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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano I is at
Non classifié
840
Piano & claviers
Piano seul
1 878
Piano, Voix et Guitare
632
Piano, Voix
498
Piano Facile
415
Instruments en Do
50
1 Piano, 4 mains
42
2 Pianos, 4 mains
38
Accompagnement Piano
37
Orgue
32
Piano Trio: piano, violon, violoncelle
23
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Clavier
1
Clavecin
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
115
Guitare
28
Ligne De Mélodie, (Paroles) et Accords
18
Guitare notes et tablatures
11
2 Guitares (duo)
10
Ukulele
5
Basse electrique
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
239
Chorale 2 parties
108
Chorale 3 parties
95
Voix duo, Piano
66
Chorale Unison
32
Voix Soprano, Piano
29
Voix duo
22
Voix Tenor, Piano
18
Voix haute
17
Voix Baryton, Piano
16
Chorale TTBB
13
Voix Alto, Piano
13
Chorale SSAA
10
Voix basse, Piano
9
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
285
Hautbois, Piano (duo)
275
Clarinette et Piano
269
Saxophone Alto et Piano
217
Saxophone Tenor et Piano
198
2 Saxophones (duo)
43
Clarinette
31
Saxophone Soprano et Piano
29
Flûte traversière
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Hautbois (partie séparée)
25
Saxophone Baryton, Piano
20
Quatuor de Saxophones: 4 saxophones
17
Flûte, Hautbois, Clarinette, Basson
16
2 Flûtes traversières (duo)
14
2 Clarinettes (duo)
13
Saxophone (partie séparée)
11
Cor anglais, Piano
9
Clarinette Basse, Piano
8
Saxophone Alto
8
Flûte, Clarinette (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor
6
Flûte et Guitare
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Soprano
6
Cor Anglais
4
Quintette de Saxophone: 5 saxophones
4
Saxophone et Orgue
4
2 Clarinettes, Piano
4
2 Saxophones, Piano
4
Flûte à bec Alto, Piano
4
Clarinette, Guitare (duo)
4
2 Flûtes traversières, Piano
3
Flûte à Bec
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Violon, Piano
3
Flûte, Basson et Piano
3
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
2 Hautbois (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Basson
1
Flûte, Violon
1
Ensemble de Clarinettes
1
Ensemble de Flûtes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Ensemble de saxophones
1
Saxophone et Guitare
1
3 Saxophones (trio)
1
Hautbois, Harpe
1
Hautbois, Clarinette (duo)
1
Instruments en Mib
1
Flûte irlandaise
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, Piano
1
Clarinette, Orgue
1
Piccolo, Piano
1
Piccolo
1
Flûte et Quatuor à Cordes
1
Flute (partie séparée)
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
217
Trompette, Piano
124
Trompette
104
Cor et Piano
59
Trombone
21
Trompette (partie séparée)
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Euphonium, Piano (duo)
16
Tuba et Piano
15
Trombone (partie séparée)
11
Cor anglais, Piano
9
2 Trombones (duo)
8
Cor
5
2 Trompettes (duo)
5
Cor Anglais
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba et Orgue
4
Tuba
3
2 Cors (duo)
3
Trompette, Cor (duo)
3
Trompette, Trombone, Piano
2
Instruments en Sib
2
Quatuor de Cuivres
2
2 Cors, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
1
Trombone et orchestre
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
Instruments en Fa
1
Trio de Cuivres
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Bass Clef Instruments
1
Tuba (partie séparée)
1
Trompette, violon (duo)
1
+ 36 instrumentations
Retracter
Cordes
Violon et Piano
340
Alto, Piano
261
Violoncelle, Piano
225
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
34
Violoncelle
22
2 Violons (duo)
14
Harpe
14
Contrebasse, Piano (duo)
13
Alto seul
12
Alto (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
7
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violon (duo)
4
Alto et Harpe
3
Harpe, Flûte (duo)
3
2 Violons, Piano
3
Violon, Guitare (duo)
3
4 Contrebasses
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
2 Altos, Piano
2
Violoncelle, Contrebasse (duo)
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
Alto, Orgue
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orgue
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
Harpe et Piano
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre
78
Orchestre d'harmonie
53
Ensemble Jazz
49
Jazz combo
41
Orchestre à Cordes
36
Orchestre de chambre
36
Cloches
26
Ensemble de cuivres
14
Xylophone, Piano
7
Ensemble de Percussions
2
Marimba
2
Piano et Orchestre
1
Marimba, Piano (duo)
1
Fanfare
1
Batterie
1
Vibraphone
1
Batterie (partie séparée)
1
Big band
1
Xylophone
1
2 Marimbas
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Piano I is at
Cor anglais, Piano
Partitions à imprimer
9 partitions trouvées
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1
I Love You Truly-English horn/piano
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Cor anglais, Piano
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FACILE
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Phil Beaman
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I Love You Truly-English horn/
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Phil Beaman
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4...
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English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414777. Published by Phil Beaman (A0.844639). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
18 Gospel Hymns Vol.1 for Solo Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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18 Gospel Hymns Vol.1 for Solo
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.592564 Composed by Various. Arranged by David McKeown. Christian,Gospel,Jewish,Praise & Worship,Sacred. Score and...
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English Horn,Piano - Level 2 - SKU: A0.592564 Composed by Various. Arranged by David McKeown. Christian,Gospel,Jewish,Praise & Worship,Sacred. Score and part. 50 pages. David McKeown #6404055. Published by David McKeown (A0.592564). 18 Easy Gospel Hymns Vol.1 for Solo Cor Anglais and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· Abide with Me, · Amazing Grace, · Blessed Assurance, · Deep River, · Down by the Riverside, · Go Down Moses, · Go Tell It on the Mountain, · He’s Got the Whole World in HIs Hands, · Higher Ground, · Jesus on the Mainline, · Joshua Fought the Battle of Jericho, · Just a Closer Walk with Thee, · Just as I Am, · Just Over in the Glory Land, · Kumbaya My Lord, · Love Lifted Me, · Nobody Knows the Trouble I’ve Seen, · Nothing but the Blood of Jesus. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Cor Anglais and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
18 Gospel Hymns Vol.1 for Solo English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
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David McKeown
#
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18 Gospel Hymns Vol.1 for Solo
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.592568 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score ...
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English Horn,Piano - Level 2 - SKU: A0.592568 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 50 pages. David McKeown #6404065. Published by David McKeown (A0.592568). 18 Easy Gospel Hymns Vol.1 for Solo English Horn and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· Abide with Me, · Amazing Grace, · Blessed Assurance, · Deep River, · Down by the Riverside, · Go Down Moses, · Go Tell It on the Mountain, · He’s Got the Whole World in HIs Hands, · Higher Ground, · Jesus on the Mainline, · Joshua Fought the Battle of Jericho, · Just a Closer Walk with Thee, · Just as I Am, · Just Over in the Glory Land, · Kumbaya My Lord, · Love Lifted Me, · Nobody Knows the Trouble I’ve Seen, · Nothing but the Blood of Jesus. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
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