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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ree's Song
Sheetmusicplus
Non classifié
1 712
Piano & claviers
Piano seul
923
Piano, Voix
898
Piano Facile
409
Piano, Voix et Guitare
361
Instruments en Do
123
Orgue
94
Piano grosses notes
92
Piano Trio: piano, violon, violoncelle
30
1 Piano, 4 mains
20
Accompagnement Piano
13
Accordéon
6
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Clavier
1
2 Accordéons
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
106
Guitare
89
Basse electrique
39
Ukulele
36
Ligne De Mélodie, (Paroles) et Accords
23
Dulcimer
17
Piano, Guitare (duo)
11
Mandoline
6
Banjo
5
Paroles et Accords
4
4 Guitares (Quatuor)
4
2 Guitares (duo)
3
Guitare (partie séparée)
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
2
Ensemble de guitares
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
526
Chorale 3 parties
338
Chorale TTBB
127
Chorale 2 parties
125
Chorale SSAA
85
Chorale Unison
81
Voix Soprano, Piano
25
Voix Alto, Piano
16
Voix duo
13
Voix duo, Piano
12
Voix haute
10
Voix seule
9
Voix moyenne, Piano
7
Chorale
6
Voix Baryton, Piano
6
Voix Tenor, Piano
6
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
3
Voix basse, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
172
2 Saxophones (duo)
123
Saxophone Alto
102
Flûte traversière et Piano
98
Flûte traversière
98
Saxophone Tenor
96
Quatuor de Saxophones: 4 saxophones
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Hautbois (partie séparée)
84
Saxophone Alto et Piano
76
Clarinette et Piano
75
Clarinette
73
Hautbois, Piano (duo)
70
Flûte, Hautbois, Clarinette, Basson
59
2 Flûtes traversières (duo)
53
Quatuor de Clarinettes: 4 clarinettes
51
Saxophone Tenor et Piano
48
Quintette de Saxophone: 5 saxophones
45
Saxophone, Clarinette (duo)
42
2 Clarinettes (duo)
36
3 Clarinettes (trio)
30
Saxophone Baryton, Piano
28
Clarinette, Violon (duo)
26
Clarinette, Trompette (duo)
25
Saxophone Soprano et Piano
25
Quatuor de Flûtes : 4 flûtes
23
3 Saxophones (trio)
22
2 Hautbois (duo)
22
Hautbois, Basson (duo)
21
Clarinette (partie séparée)
20
Trio de Flûtes: 3 flûtes
20
Ensemble de Clarinettes
19
Flûte, Clarinette (duo)
18
Flûte et Guitare
17
Flûte, Violon
17
Clarinette et Alto
16
Hautbois, Clarinette (duo)
15
Cor anglais, Piano
15
Clarinette, Guitare (duo)
15
Flûte à bec Soprano
14
Flûte, Saxophone (duo)
14
Hautbois, Flûte
12
Flûte, Trompette (duo)
12
Ocarina
12
Ensemble de saxophones
12
Ensemble de Flûtes
11
Quintette de Flûte : 5 flûtes
11
Flûte, Violon, Piano
10
Clarinette Basse, Piano
10
Flûte, Alto (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Cor Anglais
9
2 Flûte à bec (duo)
9
Flûte à Bec
7
Cor anglais, Guitare (duo)
7
Hautbois
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flute (partie séparée)
6
Flûte à bec Alto
6
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes à bec
5
Clarinette, Basson (duo)
4
Harmonica
4
Clarinette, Harpe (duo)
4
Saxophone et Guitare
4
Ensemble De Flûte à bec
3
Saxophone Soprano
2
Piccolo, Piano
2
Ensemble de Hautbois
2
Flûte, Clarinette et Basson
2
Saxophone et Harpe
2
Flûte, Basson et Piano
2
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
1
Hautbois, Harpe
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
4 Hautbois
1
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
5 Flûtes à bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
+ 84 instrumentations
Retracter
Cuivres
Trompette
117
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Trombone
77
Trombone et Piano
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette, Piano
53
Cor et Piano
47
Trompette (partie séparée)
42
Trompette, Saxophone (duo)
29
Tuba et Piano
27
Cor
26
2 Trombones (duo)
23
Quatuor de cuivres: 4 trombones
21
2 Trompettes (duo)
21
Quatuor de Cuivres
19
Euphonium, Piano (duo)
18
Tuba
17
Trompette, Trombone (duo)
17
Trombone (partie séparée)
16
Cor anglais, Piano
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Cors (duo)
9
Cor Anglais
9
Ensemble de Trompettes
8
Tuba (partie séparée)
8
Cor (partie séparée)
8
Ensemble de Trombones
8
Cor anglais, Guitare (duo)
7
3 Trombones (trio)
5
Quatuor de cuivres: 4 trompettes
4
Euphonium
4
Quatuor de cuivres: 4 cors
4
4 Tubas
4
Trio de Cuivres
2
Tuba et Orgue
2
Ensemble de Cors
2
Trombone, Cor (duo)
1
3 Cors (trio)
1
Cor et Harpe
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
2 Euphoniums (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
287
Violon
141
Violon et Piano
131
Violoncelle
107
Trio à Cordes: violon, alto, violoncelle
91
Violoncelle, Piano
81
Alto, Piano
72
Violon, Violoncelle (duo)
71
Harpe
52
Trio à Cordes: 2 violons, violoncelle
47
Alto seul
46
2 Violons (duo)
36
2 Violoncelles (duo)
34
Violon, Alto (duo)
30
2 Altos (duo)
28
Alto (partie séparée)
27
Contre Basse
20
Contrebasse, Piano (duo)
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon (partie séparée)
15
Trio à cordes: 3 violins
13
Contrebasse (partie séparée)
11
Violoncelle , Guitare (duo)
8
Harpe, Voix
7
Alto, Violoncelle (duo)
7
4 Violoncelles
5
Piano Trio: Violon, Alto, Piano
5
Violoncelle (partie séparée)
5
Alto, Guitare (duo)
5
Violon, Guitare (duo)
5
Harpe, Flûte (duo)
5
Ensemble de Violons
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
3
Ensemble d'Altos
3
2 Violons, Piano
3
Alto et Harpe
2
Quatuor à cordes : 4 altos
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
4 Contrebasses
2
2 Contrebasses (duo)
2
Ensemble de Violoncelles
1
Harpe et Piano
1
Harpe, Trombone (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
386
Ensemble de cuivres
89
Orchestre
78
Orchestre à Cordes
59
Ensemble Jazz
42
Orchestre de chambre
30
Cloches
28
Jazz combo
25
Percussion (partie séparée)
15
Fanfare
11
Ensemble de Percussions
9
Batterie
7
Marimba
2
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Batterie (partie séparée)
1
Percussion
1
Xylophone, Piano
1
+ 13 instrumentations
Retracter
Autres
Instruments
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
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Vous avez sélectionné:
Ree's Song
SheetMusicPlus
Partitions à imprimer
15 partitions trouvées
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1
An die Türen (I will creep up to the doors) for cor anglais and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
An die Türen
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David Warin Solomons
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576699 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 5...
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English Horn,Piano - Level 3 - SKU: A0.576699 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 5 pages. David Warin Solomons #90231. Published by David Warin Solomons (A0.576699). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707255
$8.00
