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PIANO & CLAVIERS
Piano seul
1923
Piano grosses notes
1032
Piano, Voix et Guitare
865
Piano, Voix
580
Orgue
571
Piano Facile
559
Instruments en Do
522
Accompagnement Piano
207
1 Piano, 4 mains
102
Piano (partie séparée)
29
2 Pianos, 4 mains
22
Piano Trio: piano, violon, violoncelle
19
Accordéon
18
Piano Quatuor: piano, violon, alto, violoncelle
12
Ligne De Mélodie, Piano
5
Orgue, Piano (duo)
5
Clavecin
4
1 Piano, 6 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
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1
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Guitare notes et tablatures
1038
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313
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299
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171
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67
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56
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30
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29
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17
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2 Saxophones (duo)
634
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
317
Flûte traversière et Piano
270
2 Clarinettes (duo)
265
Saxophone (partie séparée)
252
Saxophone, Clarinette (duo)
246
2 Flûtes traversières (duo)
240
Quatuor de Saxophones: 4 saxophones
197
Clarinette, Violon (duo)
180
Clarinette, Trompette (duo)
161
Hautbois, Piano (duo)
149
Saxophone Alto et Piano
143
Clarinette et Piano
141
Flûte, Hautbois, Clarinette, Basson
140
Quintette de Saxophone: 5 saxophones
134
2 Hautbois (duo)
130
Clarinette
123
Flûte, Clarinette (duo)
120
Quatuor de Clarinettes: 4 clarinettes
111
Saxophone Tenor et Piano
105
Flûte, Violon
105
Flûte traversière
102
Hautbois, Clarinette (duo)
99
Flûte, Saxophone (duo)
95
Hautbois, Basson (duo)
92
Clarinette et Alto
90
Saxophone Soprano et Piano
87
Saxophone Alto
85
Flûte irlandaise
79
Flûte, Alto (duo)
77
Hautbois, Flûte
73
Flûte, Trompette (duo)
70
2 Flûte à bec (duo)
69
Quatuor de Flûtes : 4 flûtes
65
Saxophone Baryton, Piano
53
Ensemble de Clarinettes
44
3 Clarinettes (trio)
43
Hautbois (partie séparée)
41
3 Saxophones (trio)
41
Ensemble de saxophones
36
Ensemble de Flûtes
32
Flûte à bec Soprano
29
Trio de Flûtes: 3 flûtes
29
Saxophone Tenor
26
Ensemble De Flûte à bec
25
Flûte et Guitare
25
Quintette de Clarinettes: 5 clarinettes
21
Flute (partie séparée)
21
Hautbois
19
Quintette de Flûte : 5 flûtes
18
Clarinette (partie séparée)
18
Flûte, Hautbois (duo)
17
Cor anglais, Piano
17
Saxophone Baryton
16
Flûte, Hautbois, Clarinette (trio)
16
Saxophone Soprano
15
Cor Anglais
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Hautbois, violon (duo)
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Clarinette, Basson (duo)
14
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Flûte, Violoncelle
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Quatuor de Flûtes à bec
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Flûte à bec Alto
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Harmonica
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Piccolo
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2 Saxophones, Piano
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2
2 Flûtes traversières, Piano
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Flûte traversière, Orgue (duo)
1
Piccolo, Piano
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Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
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Flûte, Clarinette, Piano (trio)
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Saxophone et Orgue
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Clarinette, Harpe (duo)
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2 Clarinettes, Basson
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Flûte, Hautbois, Piano (trio)
1
Saxophone et Harpe
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Flûte, Basson et Piano
1
2 Clarinettes, Piano
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Cor anglais et Harpe (duo)
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Hautbois, Guitare (duo)
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2 Cors Anglais Et Pianoforte
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
211
Trompette, Saxophone (duo)
181
2 Trombones (duo)
145
Trombone (partie séparée)
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
135
2 Trompettes (duo)
130
Trompette (partie séparée)
119
Trompette, Trombone (duo)
117
Trombone et Piano
101
Trompette, Piano
99
Trompette
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
84
Cor et Piano
77
Trombone
71
Cor
63
Tuba et Piano
51
Quatuor de Cuivres
43
Tuba
42
Euphonium, Piano (duo)
37
2 Cors (duo)
27
Cor (partie séparée)
25
Ensemble de Trombones
23
Tuba (partie séparée)
23
Bass Clef Instruments
19
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17
Cor anglais, Piano
17
2 Tubas (duo)
16
Cor Anglais
15
Euphonium
12
Quatuor de cuivres: 4 trombones
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2 Euphoniums (duo)
10
Instruments en Sib
10
Trompette, Cor (duo)
10
3 Trombones (trio)
9
Quatuor de cuivres: 4 cors
8
Trompette, violon (duo)
7
2 Euphoniums et 2 Tubas
6
Cor, Tuba (duo)
5
Trio de Cuivres
5
Euphonium, Tuba (duo)
4
Cor, Violoncelle (duo)
4
4 Tubas
3
Clarinette, Cor (duo)
3
Trompette, Violoncelle (duo)
2
Tuba et Orgue
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Violoncelle et Piano
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
398
Violon et Piano
315
2 Violons (duo)
167
Violon, Violoncelle (duo)
164
Violon
159
Violoncelle, Piano
156
2 Altos (duo)
142
2 Violoncelles (duo)
136
Alto, Piano
126
Violon, Alto (duo)
124
Violoncelle (partie séparée)
89
Trio à Cordes: violon, alto, violoncelle
76
Harpe
75
Alto seul
56
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Violoncelle
47
Contre Basse
40
Contrebasse (partie séparée)
34
Contrebasse, Piano (duo)
34
2 Contrebasses (duo)
19
2 Harpes (duo)
15
Trio à Cordes: 2 violons, violoncelle
15
Alto (partie séparée)
15
Alto, Violoncelle (duo)
15
4 Violoncelles
13
Ensemble de Violons
13
Ensemble d'Altos
12
Violoncelle, Contrebasse (duo)
12
Trio à Cordes: 3 violoncelles
9
Piano Trio: Violon, Alto, Piano
9
Quatuor à cordes: 4 violons
9
Violon (partie séparée)
7
Violon, Guitare (duo)
7
Harpe, Flûte (duo)
6
4 Contrebasses
5
Quatuor à cordes : 4 altos
5
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 violins
5
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon, Violoncelle
2
Violon, Violoncelle, Clarinette
2
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basson (duo)
1
Harpe, Voix
1
Harpe et Piano
1
Autoharp
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Alto et Basson
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
372
Ensemble Jazz
283
Orchestre à Cordes
212
Orchestre
164
Ensemble de cuivres
95
Fanfare
82
Jazz combo
54
Orchestre de chambre
50
Batterie (partie séparée)
43
Ensemble de Percussions
39
Cloches
36
Batterie
21
Marimba
8
Ensemble d'École
7
Percussion (partie séparée)
7
Vibraphone
6
Big band
5
2 Xylophones
2
3 Marimbas
1
Xylophone, Piano
1
Timbales (partie séparée)
