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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scho
Sheetmusicplus
Non classifié
11 621
Piano & claviers
Piano seul
6 978
Piano, Voix
2 476
Piano, Voix et Guitare
1 193
Piano Facile
1 009
Orgue
694
1 Piano, 4 mains
339
Accompagnement Piano
145
Piano Trio: piano, violon, violoncelle
120
Instruments en Do
91
Accordéon
75
2 Pianos, 4 mains
61
Piano Quatuor: piano, 2 violons, violoncelle
55
Piano grosses notes
34
Clavecin
33
Piano Quatuor: piano, violon, alto, violoncelle
29
Piano (partie séparée)
27
Orgue, Piano (duo)
16
Orgue, Trompette (duo)
12
1 Piano, 6 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
2 Pianos, 8 mains
8
Clavier
8
Orgue, Voix
5
Ensemble d'Accordéons
3
2 Accordéons
2
Accordéon et Orchestre
1
2 Orgues (duo)
1
+ 22 instrumentations
Retracter
Guitares
Guitare
1 335
Guitare notes et tablatures
410
Basse electrique
404
Piano, Guitare (duo)
145
2 Guitares (duo)
139
Ukulele
104
Ligne De Mélodie, (Paroles) et Accords
86
Guitare (partie séparée)
37
4 Guitares (Quatuor)
31
Paroles et Accords
29
3 Guitares (trio)
29
Mandoline
17
Banjo
12
Basse électrique (partie séparée)
12
Ensemble de guitares
11
Guitare, Flûte, Clarinette
4
Dulcimer
4
Mandoline, Piano (duo)
2
Guitare, Orchestre
2
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
3 966
Chorale 3 parties
2 189
Chorale 2 parties
1 173
Chorale TTBB
1 014
Chorale Unison
530
Chorale SSAA
391
Voix duo, Piano
318
Voix Soprano, Piano
238
Voix basse, Piano
156
Voix Tenor, Piano
149
Voix duo
130
Voix Baryton, Piano
129
Voix haute
124
Voix moyenne, Piano
101
Chorale SSAATTBB
93
Chorale SSATB
74
Voix Mezzo-Soprano, Piano
65
Voix Alto, Piano
63
Chorale SSATTB
63
Voix haute, Piano
55
Pack Instrumental pour Chorale
44
Voix seule
41
Chorale
39
Soli, choeur mixte et accompagnement
24
Chorale SSAB a cappella
21
Voix, Guitare
9
Chorale SSAATB
6
Chorale SATBB
6
Voix Tenor
6
Voix Soprano
5
Voix duo, Orgue
4
Chorale SSAB, Piano
3
Voix Soprano, Orchestre
3
Chorale SAATB A Cappella
2
Voix basse
2
Voix Moyenne
1
Chorale SATTBB A Cappella
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
882
Clarinette et Piano
601
Quatuor de Saxophones: 4 saxophones
564
Hautbois, Piano (duo)
452
Saxophone Alto et Piano
422
Saxophone Tenor et Piano
403
Flûte, Hautbois, Clarinette, Basson
399
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
379
Clarinette
365
Quatuor de Clarinettes: 4 clarinettes
330
2 Saxophones (duo)
286
Saxophone (partie séparée)
276
Saxophone Soprano et Piano
256
Flûte traversière
239
2 Flûtes traversières (duo)
236
Quintette de Saxophone: 5 saxophones
216
Ensemble de Clarinettes
162
2 Clarinettes (duo)
160
2 Flûte à bec (duo)
144
Ensemble de saxophones
140
3 Saxophones (trio)
125
Clarinette (partie séparée)
123
Flûte à bec Soprano, Piano
122
3 Clarinettes (trio)
119
Flûte à bec Alto, Piano
117
Trio de Flûtes: 3 flûtes
113
Quatuor de Flûtes à bec
103
Saxophone Alto
98
Flûte, Clarinette (duo)
96
Hautbois (partie séparée)
96
Flûte à bec Soprano
90
3 Flûtes à bec (trio)
82
