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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
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TROMPETTE
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XYLOPHONE
Sonata g minor
Non classifié
109
Piano & claviers
Piano seul
161
Piano Facile
11
Orgue
5
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano, Voix
1
+ 2 instrumentations
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Guitare
10
Guitare notes et tablatures
7
2 Guitares (duo)
4
Banjo
2
Ukulele
1
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
Chorale SATB
1
Vents
Flûte traversière
17
Flûte traversière et Piano
14
Clarinette et Piano
12
Hautbois, Piano (duo)
7
Flûte et Guitare
6
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6
Flûte, Hautbois, Clarinette, Basson
6
Clarinette
5
2 Flûtes traversières (duo)
5
Flûte à Bec
5
Saxophone Alto et Piano
5
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5
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4
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3
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3
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3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
3 Saxophones (trio)
2
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2
Ensemble de Clarinettes
2
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2
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2
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1
Flûte, Violon
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones (duo)
1
Clarinette, Violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
2 Hautbois et Basson
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
2 Clarinettes (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Clarinettes: 4 clarinettes
1
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4
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4
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3
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Trompette
2
Cor anglais, Piano
2
Cor et Piano
2
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2
Tuba et Piano
1
Trombone
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
+ 7 instrumentations
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Cordes
Violon
42
Violon et Piano
30
Violoncelle, Piano
24
Violoncelle
14
Alto, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
12
Contre Basse
5
Alto seul
5
2 Violons (duo)
5
2 Violons et Basse continue
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Violoncelle, Basse continue
3
Violon, Basse continue
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Trio à cordes
1
2 Violons, Piano
1
+ 20 instrumentations
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3
Orchestre
3
Orchestre d'harmonie
2
Quintette à Vent
1
Orchestre à Cordes
1
Orchestre, Violon
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Sonata g minor
Cor anglais, Piano
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Telemann: Four Sonatas for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.551675 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standa...
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English Horn,Piano - Level 3 - SKU: A0.551675 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330411. Published by jmsgu3 (A0.551675). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Sonata g minor