1
Vibraphone (partie séparée)
1
Xylophone
1
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AUTRES
Formation musicale - Solfège
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Cor anglais, Piano
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Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Me…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.22 €
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Cor anglais, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin L…
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.89 €
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Cor anglais, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Gregory Sullivan Isaacs: Song Without Words for english horn and piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.533375 Composed by Gregory …
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English Horn,Piano - Level 3 - Digital Download SKU: A0.533375 Composed by Gregory Sullivan Isaacs. 20th Century,Concert,Contemporary,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #2618663. Published by Musik Fabrik Music Publishing (A0.533375). A lyric piece in a typically American style. Perfect for contests and recitals! The American composer Gregory Sullivan Issacs is the author of a catalogue of vocal and instrumental works for both large and chamber ensembles. He has been feted for his “clean, neo-romantic, richly melodic musical idiom†(D Magazine). Nominated for a Pulitzer Prize in composition, he has also received a grant from the American Music Center and an ASCAP award for his commitment to American music. Recent works include his critically acclaimed Henry Faust, a three-act opera for tenor and piano, produced for public television, and a cantata for singers and a chamber ensemble, UNDELIVERED (libretto by Suzanne Calvin), based on President Kennedy’s final, but undelivered speech, which received a highly successful premiere in May 2014. Recent chamber music includes Dance Suite for Violin and Piano (2015) written for Gary Levinson, Senior Associate Concertmaster of the Dallas Symphony. 
$11.95
10.96 €
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Cor anglais, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Song Without Words for english horn and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Peaceful Morning - English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.573539 Composed by James Mi…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.573539 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5884793. Published by James M Stevens Music ASCAP (A0.573539). This is an original composition for English Horn and Piano in a relaxed and tranquil style in the key of A flat major. There is a separate horn part in the score and the piano part as seen can serve as a stand alone solo. The piano track as heard is available under Peaceful Morning Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Follow Dr. Stevens' music on Spotify, Pandora, iTunes, and other streaming outlets.
$6.99
6.41 €
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Cor anglais, Piano
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James Michael Stevens
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James Michael Stevens
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Peaceful Morning - English Horn & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.550926 Composed by J. S. Ba…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Cor anglais, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann S…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.22 €
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Cor anglais, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann S…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.89 €
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Cor anglais, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English Horn & Piano
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jmsgu3
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SheetMusicPlus
It's Been A Long, Long Time
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Sty…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Cor anglais, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Sty…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Cor anglais, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.594415 Composed by G F Hand…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658345. Published by David McKeown (A0.594415). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cor Anglais (or English Horn) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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G F Handel
#
David McKeown
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587904 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042569. Published by David McKeown (A0.587904). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
#
G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
#
G F Handel
#
David McKeown
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Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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David McKeown
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Hand…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587905 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042571. Published by David McKeown (A0.587905). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
#
G F Handel
#
David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo English Horn and Piano
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David McKeown
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SheetMusicPlus
Wedding March by Mendelssohn, for Solo Cor Anglais (English Horn) and Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.587604 Composed by Felix Ba…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.587604 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403644. Published by David McKeown (A0.587604). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Cor Anglais (English Horn) and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Cor anglais, Piano
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn, for Solo Cor Anglais
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David McKeown
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SheetMusicPlus
Amazing Grace, Gospel Hymn for English Horn and Piano
Cor anglais, Piano
Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Downlo…
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Piano Accompaniment, English Horn, Cor Anglais - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo English Horn and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo English Horn and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo English Horn and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.28 €
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Cor anglais, Piano
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel Hymn for English Horn and Piano
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David McKeown
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SheetMusicPlus
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