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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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MARIMBA
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ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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Prix + au -
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débutant
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expert
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avec vidéo
avec play-along
Non classifié
3890
PIANO & CLAVIERS
Piano seul
1814
Piano, Voix
1196
Piano, Voix et Guitare
939
Piano Facile
696
Orgue
370
Instruments en Do
129
Piano grosses notes
71
Accompagnement Piano
51
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
31
2 Pianos, 4 mains
20
Accordéon
20
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
7
Orgue, Piano (duo)
7
Clavecin
7
Orgue, Trompette (duo)
4
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
Clavier
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare notes et tablatures
286
Guitare
253
Basse electrique
249
Mandoline
121
Ligne De Mélodie, (Paroles) et Accords
79
Ukulele
72
Paroles et Accords
37
2 Guitares (duo)
22
Dulcimer
16
Guitare (partie séparée)
13
Piano, Guitare (duo)
13
Banjo
11
Mandoline, Guitare (duo)
10
Mandoline, Piano (duo)
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Dobro
3
2 Mandolines (duo)
2
Ensemble de guitares
2
Basse électrique (partie séparée)
2
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
1124
Chorale 3 parties
446
Chorale Unison
409
Chorale 2 parties
404
Chorale TTBB
236
Voix duo, Piano
125
Chorale SSAA
108
Voix duo
67
Voix seule
28
Chorale
27
Voix Soprano, Piano
25
Voix haute
18
Voix moyenne, Piano
16
Voix basse, Piano
10
Voix Mezzo-Soprano, Piano
7
Voix Alto, Piano
7
Voix Baryton, Piano
6
Chorale SSAATTBB
6
Voix Tenor, Piano
6
Chorale SSATTB
4
Voix Tenor
2
Voix Soprano
2
Chorale SSATB
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
568
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
471
Flûte, Hautbois, Clarinette, Basson
375
Saxophone, Clarinette (duo)
246
2 Clarinettes (duo)
246
Flûte traversière et Piano
242
2 Flûtes traversières (duo)
224
Quatuor de Saxophones: 4 saxophones
221
Saxophone (partie séparée)
215
Saxophone Alto et Piano
192
Clarinette
180
Saxophone Tenor et Piano
177
Clarinette et Piano
176
Clarinette, Violon (duo)
167
Hautbois, Basson (duo)
164
Saxophone Soprano et Piano
160
Flûte traversière
155
Hautbois, Piano (duo)
153
Clarinette, Trompette (duo)
147
Quintette de Saxophone: 5 saxophones
136
Saxophone Alto
128
Flûte, Clarinette (duo)
121
2 Hautbois (duo)
105
Quatuor de Clarinettes: 4 clarinettes
103
Hautbois, Clarinette (duo)
89
Saxophone Baryton, Piano
89
Clarinette et Alto
83
Flûte, Saxophone (duo)
82
Flûte, Violon
82
Hautbois (partie séparée)
80
Hautbois, Flûte
73
Ensemble de saxophones
67
Flûte, Trompette (duo)
67
Flûte, Alto (duo)
63
Ensemble de Clarinettes
62
Quatuor de Flûtes : 4 flûtes
56
3 Saxophones (trio)
53
Ensemble de Flûtes
43
2 Flûte à bec (duo)
42
Clarinette (partie séparée)
37
3 Clarinettes (trio)
32
Cor anglais, Piano
29
Quintette de Clarinettes: 5 clarinettes
28
Saxophone Tenor
25
Flûte et Guitare
24
Trio de Flûtes: 3 flûtes
22
Flûte à bec Soprano
22
Quintette de Flûte : 5 flûtes
19
Hautbois, Clarinette, Basson (trio d'anches)
19
Clarinette Basse, Piano
19
Flûte, Clarinette et Basson
16
Flûte à Bec
16
Clarinette, Basson (duo)
16
Saxophone Soprano
15
Flûte, Hautbois, Clarinette (trio)
14
Flute (partie séparée)
14
Clarinette, Guitare (duo)
11
Hautbois
11
Hautbois, Guitare (duo)
7
Saxophone Baryton
7
Saxophone et Guitare
7
2 Saxophones, Piano
7
Clarinette, Violoncelle (duo)
7
Clarinette, Trombone (duo)
7
Flûte à bec Alto
7
Flûte à bec Tenor
7
Cor Anglais
7
Flûte, Hautbois (duo)
7
Harmonica
6
Flûte, Violon et Violoncelle
6
Quatuor de Flûtes à bec
6
Flûte à bec Alto, Piano
5
Clarinette, Harpe (duo)
5
Flûte, Violoncelle
5
Flute, harpe et violon
4
Saxophone et Orgue
4
Hautbois, violon (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Violon, Piano
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Basson et Piano
4
Cor anglais, Guitare (duo)
4
Saxophone
3
2 Clarinettes, Basson
3
Piccolo, Piano
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Flûtes traversières, Piano
3
Hautbois, Violoncelle
3
3 Hautbois
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Violon
2
Hautbois, Harpe
2
2 Cors Anglais Et Pianoforte
2
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
Ensemble à vent
1
Flûte, Alto et Piano
1
Flûte traversière, Orgue (duo)
1
2 Flûtes, Basse continue
1
Flûte, trombone et piano
1
Ocarina
1
Piccolo
1
Flûte de Pan
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Clarinette, Violon (trio)
1
Flûte, alto et harpe
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Flûte irlandaise
1
Flûte traversière, Basse continue
1
Saxophone et Harpe
1
Flûte, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Clarinettes, Piano
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Clarinette, Alto et Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
269
Quatuor de Cuivres : 2 trompettes, trombone, tuba
188
Trombone et Piano
186
Trompette, Saxophone (duo)
177
Trompette
172
Trompette, Piano
148
2 Trombones (duo)
127
Cor et Piano
117
2 Trompettes (duo)
113
Trombone
110
Trompette, Trombone (duo)
94
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
Trombone (partie séparée)
71
Cor
65
Tuba et Piano
64
Trompette (partie séparée)
63
Quatuor de Cuivres
57
Ensemble de Trompettes
