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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Piano & claviers
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283
Piano, Voix
124
Piano seul
99
Piano Trio: piano, violon, violoncelle
25
Piano Facile
23
Piano, Voix et Guitare
22
Accompagnement Piano
21
Orgue
9
Piano (partie séparée)
9
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
1
Piano grosses notes
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Guitare
13
Dulcimer
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2 Guitares (duo)
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Ligne De Mélodie, (Paroles) et Accords
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Ukulele
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Mandoline
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Banjo
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2 Mandolines (duo)
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Basse electrique
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3 Guitares (trio)
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Orchestre à Plectres
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Chorale Unison
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Chorale TTBB
6
Chorale SSAA
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Voix seule
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254
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185
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145
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145
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126
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102
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94
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80
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77
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74
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70
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68
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62
Flûte, Trompette (duo)
55
Hautbois, Flûte
55
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47
Saxophone (partie séparée)
44
Quatuor de Saxophones: 4 saxophones
38
Flûte traversière et Piano
34
2 Hautbois (duo)
32
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27
Clarinette
27
Hautbois, Piano (duo)
26
Flûte, Hautbois (duo)
26
Hautbois (partie séparée)
25
Flûte, Hautbois, Clarinette, Basson
24
Saxophone Alto
24
Flûte traversière
20
3 Saxophones (trio)
19
Clarinette et Piano
19
Saxophone Alto et Piano
16
Hautbois, violon (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Tenor
14
Saxophone Tenor et Piano
13
Clarinette, Trombone (duo)
12
Flute (partie séparée)
10
Quintette de Saxophone: 5 saxophones
9
Clarinette, Basson (duo)
9
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
Clarinette, Violoncelle (duo)
6
Flûte, Hautbois, Piano (trio)
6
Clarinette (partie séparée)
6
Cor anglais, Piano
6
3 Clarinettes (trio)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
2 Flûtes traversières, Piano
5
Flûte et Guitare
5
Ensemble de Clarinettes
5
Flûte, Violon, Piano
5
Clarinette Basse, Piano
5
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violoncelle
4
Flûte à bec Soprano
3
Hautbois, Violoncelle
3
Flûte, Violon et Violoncelle
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Harpe et Violoncelle
2
Hautbois, Violon, Piano
2
Flûte, Basson et Piano
2
3 Flûtes à bec (trio)
2
Ensemble de Flûtes
2
Flute, harpe et violon
2
Hautbois et alto (duo)
2
Instruments en Mib
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Piccolo, Piano
2
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Trombone (duo)
1
Hautbois, Trompette (duo)
1
Hautbois, trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo
1
Hautbois, Harpe
1
Quatuor de Flûtes à bec
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Tuba
1
Clarinette Basse
1
Flûte irlandaise
1
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Trompette, Saxophone (duo)
135
Trompette, Trombone (duo)
76
2 Trombones (duo)
41
2 Trompettes (duo)
40
Trombone (partie séparée)
35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette (partie séparée)
28
Trompette
22
Trombone et Piano
18
Trombone
16
Cor et Piano
14
Trompette, Piano
14
Cor
12
2 Euphoniums (duo)
11
Euphonium, Piano (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor (partie séparée)
9
2 Tubas (duo)
9
Tuba (partie séparée)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Piano
7
2 Cors (duo)
7
Cor anglais, Piano
6
Quatuor de cuivres: 4 trombones
4
Tuba
4
Instruments en Sib
4
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
3
Ensemble de Trompettes
3
Euphonium, Tuba (duo)
3
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
Bass Clef Instruments
2
Cor et Harpe
1
Instruments en Fa
1
4 Tubas
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Trombone, Orgue
1
2 Euphoniums et 2 Tubas
1
Trompette, Harpe
1
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Violon, Violoncelle (duo)
153
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113
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96
Quatuor à cordes: 2 violons, alto, violoncelle
66
2 Violons (duo)
47
Trio à Cordes: 2 violons, violoncelle
42
2 Violoncelles (duo)
41
Violon
38
2 Altos (duo)
36
Alto, Piano
24
Violoncelle
22
Trio à Cordes: violon, alto, violoncelle
21
Alto, Violoncelle (duo)
17
Violoncelle, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Alto seul
13
Contrebasse (partie séparée)
11
Harpe
11
2 Harpes (duo)
10
2 Contrebasses (duo)
6
Alto (partie séparée)
6
Violon, Guitare (duo)
4
Violon, Basson (duo)
4
Contre Basse
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Piano Trio: Violon, Alto, Piano
4
Contrebasse, Piano (duo)
3
Harpe, Violon (duo)
2
Harpe, Violon, Violoncelle
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violon (partie séparée)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Ensemble de Violons
2
Flûte, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
4 Harpes
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
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Orchestre d'harmonie
211
Orchestre
124
Ensemble Jazz
107
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77
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26
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18
Jazz combo
17
Orchestre de chambre
16
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9
Fanfare
6
2 Xylophones
5
Ensemble d'École
5
Percussion (partie séparée)
3
Batterie
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
1
Marimba, Piano (duo)
1
Marimba
1
Piano et Orchestre
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Vibraphone et Marimba
1
Percussion
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Xylophone
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Cor anglais, Piano
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Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Minuet by Boccherini for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Engli
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Sco...
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English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760900. Published by Woods Only, Arrangements (A0.1160605). This simple arrangement adapted for cor anglais and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
I Love You Truly-English horn/piano
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Cor anglais, Piano
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FACILE
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Phil Beaman
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I Love You Truly-English horn/
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Phil Beaman
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4...
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English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414777. Published by Phil Beaman (A0.844639). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
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