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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ned
Non classifié
8 368
Piano & claviers
Piano seul
4 200
Piano, Voix
1 738
Piano Facile
1 477
Piano, Voix et Guitare
1 040
Instruments en Do
684
Orgue
675
Accompagnement Piano
223
1 Piano, 4 mains
167
Piano Trio: piano, violon, violoncelle
148
2 Pianos, 4 mains
90
Accordéon
67
Piano Quatuor: piano, 2 violons, violoncelle
26
Piano Quatuor: piano, violon, alto, violoncelle
26
Piano grosses notes
25
Piano (partie séparée)
23
Orgue, Trompette (duo)
10
Clavecin
8
Orgue, Piano (duo)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Instrument seul et Orgue
2
Clavier
2
Ligne De Mélodie, Piano
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
1 Piano, 6 mains
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
789
Guitare
557
Ligne De Mélodie, (Paroles) et Accords
337
Ukulele
134
Basse electrique
106
Paroles et Accords
70
Guitare (partie séparée)
46
2 Guitares (duo)
46
4 Guitares (Quatuor)
25
Dulcimer
24
Mandoline
24
Banjo
19
Ensemble de guitares
9
3 Guitares (trio)
8
Piano, Guitare (duo)
6
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
3
2 Dulcimers (duo)
3
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
2
Partitions De Groupes
2
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
2 Ukuleles
1
Ukulele Baryton
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 178
Chorale 3 parties
815
Chorale 2 parties
673
Chorale TTBB
351
Chorale Unison
309
Chorale SSAA
190
Voix duo, Piano
113
Voix Soprano, Piano
95
Voix duo
85
Voix Tenor, Piano
82
Voix Alto, Piano
72
Voix Baryton, Piano
64
Pack Instrumental pour Chorale
51
Voix seule
48
Voix haute
38
Chorale
33
Voix moyenne, Piano
17
Chorale SSAATTBB
12
Voix Tenor
8
Voix basse, Piano
6
Soli, choeur mixte et accompagnement
5
Chorale SSATTB
4
Voix basse
2
Chorale SSATB
2
Chorale SSAB, Piano
1
Voix, Guitare
1
Voix Baryton
1
Chorale SSAATB
1
Male Voice
1
Voix Soprano, Orchestre
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 29 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
585
2 Saxophones (duo)
583
Flûte traversière et Piano
507
Flûte, Hautbois, Clarinette, Basson
497
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
438
Clarinette et Piano
371
Hautbois, Piano (duo)
361
Saxophone Alto et Piano
326
2 Flûtes traversières (duo)
325
Saxophone (partie séparée)
299
Quintette de Saxophone: 5 saxophones
289
Clarinette
281
Flûte traversière
279
Saxophone Tenor et Piano
254
Quatuor de Clarinettes: 4 clarinettes
249
2 Flûte à bec (duo)
237
2 Clarinettes (duo)
224
Saxophone Alto
219
Saxophone Soprano et Piano
216
Saxophone Tenor
139
3 Saxophones (trio)
135
Quatuor de Flûtes : 4 flûtes
129
Flûte, Clarinette (duo)
126
Hautbois (partie séparée)
122
2 Hautbois (duo)
112
Saxophone Baryton, Piano
95
3 Clarinettes (trio)
92
Hautbois, Basson (duo)
84
Clarinette (partie séparée)
83
Flûte et Guitare
83
Ensemble de Clarinettes
79
Hautbois, Clarinette (duo)
78
Clarinette, Violon (duo)
77
Quintette de Clarinettes: 5 clarinettes
70
Hautbois
70
Ensemble de saxophones
64
Flûte à Bec
62
Saxophone, Clarinette (duo)
62
Flûte à bec Soprano
59
Trio de Flûtes: 3 flûtes
56
Ensemble de Flûtes
55
Clarinette, Trompette (duo)
55
Clarinette, Guitare (duo)
53
Flûte, Clarinette et Basson
51
Clarinette, Basson (duo)
49
Flûte, Hautbois (duo)
48
Flûte, Violon
46
Flûte à bec Alto
45
Flute (partie séparée)
44
Flûte, Hautbois, Clarinette (trio)
42
Instruments en Mib
39
Cor anglais, Piano
39
Harmonica
