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CLARINETTE
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On a Clear Day
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155
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122
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106
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101
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32
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23
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8
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5
1 Piano, 4 mains
3
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2
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2
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1
Clavier
1
2 Pianos, 4 mains
1
+ 8 instrumentations
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Banjo
2
Mandoline
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
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21
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16
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15
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3
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2
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38
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25
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24
Saxophone Tenor et Piano
21
Hautbois, Piano (duo)
19
Clarinette
19
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18
Saxophone Alto et Piano
18
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17
Saxophone Alto
15
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13
Saxophone Tenor
12
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11
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11
Hautbois
11
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10
2 Clarinettes (duo)
10
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10
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9
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7
Saxophone Soprano
7
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4
Clarinette, Violoncelle (duo)
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3
2 Flûtes traversières, Piano
3
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3
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3 Clarinettes (trio)
2
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2
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1
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1
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1
Flûte et Guitare
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1
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1
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1
Cor anglais, Piano
1
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Trombone et Piano
19
Trompette, Piano
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Cor et Piano
18
Trompette
17
Tuba et Piano
15
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15
Trombone
14
Tuba
13
Cor
11
2 Trompettes (duo)
11
Trombone (partie séparée)
10
Trompette (partie séparée)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de Cuivres
8
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7
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7
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5
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
Cor anglais, Piano
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1
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Trompette, Cor (duo)
1
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57
Violon
54
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36
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33
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28
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24
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15
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14
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10
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7
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6
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6
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6
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5
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2
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4
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4
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3
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2
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2 Marimbas
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On a Clear Day
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Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
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