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15
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7
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4
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1
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Voix duo, Piano
58
Chorale TTBB
40
Chorale SSAA
30
Voix duo
23
Voix Soprano, Piano
10
Voix seule
9
Chorale
8
Voix basse, Piano
7
Voix haute
5
Voix Baryton, Piano
3
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix basse
2
Voix Tenor
2
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1
Voix Mezzo-Soprano, Piano
1
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1
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73
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Flûte traversière et Piano
61
Flute (partie séparée)
52
Flûte, Hautbois, Clarinette, Basson
48
Quatuor de Clarinettes: 4 clarinettes
44
Quintette de Saxophone: 5 saxophones
43
Hautbois, Piano (duo)
42
Clarinette et Piano
39
Saxophone Alto et Piano
38
Flûte traversière
35
Hautbois (partie séparée)
32
2 Saxophones (duo)
28
Saxophone Tenor et Piano
28
Clarinette
27
Ensemble de saxophones
25
Ensemble de Clarinettes
24
Saxophone Alto
21
Saxophone Tenor
20
Saxophone Soprano et Piano
15
Quatuor de Flûtes : 4 flûtes
15
Ensemble de Flûtes
15
Quintette de Clarinettes: 5 clarinettes
14
2 Flûtes traversières (duo)
13
3 Saxophones (trio)
11
Trio de Flûtes: 3 flûtes
10
Saxophone Soprano
9
Quintette de Flûte : 5 flûtes
9
2 Clarinettes (duo)
9
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8
Cor anglais, Piano
7
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7
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6
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6
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6
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6
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6
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6
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3
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2
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19
Quatuor de cuivres: 4 trombones
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Trombone
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Cor
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Cor anglais, Piano
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2 Trompettes (duo)
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Quatuor de Cuivres
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Euphonium, Piano (duo)
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Tuba
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4 Tubas
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2 Trombones (duo)
4
Ensemble de Cors
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2 Tubas (duo)
3
Quatuor de cuivres: 4 trompettes
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Trompette, Trombone, Piano
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2 Cors (duo)
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Quatuor de cuivres: 4 cors
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3 Trombones (trio)
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Cor et Harpe
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Trompette, Saxophone (duo)
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2 Euphoniums et 2 Tubas
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Harpe
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Violon, Violoncelle (duo)
20
Violoncelle (partie séparée)
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2 Violons (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
Alto seul
15
Contre Basse
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
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Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Harpes (duo)
6
2 Altos (duo)
6
Ensemble de Violons
6
Harpe, Flûte (duo)
5
Ensemble d'Altos
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Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Harpe, Voix
3
Trio à cordes: 3 violins
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Piano Trio: Violon, Alto, Piano
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Alto, Violoncelle (duo)
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Trio à cordes: 3 altos
2
Violoncelle, Orgue
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Alto et Harpe
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Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
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Alto, Orgue
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Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
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Violoncelle, Orchestre
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Alto et orchestre
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4 Contrebasses
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Orchestre d'harmonie
3147
Orchestre
276
Orchestre à Cordes
228
Percussion (partie séparée)
100
Fanfare
100
Batterie (partie séparée)
98
Ensemble Jazz
77
Cloches
57
Orchestre de chambre
52
Ensemble de cuivres
46
Jazz combo
25
Ensemble de Percussions
11
Batterie
7
Timbales (partie séparée)
6
Marimba
4
Vibraphone
4
Percussion
4
Ensemble d'École
3
Piano et Orchestre
2
Instrumentation Flexible
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
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Caisse Claire
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Orchestre, Violon
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AUTRES
Formation musicale - Solfège
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Vous avez sélectionné:
Red Pen Music
Cor anglais, Piano
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Moonlight Sonata by Beethoven for English Horn
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.1156931 Composed by Ludwig …
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English Horn,Piano - Level 1 - Digital Download SKU: A0.1156931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757275. Published by Woods Only, Arrangements (A0.1156931). This arrangement adapted for cor anglais and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.79 €
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Cor anglais, Piano
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for English Horn
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Woods Only, Arrangements
#
SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042569. Published by David McKeown (A0.587904). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Cor anglais, Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042571. Published by David McKeown (A0.587905). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
#
Cor anglais, Piano
#
G F Handel
#
David McKeown
#
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
#
David McKeown
#
SheetMusicPlus
Handel: Largo from Xerxes for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549388 Composed by George F…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.63 €
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Cor anglais, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Symphony No. 5 by Beethoven for English Horn
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.1154896 Composed by Ludwig …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.1154896 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755172. Published by Woods Only, Arrangements (A0.1154896). This adaptation was intended for a small group of cor anglais and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
1.79 €
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Cor anglais, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven for English Horn
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Woods Only, Arrangements
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SheetMusicPlus
Sullivan: The Lost Chord for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arth…
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English Horn,Piano - Level 4 - Digital Download SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.23 €
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Cor anglais, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Sunset Silhouette - English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.574253 Composed by James Mi…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.574253 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6362497. Published by James M Stevens Music ASCAP (A0.574253). Written April 17, 2021, this is an original English horn & piano composition with a lyrical melody in a quiet and pensive style in the key of A minor. There is a separate horn part in the score and the accompaniment track as heard can be found under Sunset Silhouette Piano track.
$6.99
6.29 €
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Cor anglais, Piano
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James Michael Stevens
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James Michael Stevens
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Sunset Silhouette - English Horn & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
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