Quatuor de Flûtes : 4 flûtes
78
Flute (partie séparée)
75
Flûte à bec Alto
70
Ensemble de Flûtes
68
Saxophone Baryton, Piano
57
Flûte à bec Alto, Basse continue
54
Quintette de Clarinettes: 5 clarinettes
50
Saxophone Tenor
49
Flûte et Guitare
49
2 Hautbois (duo)
46
Hautbois
42
Flûte, Clarinette et Basson
41
Flûte traversière, Basse continue
36
Hautbois, Basson (duo)
33
Saxophone
32
Flûte, Violon, Piano
30
Cor anglais, Piano
30
Flûte, Hautbois, Basson
29
3 Hautbois
28
Quintette de Flûte : 5 flûtes
28
4 Hautbois
25
Clarinette Basse, Piano
24
Flûte à Bec
22
Hautbois, Clarinette (duo)
18
Flûte à bec Tenor
18
Ensemble De Flûte à bec
17
Clarinette, Violon (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte, Violoncelle
13
Saxophone, Clarinette (duo)
13
Clarinette, Basson (duo)
13
2 Flûtes à bec, Piano
12
Flûte, Violon
12
Flûte, Trombone (duo)
12
Ensemble à vent
11
Hautbois, Flûte
11
5 Flûtes à bec
10
Flûte traversière, Orchestre
9
Clarinette, Trompette (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Clarinette, Orchestre
8
Flûte, Clarinette, Piano (trio)
8
Saxophone et Guitare
7
Hautbois, Guitare (duo)
7
Harmonica
7
Flûte à bec Soprano, Basse continue
7
Flûte traversière, Orgue (duo)
7
Flûte, Hautbois (duo)
7
Clarinette, Violoncelle (duo)
7
Clarinette, Guitare (duo)
7
Clarinette et Alto
7
Flûte, Violon et Violoncelle
6
2 Flûtes traversières, Piano
6
Saxophone Soprano
6
Piccolo, Piano
5
Flûte, Hautbois, Piano (trio)
5
Piccolo
5
Cor Anglais
5
Flûte, Alto (duo)
5
Flûte, Basson et Piano
5
Flûte à Bec, Piano
5
Clarinette Basse
5
Flûte, Saxophone (duo)
5
Saxophone Baryton
4
Hautbois, violon (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
2 Flûtes, Basse continue
4
Ocarina
4
Flûte, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Orgue
3
Clarinette, Contrebasse (duo)
3
Clarinette, Trombone (duo)
3
Hautbois et Orchestre
3
Clarinette, Alto et Piano (trio)
3
Flûte, Violoncelle, Guitare
3
Hautbois, Violoncelle
3
Hautbois, trombone (duo)
3
Flûte et Quatuor à Cordes
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
3 Flûtes à bec, Piano
2
Flute, Cor (duo)
2
Hautbois et alto (duo)
2
Hautbois, Basson et Piano
2
Clarinette, Basson, Piano (trio)
2
2 Saxophones, Piano
2
Flûte à bec, Guitare (duo)
2
Flûte, Alto et Violoncelle
2
2 Clarinettes, Piano
2
Clarinette, Tuba
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Tuba (duo)
1
Clarinette, Harpe (duo)
1
Flûte, alto et harpe
1
2 Hautbois et Cor anglais
1
Hautbois, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Cor anglais et Harpe (duo)
1
Flute, harpe et violon
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Basson (duo)
1
Saxophone et Piano
1
Melodica
1
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Flûte, Alto et Piano
1
Cornemuse
1
Saxophone et violoncelle
1
+ 138 instrumentations
Retracter
Cuivres
Trombone et Piano
403
Trompette, Piano
391
Trompette
319
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
265
Cor et Piano
256
Trompette (partie séparée)
236
Quatuor de Cuivres : 2 trompettes, trombone, tuba
216