42
Euphonium, Piano (duo)
38
Ensemble de Trombones
35
2 Cors (duo)
29
Cor anglais, Piano
29
Cor (partie séparée)
28
Quatuor de cuivres: 4 trombones
27
Tuba
26
Tuba (partie séparée)
20
Quatuor de cuivres: 4 cors
16
2 Euphoniums (duo)
15
2 Tubas (duo)
14
Trompette, Cor (duo)
13
Trio de Cuivres
9
3 Trombones (trio)
7
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone, Piano
5
Euphonium
4
3 Trompettes (trio)
4
Cor anglais, Guitare (duo)
4
Trompette, violon (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
Trompette, Basson (duo)
3
Ensemble de Cors
3
Trombone, Tuba (duo)
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
Bass Clef Instruments
1
Cor, Trompette, Trombone (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Trompette et Guitare
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone basse
1
2 Trombones, Piano
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Trombone, Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
616
Violon et Piano
340
Violon, Violoncelle (duo)
246
Violon
242
Alto, Piano
209
Violoncelle, Piano
208
Harpe
197
2 Violons (duo)
166
2 Violoncelles (duo)
138
Violon, Alto (duo)
130
2 Altos (duo)
119
Violoncelle (partie séparée)
104
Trio à Cordes: violon, alto, violoncelle
104
Trio à Cordes: 2 violons, violoncelle
100
Alto seul
68
Contrebasse, Piano (duo)
59
Violoncelle
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon (partie séparée)
28
Contre Basse
26
Alto (partie séparée)
25
Piano Trio: Violon, Alto, Piano
23
Violon, Guitare (duo)
21
Contrebasse (partie séparée)
20
4 Violoncelles
20
Ensemble de Violons
14
2 Harpes (duo)
12
Violoncelle , Guitare (duo)
12
Harpe, Voix
11
Ensemble d'Altos
11
2 Contrebasses (duo)
10
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
9
Trio à cordes: 3 violins
7
Trio à Cordes: 3 violoncelles
6
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
4
Alto et Harpe
4
Harpe, Violon (duo)
4
Alto, Guitare (duo)
4
Violon, Basson (duo)
4
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
3
2 Violons, Piano
3
Harpe et mandoline
3
Autoharp
2
2 Violoncelles, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Violon, Basse continue
2
Alto et Basson
2
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
915
Orchestre
275
Cloches
236
Orchestre à Cordes
176
Ensemble de cuivres
154
Ensemble Jazz
150
Orchestre de chambre
73
Percussion (partie séparée)
28
Jazz combo
26
Fanfare
26
Batterie
24
Batterie (partie séparée)
18
Ensemble de Percussions
12
Ensemble d'École
7
Vibraphone
6
Xylophone, Piano
5
Percussion
2
Instrumentation Flexible
2
Quintette de Cuivres: autres combinaisons
2
Marimba
2
Xylophone
1
Marimba, Piano (duo)
1
Cajon
1
2 Marimbas
1
Conga
1
Quintette à Vent
1
Caisse Claire
1
Orchestre, Violon
1
Bongos
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
8
Théorie de la musique
1
Vous avez sélectionné:
Son Of Man*
Cor anglais, Piano
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I Write The Songs
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549342 By Barry Manilow. By…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486697. Published by jmsgu3 (A0.549342). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.69 €
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Cor anglais, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Jesu, Joy of Man's Desiring for English Horn and Piano (Not Chords) - Score and parts
Cor anglais, Piano
Small Ensemble English Horn,Piano,Voice - Level 2 - Digital Download SKU: A0.843218…
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Small Ensemble English Horn,Piano,Voice - Level 2 - Digital Download SKU: A0.843218 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346615. Published by Cassio Silva (A0.843218). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
4.58 €
#
Cor anglais, Piano
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring for English Horn and Piano
#
Cassio Silva
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SheetMusicPlus
Jesu, Joy of Man's Desiring for English Horn and Piano (Arpeggios With Chords) - Score and Parts
Cor anglais, Piano
Small Ensemble English Horn,Piano,Voice - Level 2 - Digital Download SKU: A0.843215…
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Small Ensemble English Horn,Piano,Voice - Level 2 - Digital Download SKU: A0.843215 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6346609. Published by Cassio Silva (A0.843215). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
4.58 €
#
Cor anglais, Piano
#
Johann Sebastian Bach
#
Cássio Silva Chaves
#
Jesu, Joy of Man's Desiring for English Horn and Piano
#
Cassio Silva
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549584 Composed by Edvard G…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549584 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511257. Published by jmsgu3 (A0.549584). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.91 €