38
Clarinette et Alto
38
Ensemble De Flûte à bec
36
Flûte, Alto (duo)
34
Hautbois, Clarinette, Basson (trio d'anches)
34
Hautbois, Guitare (duo)
32
Hautbois, Violoncelle
32
Saxophone
31
Clarinette Basse, Piano
31
Flûte, Saxophone (duo)
30
Flûte à bec Tenor
28
Quintette de Flûte : 5 flûtes
28
Flûte, Trompette (duo)
27
Saxophone Baryton
26
Flûte, Violon, Piano
26
Saxophone Soprano
24
3 Hautbois
23
Hautbois, Flûte
23
Clarinette, Violoncelle (duo)
23
Flûte, Violoncelle
22
3 Flûtes à bec (trio)
21
Hautbois, violon (duo)
20
Ocarina
19
Flûte, Basson et Piano
19
Quatuor de Flûtes à bec
19
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
17
Flûte, Hautbois, Piano (trio)
17
Flûte et Trio à cordes
11
Clarinette, Basson, Piano (trio)
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Hautbois, Basson
9
2 Flûtes traversières, Piano
9
Flute, harpe et violon
9
Hautbois et alto (duo)
8
Cor Anglais
8
Hautbois, Violin, Alto et Violoncelle (Quatuor)
8
Clarinette, Trombone (duo)
6
5 Flûtes à bec
6
Flûte à bec Alto, Basse continue
6
Flûte, Trombone (duo)
5
Clarinette, Contrebasse (duo)
5
Clarinette, Tuba
5
Flûte irlandaise
5
Flûte à Bec, Piano
5
Piccolo, Piano
5
Hautbois, trombone (duo)
4
2 Clarinettes, Piano
4
Clarinette Basse
4
Cor anglais, Guitare (duo)
4
Flûte à bec, Guitare (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Tuba (duo)
3
Hautbois, Trompette (duo)
3
Ensemble à vent
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Saxophone et Guitare
3
Clarinette, Harpe (duo)
3
2 Saxophones, Piano
3
Flûte à bec Alto, Piano
3
Flûte, Alto et Piano
2
Flûte traversière, Basse continue
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone et Harpe
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Harpe et Violoncelle
2
Clarinette, Alto et Piano (trio)
2
Flûte, Violon et Violoncelle
2
Cor anglais et Harpe (duo)
1
Hautbois, Basson et Piano
1
Harmonica, Piano
1
Flûte et Quatuor à Cordes
1
Flûte traversière, Orchestre
1
Hautbois, Violon, Piano
1
Flûte, trombone et piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Saxophone et Orgue
1
Piccolo
1
Hautbois, Harpe
1
Cornemuse
1
Saxophone et Piano
1
+ 131 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
568
Trompette, Piano
361
Trombone et Piano
334
Trompette
305
Quatuor de Cuivres : 2 trompettes, trombone, tuba
250
Cor et Piano
227
Trombone
202
Cor
181
Trombone (partie séparée)
169
Trompette (partie séparée)
159
2 Trompettes (duo)
148
Tuba et Piano
146
Quatuor de Cuivres: 2 trompettes, Cor, trombone
145
2 Trombones (duo)
141
Quatuor de Cuivres
131
Tuba
125
Trompette, Trombone (duo)
120
2 Cors (duo)
90
Quatuor de cuivres: 4 trombones
61
Trompette, Cor (duo)
59
Euphonium, Piano (duo)
53
Trompette, Saxophone (duo)
49
2 Tubas (duo)
40
Cor (partie séparée)
40
Bass Clef Instruments
40
Instruments en Sib
39
Cor anglais, Piano
39
Tuba (partie séparée)
37
Quatuor de cuivres: 4 cors
32
Instruments en Fa
31
Ensemble de Trombones
26
2 Euphoniums et 2 Tubas
24
Euphonium
23
Ensemble de Trompettes
22
Tuba et Orgue
17
Cor, Tuba (duo)
17
Trombone, Cor (duo)
16
Ensemble de Cors
16
Trombone, Tuba (duo)
15
Trompette, Tuba (duo)
14
3 Trompettes (trio)
11
3 Trombones (trio)
11
Cor, Violoncelle (duo)
10
Trompette, Basson (duo)
9
Trio de Cuivres
9
Cor Anglais
8
4 Tubas
8
Quatuor de cuivres: 4 trompettes
7
Trombone basse et Piano
7
Trompette, Violoncelle (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Tuba ou Euphonium ou Saxhorn
5
2 Trompettes, Clavier (piano ou orgue)
5
Cor anglais, Guitare (duo)