Quatuor de Cuivres: 2 trompettes, Cor, trombone
198
Trombone (partie séparée)
184
2 Trompettes (duo)
109
Trombone
96
Ensemble de Trompettes
88
Cor (partie séparée)
87
2 Trombones (duo)
80
Cor
75
Quatuor de cuivres: 4 trombones
55
Ensemble de Trombones
52
Trompette, Trombone (duo)
50
Quatuor de Cuivres
48
Tuba (partie séparée)
38
Tuba et Piano
37
Trompette, Cor (duo)
36
Euphonium, Piano (duo)
35
Cor anglais, Piano
30
Tuba
29
2 Cors (duo)
27
Quatuor de cuivres: 4 cors
27
3 Trombones (trio)
15
2 Tubas (duo)
12
2 Trompettes, Clavier (piano ou orgue)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
12
Quatuor de cuivres: 4 trompettes
12
Trompette, Saxophone (duo)
11
2 Euphoniums et 2 Tubas
10
Tuba ou Euphonium ou Saxhorn
10
Trio de Cuivres
8
Ensemble de Cors
8
3 Trompettes (trio)
7
Euphonium, Tuba (duo)
7
Trompette, Orchestre
6
Euphonium
5
Cor Anglais
5
Trompette, violon (duo)
4
Trombone, Orgue
4
Cor, Violoncelle (duo)
4
3 Cors (trio)
3
Trombone basse et Piano
3
Cor et Basson (duo)
3
4 Tubas
3
Trombone, Cor (duo)
3
Tuba et Orgue
3
Trompette, Violoncelle (duo)
2
Trompette, Basson (duo)
2
Trombone basse
2
Trompette, Tuba (duo)
2
4 Euphoniums
2
2 Trombones, Piano
1
2 Euphoniums (duo)
1
Cor et Orgue
1
Cor, Orchestre
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Trompette et Guitare
1
2 Cors, Piano
1
Trombone, Violon (duo)
1
Trombone, Alto (duo)
1
+ 62 instrumentations
Retracter
Cordes
Violon et Piano
1 575
Quatuor à cordes: 2 violons, alto, violoncelle
1 368
Violoncelle, Piano
1 051
Violon (partie séparée)
714
Alto, Piano
602
Violon
544
Violoncelle
374
Violon, Violoncelle (duo)
280
Alto (partie séparée)
261
Trio à Cordes: violon, alto, violoncelle
250
2 Violons (duo)
181
2 Violoncelles (duo)
153
Alto seul
145
Violoncelle (partie séparée)
124
Violon, Alto (duo)
110
Harpe
101
Piano Trio: Violon, Alto, Piano
92
Trio à Cordes: 2 violons, violoncelle
88
Trio à cordes: 3 violins
84
Quintette à cordes: 2 violons, alto, violoncelle, basse
84
2 Altos (duo)
71
Contrebasse (partie séparée)
67
Contre Basse
61
Contrebasse, Piano (duo)
60
Violon, Basse continue
55
Trio à Cordes: 3 violoncelles
41
Violoncelle, Basse continue
40
2 Violons et Basse continue
39
4 Violoncelles
37
Ensemble de Violons
28
Violon, Guitare (duo)
27
Alto, Violoncelle (duo)
27
Ensemble d'Altos
26
Violoncelle, Orchestre
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
19
Violoncelle , Guitare (duo)
16
Violoncelle, Contrebasse (duo)
15
Quatuor à cordes : 4 altos
14
Violon, Orgue
13
2 Violons, Piano
13
Quatuor à cordes: 4 violons
12
Alto et orchestre
12
Trio à Cordes: 2 violons, alto
11
Ensemble de Violoncelles
10
Violoncelle, Orgue
9
Harpe, Flûte (duo)
8
2 Contrebasses (duo)
7
2 Harpes (duo)
6
Trio à cordes: 3 altos
5
Alto, Guitare (duo)
4
Alto et Basson
4
Violon, Clarinette, Piano (trio)
2
Violon, Basson (duo)
2
4 Contrebasses
2
4 Harpes
2
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Voix
1
Trio à cordes
1
Alto, Orgue
1
Harpe (partie séparée)
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 220
Orchestre à Cordes
876
