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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Meditation for Piano
Non classifié
304
Piano & claviers
Piano seul
936
Piano, Voix
188
Piano Facile
80
Piano, Voix et Guitare
28
Accompagnement Piano
16
Piano Trio: piano, violon, violoncelle
14
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue
7
1 Piano, 4 mains
4
Instruments en Do
4
Piano grosses notes
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
2
Dulcimer
1
Ukulele
1
2 Guitares (duo)
1
Paroles et Accords
1
Piano, Guitare (duo)
1
+ 2 instrumentations
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Voix
Chorale 2 parties
216
Chorale SATB
176
Voix duo, Piano
133
Chorale 3 parties
99
Chorale Unison
61
Voix duo
27
Chorale TTBB
5
Voix haute
4
Voix moyenne, Piano
3
Voix Soprano, Piano
3
Voix seule
2
Chorale SSAATTBB
2
Voix Tenor
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
91
Hautbois, Piano (duo)
63
Clarinette et Piano
54
Saxophone Alto et Piano
37
Saxophone Tenor et Piano
24
Saxophone Soprano et Piano
22
Cor anglais, Piano
17
Saxophone Baryton, Piano
14
Clarinette Basse, Piano
13
Flûte, Violon, Piano
10
Clarinette
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Saxophones: 4 saxophones
4
2 Flûtes traversières (duo)
4
Flûte traversière
4
Quatuor de Flûtes : 4 flûtes
3
Piccolo, Piano
3
Clarinette, Violoncelle, Piano (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Harpe
1
2 Clarinettes, Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Flûte à bec Alto
1
Flûte, Clarinette (duo)
1
Flûte, Basson et Piano
1
2 Saxophones (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Soprano
1
+ 28 instrumentations
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Cuivres
Trombone et Piano
34
Trompette, Piano
28
Euphonium, Piano (duo)
23
Cor et Piano
22
Cor anglais, Piano
17
Trompette
12
Tuba et Piano
5
Trombone
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
+ 8 instrumentations
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Cordes
Violon et Piano
108
Violoncelle, Piano
61
Alto, Piano
44
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violon
8
Contrebasse, Piano (duo)
6
Violoncelle
4
Harpe
3
Harpe, Violon (duo)
2
2 Violons (duo)
2
2 Violoncelles (duo)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
1
Alto et Basson
1
Violon, Violoncelle (duo)
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Contre Basse
1
+ 15 instrumentations
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Orchestre & Percussions
Cloches
9
Orchestre
5
Orchestre de chambre
4
Jazz combo
2
Ensemble de cuivres
2
Orchestre, Violon
1
Vibraphone
1
Ensemble Jazz
1
Orchestre d'harmonie
1
Orchestre à Cordes
1
Xylophone
1
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Autres
Instruments
ACCORDEON
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CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIBRAPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
Meditation for Piano
Cor anglais, Piano
Partitions à imprimer
17 partitions trouvées
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1
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
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English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504485. Published by jmsgu3 (A0.549522). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the English Horn! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Tchaikovsky: Overture from Nutcracker Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Per...
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English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515357. Published by jmsgu3 (A0.549625). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Meditation from Thais - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Jules Massenet
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César Madeira
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Meditation from Thais - Englis
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1199385 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Roman...
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English Horn,Piano - Level 3 - SKU: A0.1199385 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 14 pages. Sheet Music To Play Editions #798453. Published by Sheet Music To Play Editions (A0.1199385). Méditation from opera Thaïs by Massenet. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Jules Massenet (1842 - 1912) was a French composer. He is most famous for his operas, although he wrote a large amount of other music as well.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Bach: Air on a G String for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for En
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.548928 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. ...
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English Horn,Piano - Level 3 - SKU: A0.548928 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 15 pages. Jmsgu3 #3434947. Published by jmsgu3 (A0.548928). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.
$32.95
Bach: Largo from Concerto BWV 1056 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550210 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score ...
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English Horn,Piano - Level 3 - SKU: A0.550210 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #4600635. Published by jmsgu3 (A0.550210). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95
Meditative Etude, No. 1 in E Minor - English Horn & Piano
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Cor anglais, Piano
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - SKU: A0.1062175 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Full Perf...
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English Horn,Piano - SKU: A0.1062175 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Full Performance. Duration 131. James M Stevens Music ASCAP #5377107. Published by James M Stevens Music ASCAP (A0.1062175). This is the English Horn and Piano performance of Stevens' Meditative Etude, No. 1 in E Minor.
$1.99
Rachmaninoff: Vocalise for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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James M
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Rachmaninoff: Vocalise for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549280 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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English Horn,Piano - Level 3 - SKU: A0.549280 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #3480113. Published by jmsgu3 (A0.549280). Sergei Rachmaninoff: Vocalise Op. 34 No. 14. Score: 7 pages, 41 measures. Duration: ca. 6:33. Solo part: 2 pages, Piano part: 4 pages. Very famous composition with a distinctly melancholy flavor. Suitable for Lent or Easter meditations, receptions, weddings, recitals, school performances, and concert encores.
$32.95
Meditative Etude, No. 1 in E Minor - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. ...
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English Horn,Piano - Level 3 - SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5377111. Published by James M Stevens Music ASCAP (A0.573393). Written April 12, 2020, this is an original English horn & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the horn. There is a separate English horn part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99
Impromptu Op. 90, No. 3 for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for En
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Diego Marani
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1461601 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wed...
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English Horn,Piano - Level 2 - SKU: A0.1461601 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1040345. Published by Diego Marani (A0.1461601). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for english horn with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99
Meditation from "Thais" (for English Horn and Piano)
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jules Massenet
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Harry Walker
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Meditation from "Thais"
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SCORE EDITIONS
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Harry Walker. Romantic Period, Repertoire. Individual Part, Score. 10 pages. Published by SCORE ...
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Composed by Jules Massenet (1842-1912). Arranged by Harry Walker. Romantic Period, Repertoire. Individual Part, Score. 10 pages. Published by SCORE EDITIONS
$5.99
Jesus' Momma (Accompaniment Track)
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Cor anglais, Piano
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Musique Sacrée
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Stephen DeCesare
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Jesus' Momma
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Exultet Music
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SheetMusicPlus
English Horn,Piano - SKU: A0.1051779 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 230. Exultet Music #3791. ...
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English Horn,Piano - SKU: A0.1051779 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 230. Exultet Music #3791. Published by Exultet Music (A0.1051779). Meditative song about the Blessed Virgin Mary that can be used for various times throughout the liturgical year. Scored for Solo (2), English Horn, SATB, and Piano. Video Review: https://www.youtube.com/watch?v=IzGoRRFvkQM
$3.99
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Meditation for Piano