Gesänge des Harfners (Songs of the Harpist) for cor anglais and piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
David Warin Solomons
#
Gesänge des Harfners
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576701 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 1...
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English Horn,Piano - Level 3 - SKU: A0.576701 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 19 pages. David Warin Solomons #90235. Published by David Warin Solomons (A0.576701). All three of Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview of the first song. The three songs are also available individually on this site. If you would like to download mp3s of the piano accompaniments please use these references in the search box on sheetmusicplus:
$20.00
Gregory Sullivan Isaacs: Song Without Words for english horn and piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song
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Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages...
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English Horn,Piano - Level 3 - SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618663. Published by Musik Fabrik Music Publishing (A0.533375). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
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English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
#
Edvard Grieg
#
James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stand...
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English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508043. Published by jmsgu3 (A0.549564). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Wer nie sein Brot mit Tränen ass (Who never ate his bread with tears) for cor anglais and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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David Warin Solomons
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Wer nie sein Brot mit Trä
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David Warin Solomons
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576697 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7...
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English Horn,Piano - Level 3 - SKU: A0.576697 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7 pages. David Warin Solomons #90225. Published by David Warin Solomons (A0.576697). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707251
$8.00
Wer sich der Einsamkeit ergibt (Who gives himself to solitude) for cor anglais and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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David Warin Solomons
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Wer sich der Einsamkeit ergibt
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David Warin Solomons
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576695 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7...
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English Horn,Piano - Level 3 - SKU: A0.576695 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and part. 7 pages. David Warin Solomons #90221. Published by David Warin Solomons (A0.576695). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for cor anglais and piano. The pdf file contains score and separate cor anglais part. A version for cor anglais and guitar, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt [Who gives himself to solitude], Wer nie sein Brot mit Tränen ass [Who never ate his bread with tears], An die Türen [I will creep up to the doors]) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site If you would like to download an mp3 of the piano accompaniment please use this reference in the search box on sheetmusicplus: S0.707253
$8.00
Après un rêve (Fauré) for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Classique
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1303409 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score...
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English Horn,Piano - Level 2 - SKU: A0.1303409 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892983. Published by SCORE EDITIONS (A0.1303409). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
O Jesulein süss by Bach for English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1049922 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 ...
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English Horn,Piano - Level 1 - SKU: A0.1049922 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654315. Published by Woods Only, Arrangements (A0.1049922). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
A Whole New World
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1458242 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/...
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English Horn,Piano - Level 3 - SKU: A0.1458242 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037219. Published by SCORE EDITIONS (A0.1458242). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
Debussy: Claire de Lune for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James M
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Debussy: Claire de Lune for En
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550112 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,Wor...
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English Horn,Piano - Level 3 - SKU: A0.550112 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595955. Published by jmsgu3 (A0.550112). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Come Sail Away
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Cor anglais, Piano
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INTERMÉDIAIRE
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Rock
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Styx
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James M
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Come Sail Away
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549302 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu...
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English Horn,Piano - Level 3 - SKU: A0.549302 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3483857. Published by jmsgu3 (A0.549302). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career.
$27.95
A Mighty Fortress is Our God by Luther for English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1076818 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and pa...
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English Horn,Piano - Level 1 - SKU: A0.1076818 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680933. Published by Woods Only, Arrangements (A0.1076818). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
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