Orchestre
584
Ensemble Jazz
471
Ensemble de cuivres
391
Orchestre de chambre
223
Fanfare
213
Cloches
177
Jazz combo
157
Ensemble de Percussions
91
Percussion (partie séparée)
76
Batterie
53
Caisse Claire
53
Timbales
48
Percussion
41
Batterie (partie séparée)
37
2 Xylophones
33
Marimba
31
Xylophone
22
Orchestre, Violon
18
Ensemble d'École
18
Piano et Orchestre
12
Vibraphone
10
Timbales (partie séparée)
4
Voix Mezzo-Soprano, Orchestre
2
Xylophone, Piano
2
3 Marimbas
2
Marimba et Orgue
2
Cajon
1
Instrumentation Flexible
1
Vibraphone et Marimba
1
Xylophone ou Marimba ou Vibraphone
1
+ 27 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Partitions à imprimer
30 partitions trouvées
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1
26
Alle Vögel sind schon da (All the Birds are there/ Spring Song)
#
Cor anglais, Piano
#
FACILE
#
German Folk Song
#
Kaiserin Rebecca
#
Alle Vögel sind schon da
#
Kaiserin Rebecca
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.640823 Composed by German Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,World. Score and p...
(+)
English Horn,Piano - Level 2 - SKU: A0.640823 Composed by German Folk Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,World. Score and part. 1 pages. Kaiserin Rebecca #4791649. Published by Kaiserin Rebecca (A0.640823). For English horn solo and piano accompaniment with chords.
$4.99
Sonata
#
Cor anglais, Piano
#
Paul Hindemith
#
Sonata
#
Schott Music
#
SheetMusicPlus
Composed by Paul Hindemith (1895-1963). Copyright 1942 Schott Music GmbH & Co. KG, Mainz, Copyright renewed 1970/2003. 19 pages. Published by Schott Music (S9.Q...
(+)
Composed by Paul Hindemith (1895-1963). Copyright 1942 Schott Music GmbH & Co. KG, Mainz, Copyright renewed 1970/2003. 19 pages. Published by Schott Music (S9.Q17123). - - - Schott Music
$17.99
Gondoliera
#
Cor anglais, Piano
#
Humphrey Searle
#
Gondoliera
#
Schott Music - Digital
#
SheetMusicPlus
Cor anglais and piano - SKU: S9.Q3291 Composed by Humphrey Searle. This edition: Sheet music. Downloadable. Op. 19. Duration 3 minutes. Schott Music - D...
(+)
Cor anglais and piano - SKU: S9.Q3291 Composed by Humphrey Searle. This edition: Sheet music. Downloadable. Op. 19. Duration 3 minutes. Schott Music - Digital #Q3291. Published by Schott Music - Digital (S9.Q3291).
$5.99
Andante
#
Cor anglais, Piano
#
Timothy Moore
#
Andante
#
Schott Music - Digital
#
SheetMusicPlus
Cor anglais and piano - SKU: S9.Q3290 Composed by Timothy Moore. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3290. Published by Sc...
(+)
Cor anglais and piano - SKU: S9.Q3290 Composed by Timothy Moore. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3290. Published by Schott Music - Digital (S9.Q3290).
$9.99
Arabeske and Aria
#
Cor anglais, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Grete von Zieritz
#
Arabeske and Aria
#
Schott Music - Digital
#
SheetMusicPlus
Cor anglais and piano - intermediate to advanced - SKU: S9.Q48104 For cor anglais and piano. Composed by Grete von Zieritz. This edition: Sheet m...
