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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out Of The East
Non classifié
808
Piano & claviers
Piano seul
534
Piano, Voix
190
Piano Facile
142
Piano, Voix et Guitare
106
Orgue
90
Piano grosses notes
49
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
30
Instruments en Do
26
2 Pianos, 4 mains
9
Orgue, Trompette (duo)
6
1 Piano, 4 mains
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Clavecin
1
2 Pianos, 8 mains
1
Accordéon
1
+ 15 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
51
Guitare notes et tablatures
34
Basse electrique
13
Guitare
12
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
9
3 Guitares (trio)
2
Ensemble de guitares
2
Mandoline
1
Mandoline, Piano (duo)
1
Banjo
1
Guitare (partie séparée)
1
Dulcimer
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
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Voix
Chorale SATB
414
Chorale 3 parties
96
Chorale 2 parties
94
Chorale Unison
60
Voix duo, Piano
50
Chorale TTBB
27
Chorale SSAA
16
Voix Soprano, Piano
15
Voix duo
13
Voix haute
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix seule
2
Voix Tenor, Piano
2
Voix Tenor
1
Voix basse
1
Chorale SSATTB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
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Vents
Flûte traversière et Piano
197
Hautbois, Piano (duo)
168
Clarinette et Piano
117
Saxophone Alto et Piano
96
2 Saxophones (duo)
95
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
55
Flûte, Hautbois, Clarinette, Basson
51
Saxophone, Clarinette (duo)
50
Quatuor de Saxophones: 4 saxophones
41
2 Flûtes traversières (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Clarinette, Violon (duo)
33
Clarinette, Trompette (duo)
32
Quatuor de Clarinettes: 4 clarinettes
26
2 Hautbois (duo)
22
Flûte, Clarinette (duo)
21
Flûte traversière
20
Hautbois, Clarinette (duo)
19
Saxophone Soprano et Piano
19
Hautbois, Basson (duo)
18
Flûte, Alto (duo)
17
Flûte, Saxophone (duo)
17
Hautbois, Flûte
17
Clarinette et Alto
17
Flûte, Violon
16
Clarinette
16
Flûte, Trompette (duo)
14
Quintette de Saxophone: 5 saxophones
12
Quatuor de Flûtes : 4 flûtes
11
Saxophone Baryton, Piano
10
Ensemble de Clarinettes
10
Flûte à bec Soprano
9
Saxophone Alto
9
Saxophone (partie séparée)
8
Ensemble de Flûtes
8
Cor anglais, Piano
8
Hautbois (partie séparée)
7
Flûte, Violon, Piano
7
3 Saxophones (trio)
5
Clarinette Basse, Piano
5
Saxophone Tenor
4
Hautbois
4
Flûte, Violoncelle, Piano (trio)
4
Ocarina
4
Quatuor de Flûtes à bec
4
2 Clarinettes, Piano
4
2 Flûte à bec (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Saxophone et Orgue
3
Flûte, Basson et Piano
3
Flûte, Alto et Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, trombone et piano
3
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Flûte, Trombone (duo)
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Quatuor à Cordes
1
Flûte à bec Tenor
1
Clarinette, Basson (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte et Guitare
1
Flûte à Bec
1
4 Hautbois
1
Flûte à Bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
92
Trompette, Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
47
Trompette, Saxophone (duo)
33
2 Trombones (duo)
24
2 Trompettes (duo)
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor et Piano
19
Trompette, Trombone (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Euphonium, Piano (duo)
12
Trombone
11
Cor
9
Tuba et Piano
8
Cor anglais, Piano
8
Tuba
7
Trombone, Orgue
7
Quatuor de Cuivres
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
Trombone (partie séparée)
4
Ensemble de Trombones
4
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
Trio de Cuivres
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Ensemble de Tubas
1
Trombone basse
1
4 Euphoniums
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Cor et Orgue
1
Cor, Violoncelle et Piano
1
3 Trompettes (trio)
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
+ 40 instrumentations
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Cordes
Violon et Piano
244
Quatuor à cordes: 2 violons, alto, violoncelle
116
Violoncelle, Piano
110
Alto, Piano
107
2 Violons (duo)
45
Violon, Violoncelle (duo)
34
Trio à Cordes: violon, alto, violoncelle
28
Violon
24
Harpe
22
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
19
2 Altos (duo)
18
Violon, Alto (duo)
16
Alto seul
14
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
5
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
3
Violon (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
2
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Orgue
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violon, Trompette et Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle (partie séparée)
1
4 Harpes
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Flûte, Contrebasse (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
112
Cloches
66
Orchestre
41
Orchestre à Cordes
40
Orchestre de chambre
27
Ensemble de cuivres
24
Ensemble Jazz
22
Jazz combo
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Bongos
1
Percussion
1
Fanfare
1
Ensemble de Percussions
1
Batterie (partie séparée)
1
Batterie
1
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 13 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
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Vous avez sélectionné:
Out Of The East
Cor anglais, Piano
Partitions à imprimer
8 partitions trouvées
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1
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Jesus, Lover of my Soul
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Cor anglais, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Wesley and Joseph Parr
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André Nusa
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Jesus, Lover of my Soul
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Andre_Nusa
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1259440 Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Praise & Worship...
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English Horn,Piano - Level 3 - SKU: A0.1259440 Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 3 pages. Andre_Nusa #852728. Published by Andre_Nusa (A0.1259440). Immerse yourself in the rich and resonant tones of Jesus, Lover of my Soul by Joseph Parry and Charles Wesley with this captivating arrangement for intermediate english horn and piano players. This arrangement is tailor-made to showcase the expressive capabilities of the english horn, allowing you to bring out the deep and soulful essence of the music. The piano provides a solid foundation, complementing the english horn with its supportive harmonies and delicate nuances. Whether you are performing in a church setting, a recital, or simply playing for your own enjoyment, this arrangement of Jesus, Lover of my Soul will captivate both you and your audience with its depth and beauty.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 page...
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English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658345. Published by David McKeown (A0.594415). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cor Anglais (or English Horn) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Jesus, Lover of my Soul
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Cor anglais, Piano
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DÉBUTANT
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Musique Sacrée
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Charles Wesley and Joseph Parr
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André Nusa
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Jesus, Lover of my Soul
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Andre_Nusa
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1259191 Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Praise & Worship...
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English Horn,Piano - Level 1 - SKU: A0.1259191 Composed by Charles Wesley and Joseph Parry. Arranged by André Nusa. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 3 pages. Andre_Nusa #852464. Published by Andre_Nusa (A0.1259191). Experience the heartfelt hymn Jesus, Lover of my Soul by Joseph Parry and Charles Wesley in a beautiful arrangement for beginner english horn and piano. With simplified english horn parts and supportive easy piano accompaniment, beginners can easily bring out the gentle and expressive qualities of the music. Delve into the serene and spiritual atmosphere as the english horn gracefully carries the melodic line, harmonizing with the soothing piano chords. Let the tender melodies of Jesus, Lover of my Soul resonate through your english horn, filling the air with a sense of peace and reverence.
$4.99
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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