4
3 Cors (trio)
4
Cor et Basson (duo)
4
Trompette, Violoncelle et Piano
3
Trombone, Violon (duo)
3
Trompette, Trombone, Piano
2
Euphonium, Tuba (duo)
2
2 Cors, Piano
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Trombone basse
2
Cor et Harpe
2
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
2 Trombones, Piano
1
Trombone, Alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Ensemble de Tubas
1
Trompette, violon (duo)
1
+ 69 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 538
Violon et Piano
804
Violon, Violoncelle (duo)
492
Violoncelle, Piano
470
Violon
466
Alto, Piano
384
Trio à Cordes: violon, alto, violoncelle
382
Violoncelle
281
2 Violons (duo)
272
Quintette à cordes: 2 violons, alto, violoncelle, basse
259
Alto seul
256
Harpe
238
2 Violoncelles (duo)
186
Violon, Alto (duo)
177
2 Altos (duo)
153
Contrebasse, Piano (duo)
144
Trio à Cordes: 2 violons, violoncelle
125
Contre Basse
124
Alto, Violoncelle (duo)
68
Violon (partie séparée)
62
Trio à cordes: 3 violins
56
2 Contrebasses (duo)
54
Contrebasse (partie séparée)
51
Piano Trio: Violon, Alto, Piano
46
Violoncelle , Guitare (duo)
46
Alto (partie séparée)
45
Alto, Guitare (duo)
44
Violon, Guitare (duo)
40
Harpe et Piano
39
Violoncelle, Contrebasse (duo)
38
Trio à Cordes: 3 violoncelles
36
4 Violoncelles
34
Trio à cordes: 3 altos
33
Violon, Basson (duo)
32
Trio à Cordes: 2 violons, alto
26
Quatuor à cordes : 4 altos
18
2 Harpes (duo)
17
Alto et Basson
14
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Quatuor à cordes: 4 violons
13
Harpe, Flûte (duo)
12
Flûte, Contrebasse (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
3 Contrebasses
7
Harpe, Voix
7
Violoncelle (partie séparée)
7
2 Violons, Piano
5
Harpe, Violon (duo)
4
Violon, Tuba (duo)
4
Violon, Clarinette, Piano (trio)
4
Ensemble de Violons
4
4 Harpes
3
Violoncelle, Orgue
3
Alto et Harpe
3
Trio à cordes
3
Violon, Basse continue
3
Violoncelle, Basse continue
3
Ensemble d'Altos
3
5 Harpes
2
3 Harpes
2
Violon, Violoncelle, Clarinette
2
Harpe, Violon, Violoncelle
2
Harpe, Trombone (duo)
1
Ensemble de Violoncelles
1
Alto et orchestre
1
Violon, Orgue
1
Violon, Trompette et Piano
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 297
Orchestre à Cordes
594
Orchestre
520
Ensemble Jazz
282
Ensemble de cuivres
230
Orchestre de chambre
217
Cloches
216
Fanfare
125
Batterie
119
Percussion
87
Jazz combo
78
Ensemble de Percussions
76
Percussion (partie séparée)
50
Batterie (partie séparée)
29
Xylophone
29
Marimba
28
Xylophone, Piano
21
Vibraphone
12
Timbales (partie séparée)
8
Ensemble d'École
5
Caisse Claire
4
2 Xylophones
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Quintette de Cuivres: autres combinaisons
2
Timbales
2
Piano et Orchestre
2
Bongos
1
Vibraphone et Marimba
1
Orchestre, Violon
1
2 Marimbas
1
Bodhran
1
Marimba, Piano (duo)
1
3 Percussions
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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XYLOPHONE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Cor anglais, Piano
Partitions à imprimer
39 partitions trouvées
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1
26
Crowned With Honor
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Cor anglais, Piano
#
FACILE
#
Musique Sacrée
#
Oliver Holden
#
Kaiserin Rebecca
#
Crowned With Honor
#
Kaiserin Rebecca
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.640688 Composed by Oliver Holden. Arranged by Kaiserin Rebecca. Christian,Easter,Praise & Worship. Score and part...
