - SKU: A0.550067 Composed by Franz Liszt. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592583. Published by jmsgu3 (A0.550067). Duration: 4:25 Score: 11 pages. Solo part: 3 pages. Piano Part: 6 pages. Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.
$24.95
Liebestraum No.3 - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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AVANCÉ
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Franz Liszt
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César Madeira
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Liebestraum No.3 - English Hor
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.1499373 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Weddi...
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English Horn,Piano - Level 5 - SKU: A0.1499373 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1075429. Published by Sheet Music To Play Editions (A0.1499373). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
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