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Cor anglais, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.550424 Composed by Antonio …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.550424 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 30 pages. Jmsgu3 #4632903. Published by jmsgu3 (A0.550424). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Cor anglais, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.550401 Composed by Antonio …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.550401 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628417. Published by jmsgu3 (A0.550401). Sonata da Chiesa in Bb for English Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Cor anglais, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.550501 Composed by Antonio …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.550501 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715765. Published by jmsgu3 (A0.550501). Sonata da Chiesa No. 5 in E Minor for English Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Cor anglais, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.550450 Composed by Antonio …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.550450 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4635261. Published by jmsgu3 (A0.550450). Sonata da Chiesa No. 3 in A Minor for English Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.26 €
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Cor anglais, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin L…
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.91 €
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Cor anglais, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Chanson De Nuit, Op.15 No.1 - English Horn and Piano (Full Score and Parts)
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.1192675 Composed by Edward …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.1192675 Composed by Edward Elgar. Arranged by César Madeira. 19th Century,20th Century,Classical,Multicultural,Romantic Period,World. Score and part. 10 pages. Sheet Music To Play Editions #792121. Published by Sheet Music To Play Editions (A0.1192675). Chanson De Nuit Op.15 No.1 by Elgar. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.34 €
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Cor anglais, Piano
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Edward Elgar
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César Madeira
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Chanson De Nuit, Op.15 No.1 - English Horn and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Me…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Cor anglais, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Morning Has Broken
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By C…
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.03 €
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Cor anglais, Piano
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Goodbye Yellow Brick Road
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.547882 By Elton John. By Be…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.547882 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 14 pages. Jmsgu3 #3073405. Published by jmsgu3 (A0.547882). ENGLISH HORN & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. These are just a few of the surprises to be found within.Â
$53.95
49.54 €
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Cor anglais, Piano
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Sty…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.5 €
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Cor anglais, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Sty…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.5 €
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Cor anglais, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Bach: Wachet auf for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann S…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.91 €
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Cor anglais, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 4 - Digital Download SKU: A0.551501 Composed by Edvard G…
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English Horn,Piano - Level 4 - Digital Download SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306323. Published by jmsgu3 (A0.551501). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.05 €
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Cor anglais, Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549522 Composed by Edvard G…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504485. Published by jmsgu3 (A0.549522). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the English Horn! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.26 €
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Cor anglais, Piano
#
Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549543 Composed by Edvard G…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Cor anglais, Piano
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Edvard Grieg
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James M
#
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549564 Composed by Edvard G…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508043. Published by jmsgu3 (A0.549564). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
#
Cor anglais, Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042569. Published by David McKeown (A0.587904). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042571. Published by David McKeown (A0.587905). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
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David McKeown
#
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
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David McKeown
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
#
David McKeown
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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David McKeown
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SheetMusicPlus
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