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English Horn,Piano - Level 2 - SKU: A0.640688 Composed by Oliver Holden. Arranged by Kaiserin Rebecca. Christian,Easter,Praise & Worship. Score and part. 2 pages. Kaiserin Rebecca #4322381. Published by Kaiserin Rebecca (A0.640688). For English horn solo and piano accompaniment with chords.
$4.99
Dying with Jesus, by death reckoned mine
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Matthew pyeon
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Matthew pyeon
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Dying with Jesus, by death rec
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sungil
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.676567 By Matthew pyeon. By May Whittle Moody. Arranged by Matthew pyeon. Praise & Worship,Spiritual,Traditional....
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English Horn,Piano - Level 3 - SKU: A0.676567 By Matthew pyeon. By May Whittle Moody. Arranged by Matthew pyeon. Praise & Worship,Spiritual,Traditional. Score and part. 16 pages. Sungil (Matthew) Pyeon #285517. Published by sungil (Matthew) Pyeon (A0.676567).
$4.99
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Wedding March by Mendelssohn, for Solo Cor Anglais (English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.587604 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Stan...
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English Horn,Piano - Level 3 - SKU: A0.587604 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403644. Published by David McKeown (A0.587604). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Cor Anglais (English Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Oh Susana
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Cor anglais, Piano
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Contemporain
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Tomaz Nedoh
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Oh Susana
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Tomaž Nedoh
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SheetMusicPlus
English Horn,Piano - SKU: A0.974295 Arranged by Tomaz Nedoh. Contemporary. Score and part. 7 pages. Tomaž Nedoh #6399807. Published by Tomaž Nedoh...
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English Horn,Piano - SKU: A0.974295 Arranged by Tomaz Nedoh. Contemporary. Score and part. 7 pages. Tomaž Nedoh #6399807. Published by Tomaž Nedoh (A0.974295).
$7.00
Tu Vuo Fa L'americano
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Cor anglais, Piano
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FACILE
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Contemporain
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Renato Carosone
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Tomaz Nedoh
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Tu Vuo Fa L'americano
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Tomaž Nedoh
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.974272 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Tomaz Nedoh. Contemporary. Score an...
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English Horn,Piano - Level 2 - SKU: A0.974272 By Renato Carosone. By Nicola Salerno and Renato Carosone. Arranged by Tomaz Nedoh. Contemporary. Score and part. 11 pages. Tomaž Nedoh #6269465. Published by Tomaž Nedoh (A0.974272).
$4.99
El Cóndor Pasa English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Contemporain
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Tomaz Nedoh
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El Cóndor Pasa English
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Tomaž Nedoh
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.974198 Arranged by Tomaz Nedoh. Contemporary. Score and part. 7 pages. Tomaž Nedoh #6252497. Published by Toma...
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English Horn,Piano - Level 1 - SKU: A0.974198 Arranged by Tomaz Nedoh. Contemporary. Score and part. 7 pages. Tomaž Nedoh #6252497. Published by Tomaž Nedoh (A0.974198). El Cóndor Pasa English Horn and Piano.
$1.99
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Vivaldi: The Four Seasons Complete for English Horn & Piano
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Cor anglais, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.551435 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,...
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English Horn,Piano - Level 5 - SKU: A0.551435 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 190 pages. Jmsgu3 #5204979. Published by jmsgu3 (A0.551435). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Minuet by Boccherini for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Engli
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Sco...
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English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760900. Published by Woods Only, Arrangements (A0.1160605). This simple arrangement adapted for cor anglais and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Bésame Mucho
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Cor anglais, Piano
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FACILE
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Classique
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Tomaz Nedoh
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Bésame Mucho
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Musicscore.eu
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SheetMusicPlus
Piano Accompaniment, English Horn - Early Intermediate - Arranged by Tomaz Nedoh. 6 pages. Published by Musicscore.eu...
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Piano Accompaniment, English Horn - Early Intermediate - Arranged by Tomaz Nedoh. 6 pages. Published by Musicscore.eu
$4.99
Minuet Op.11 No.5 - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Luigi Boccherini
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César Madeira
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Minuet Op.11 No.5 - English Ho
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1349062 Composed by Luigi Boccherini. Arranged by César Madeira. 19th Century,Baroque,Children,Classical,Early...