(+)
Cor anglais and piano - intermediate to advanced - SKU: S9.Q48104 For cor anglais and piano. Composed by Grete von Zieritz. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q48104. Published by Schott Music - Digital (S9.Q48104).
$23.99
Bach-Gounod: Ave Maria for English Horn & Piano
#
Cor anglais, Piano
#
FACILE
#
Bach-Gounod
#
James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Jesu, Joy of Man's Desiring for English Horn and Piano (Not Chords) - Score and parts
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring fo
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Cassio Silva
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SheetMusicPlus
Small Ensemble English Horn,Piano,Voice - Level 2 - SKU: A0.843218 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel...
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Small Ensemble English Horn,Piano,Voice - Level 2 - SKU: A0.843218 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346615. Published by Cassio Silva (A0.843218). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, Joy of Man's Desiring for English Horn and Piano (Arpeggios With Chords) - Score and Parts
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring fo
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Cassio Silva
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SheetMusicPlus
Small Ensemble English Horn,Piano,Voice - Level 2 - SKU: A0.843215 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel...
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Small Ensemble English Horn,Piano,Voice - Level 2 - SKU: A0.843215 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346609. Published by Cassio Silva (A0.843215). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scarlatti - Già il sole dal Gange - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alessandro Scarlatti
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César Madeira
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Scarlatti - Già il sole
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1472209 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Oper...
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English Horn,Piano - Level 3 - SKU: A0.1472209 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Children,Classical,Early Music,Opera. Score and part. 12 pages. Sheet Music To Play Editions #1049910. Published by Sheet Music To Play Editions (A0.1472209). Già il sole dal Gange by Scarlatti. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Alessandro Gaspare Scarlatti (1660 – 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Danza, danza, fanciulla gentile - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Francesco Durante
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César Madeira
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Danza, danza, fanciulla gentil
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1460220 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Op...
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English Horn,Piano - Level 3 - SKU: A0.1460220 Composed by Francesco Durante. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score and part. 11 pages. Sheet Music To Play Editions #1039154. Published by Sheet Music To Play Editions (A0.1460220). Danza, danza, fanciulla gentile by Durante. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Francesco Durante (1684 – 1755) was an Italian composer of the Neapolitan School. Best known for his church music, he was also an important teacher, instructing Niccolò Jommelli, Giovanni Paisiello, Giovanni Battista Pergolesi, Niccolò Piccinni and Leonardo Vinci, among others.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Tchaikovsky: Overture from Nutcracker Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Per...
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English Horn,Piano - Level 3 - SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515357. Published by jmsgu3 (A0.549625). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Scene 10 from Swan Lake for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swa
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549603 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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English Horn,Piano - Level 3 - SKU: A0.549603 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3513201. Published by jmsgu3 (A0.549603). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
When the Roll is Called Up Yonder, Gospel Hymn for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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James Milton Black
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David McKeown
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When the Roll is Called Up Yon
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593468 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spirit...
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English Horn,Piano - Level 2 - SKU: A0.593468 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421163. Published by David McKeown (A0.593468). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo English Horn and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Grieg: Peer Gynt Suite Complete for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306323. Published by jmsgu3 (A0.551501). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504485. Published by jmsgu3 (A0.549522). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the English Horn! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
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English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Rachmaninoff: Vocalise for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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James M
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Rachmaninoff: Vocalise for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549280 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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English Horn,Piano - Level 3 - SKU: A0.549280 Composed by Sergei Rachmaninoff (1873 –1943). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #3480113. Published by jmsgu3 (A0.549280). Sergei Rachmaninoff: Vocalise Op. 34 No. 14. Score: 7 pages, 41 measures. Duration: ca. 6:33. Solo part: 2 pages, Piano part: 4 pages. Very famous composition with a distinctly melancholy flavor. Suitable for Lent or Easter meditations, receptions, weddings, recitals, school performances, and concert encores.
$32.95
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