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Prelude in D minor - Violin and Piano
Non classifié
11
Piano & claviers
Piano seul
94
Piano Facile
12
Orgue, Piano (duo)
2
Piano, Voix
1
2 Pianos, 4 mains
1
Clavecin
1
+ 1 instrumentations
Retracter
Guitares
Guitare
3
Piano, Guitare (duo)
2
Basse electrique
1
Voix
Vents
Flûte traversière et Piano
13
Hautbois, Piano (duo)
7
Clarinette et Piano
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
4
Clarinette
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte traversière
3
2 Saxophones (duo)
2
Saxophone Soprano et Piano
2
Saxophone Tenor
2
Cor anglais, Piano
2
Flûte, Hautbois, Piano (trio)
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Saxophone Alto
1
Saxophone Baryton, Piano
1
+ 15 instrumentations
Retracter
Cuivres
Trompette
3
Trompette, Piano
3
Trombone et Piano
3
Trombone
3
Cor et Piano
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
2
Trompette (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 4 instrumentations
Retracter
Cordes
Violoncelle, Piano
10
Alto, Piano
6
Violoncelle
3
Contrebasse, Piano (duo)
2
4 Violoncelles
1
Alto seul
1
+ 1 instrumentations
Retracter
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3
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2
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CLARINETTE
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CORNET
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Prelude in D minor - Violin and Piano
Cor anglais, Piano
Partitions à imprimer
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Prelude in Bb minor - BWV 999 - English Horn
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Cor anglais, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ygor Nunes
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Prelude in Bb minor - BWV 999
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Ygor Nunes
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SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.1386048 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and ...
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English Horn,Piano - Level 5 - SKU: A0.1386048 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Score and part. 11 pages. Ygor Nunes #969994. Published by Ygor Nunes (A0.1386048). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.
$4.99
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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