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English Horn,Piano - Level 3 - SKU: A0.1349062 Composed by Luigi Boccherini. Arranged by César Madeira. 19th Century,Baroque,Children,Classical,Early Music. Score and part. 10 pages. Sheet Music To Play Editions #933801. Published by Sheet Music To Play Editions (A0.1349062). Minuet Op.11 No.5 - G.275 by Boccherini. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Ridolfo Luigi Boccherini (1743 – 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Carnival of Venice
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Cor anglais, Piano
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FACILE
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Julius Benedict
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Kaiserin Rebecca
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Carnival of Venice
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Kaiserin Rebecca
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.640618 Composed by Julius Benedict. Arranged by Kaiserin Rebecca. Concert,Holiday,Instructional,Love,Romantic Per...
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English Horn,Piano - Level 2 - SKU: A0.640618 Composed by Julius Benedict. Arranged by Kaiserin Rebecca. Concert,Holiday,Instructional,Love,Romantic Period,Standards. Score and part. 2 pages. Kaiserin Rebecca #4288077. Published by Kaiserin Rebecca (A0.640618). For English horn solo and piano accompaniment with chords.
$4.99
Jingle Bells (James Lord Pierpont) for English Horn and Piano
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Cor anglais, Piano
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FACILE
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James Lord Pierpont
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Harry Walker
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Jingle Bells
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festiva...
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English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 10 pages. SCORE EDITIONS #1087147. Published by SCORE EDITIONS (A0.1512106). Jingle Bells, composed by James Lord Pierpont in 1857, is one of the most iconic holiday songs. Originally written to capture the thrill of sleigh rides, its joyful and infectious melody quickly turned it into a Christmas classic, despite not specifically referencing the holiday. This modern arrangement maintains the original energy while introducing a fresh interpretation, making it a perfect choice for festive concerts and celebrations.
$5.99
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and...
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English Horn,Piano - Level 2 - SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042569. Published by David McKeown (A0.587904). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and...
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English Horn,Piano - Level 2 - SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042571. Published by David McKeown (A0.587905). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Eagles' Victory Song
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Cor anglais, Piano
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DÉBUTANT
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Patriotique
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Dirk Quinn Band
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Cadenza Editions
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Eagles' Victory Song
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Cadenza Editions
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1170163 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Cadenza Editions. Patriotic. Sco...
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English Horn,Piano - Level 1 - SKU: A0.1170163 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Cadenza Editions. Patriotic. Score and part. 3 pages. Cadenza Editions #770532. Published by Cadenza Editions (A0.1170163). Fly Eagles Fly is a classic fight song that has been a staple of Philadelphia Eagles fans for decades. This sheet music  allows musicians to play the iconic tune in their own style. The sheet music features the full score and chord progression, making it suitable for both beginner and advanced players.The history of Fly Eagles Fly dates back to the 1960s, when it was first introduced as the official fight song of the Philadelphia Eagles. The song quickly gained popularity among fans and has since become one of the most recognizable anthems in all of professional sports. Whether it's being played in the stands, at a tailgate, or in your own living room, Fly Eagles Fly is the perfect way to show your support for the Eagles and get in the spirit of game day.So why not bring a bit of Eagles spirit to your own music practice with this sheet music? Whether you're an avid Eagles fan or simply love the classic sound of this timeless tune, this sheet music is sure to bring a smile to your face and get your fingers moving. Get ready to play Fly Eagles Fly and show your support for the Philadelphia Eagles!
$4.99
Hebridean fairy's love song (Tha Mi sgith) - cor anglais and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Traditional
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Hebridean fairy's love song
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David Warin Solomons
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.577374 Composed by Traditional. Arranged by Marjory Kennedy-Fraser, David Warin Solomons. 20th Century,Celtic,Fol...
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English Horn,Piano - Level 3 - SKU: A0.577374 Composed by Traditional. Arranged by Marjory Kennedy-Fraser, David Warin Solomons. 20th Century,Celtic,Folk,World. Score and part. 5 pages. David Warin Solomons #4326939. Published by David Warin Solomons (A0.577374). Old and still popular Hebridean folk song.
$8.00
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