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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Sonata No.2
Non classifié
422
Piano & claviers
Piano seul
563
Piano Facile
75
Orgue
15
1 Piano, 4 mains
10
Piano, Voix
7
2 Pianos, 4 mains
3
Clavecin
3
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
Piano, Voix et Guitare
2
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
40
2 Guitares (duo)
27
Guitare
24
Piano, Guitare (duo)
4
Banjo
2
Ensemble de guitares
2
Basse electrique
1
3 Guitares (trio)
1
Ukulele
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
1
Vents
Flûte traversière
148
2 Flûtes traversières (duo)
108
2 Saxophones (duo)
77
2 Clarinettes (duo)
54
3 Flûtes à bec (trio)
44
3 Clarinettes (trio)
33
2 Flûte à bec (duo)
29
Flûte traversière et Piano
27
2 Clarinettes, Basson
26
2 Hautbois (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte à Bec
23
Flûte, Hautbois, Basson
22
Clarinette et Piano
20
Flûte, Clarinette et Basson
19
Flûte, Hautbois, Clarinette (trio)
19
Flûte et Guitare
19
3 Saxophones (trio)
18
Clarinette
17
Quintette de Saxophone: 5 saxophones
12
Trio de Flûtes: 3 flûtes
10
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
8
Saxophone Alto et Piano
8
Hautbois, Piano (duo)
8
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
2 Cors Anglais Et Pianoforte
6
Clarinette Basse, Piano
5
Ensemble de saxophones
5
Flûte, Violon et Violoncelle
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Clarinettes
4
Flûte à bec Alto, Basse continue
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
4
Cor anglais, Piano
3
Ensemble de Flûtes
3
Saxophone Alto
3
2 Hautbois et Basson
3
Flûte, Clarinette (duo)
3
Ensemble De Flûte à bec
2
Flûte traversière, Basse continue
2
Flute (partie séparée)
2
Quatuor de Flûtes à bec
2
Flûte, Violon
1
Clarinette, Guitare (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
Hautbois, Harpe
1
2 Flûtes traversières, Piano
1
Clarinette, Basson (duo)
1
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor
1
Harmonica
1
Flûte, Violon, Piano
1
Cor anglais et Harpe (duo)
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
5 Flûtes à bec
1
Saxophone et Guitare
1
+ 64 instrumentations
Retracter
Cuivres
2 Cors (duo)
30
2 Trompettes (duo)
26
2 Trombones (duo)
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
2 Euphoniums (duo)
16
Trombone et Piano
14
Trompette, Piano
11
2 Tubas (duo)
10
Cor et Piano
9
Euphonium, Piano (duo)
8
Cor
6
2 Cors Anglais Et Pianoforte
6
Tuba et Piano
5
Trombone
5
Cor anglais, Piano
3
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette
3
Euphonium, Tuba (duo)
2
Quatuor de Cuivres
2
Trio de Cuivres
2
Ensemble de Cors
1
Trompette (partie séparée)
1
Tuba
1
3 Tubas (trio)
1
Ensemble de Trombones
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
1
4 Tubas
1
3 Cors (trio)
1
Ensemble de Trompettes
1
3 Trompettes (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 34 instrumentations
Retracter
Cordes
Violon
183
Quatuor à cordes: 2 violons, alto, violoncelle
101
2 Violons (duo)
78
Violon et Piano
65
2 Violoncelles (duo)
53
Trio à Cordes: 2 violons, violoncelle
44
2 Altos (duo)
41
Violoncelle
38
Violoncelle, Piano
32
Alto seul
23
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violon (partie séparée)
14
Trio à cordes: 3 violins
12
Violon, Alto (duo)
11
Violon, Violoncelle (duo)
10
2 Violons, Piano
9
2 Contrebasses (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
7
Harpe
6
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
3
Contre Basse
3
Violoncelle, Basse continue
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
2
4 Violoncelles
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Alto, Guitare (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
69
Orchestre
12
Ensemble de cuivres
5
Orchestre de chambre
4
Orchestre d'harmonie
4
Ensemble Jazz
3
2 Xylophones
2
Xylophone
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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Vous avez sélectionné:
Sonata No.2
Cor anglais, Piano
Partitions à imprimer
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Vivaldi: Sonata No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Engl
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550424 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and p...
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English Horn,Piano - Level 3 - SKU: A0.550424 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 30 pages. Jmsgu3 #4632903. Published by jmsgu3 (A0.550424). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Moonlight Sonata by Beethoven for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1156931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Per...
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English Horn,Piano - Level 1 - SKU: A0.1156931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757275. Published by Woods Only, Arrangements (A0.1156931). This arrangement adapted for cor anglais and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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