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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
TIME 4
Non classifié
4 843
Piano & claviers
Piano seul
5 746
Piano, Voix
2 388
Piano Facile
964
Piano, Voix et Guitare
665
1 Piano, 4 mains
433
Instruments en Do
211
Orgue
173
Accompagnement Piano
106
2 Pianos, 4 mains
82
Piano Trio: piano, violon, violoncelle
64
Piano (partie séparée)
38
Piano grosses notes
30
Piano Quatuor: piano, violon, alto, violoncelle
18
Accordéon
17
Orgue, Piano (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
2
Ensemble d'Accordéons
2
Orgue, Trompette (duo)
1
Ensemble de Pianos
1
Ligne De Mélodie, Piano
1
+ 18 instrumentations
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Guitares
Guitare notes et tablatures
300
Guitare
295
Basse electrique
101
Ligne De Mélodie, (Paroles) et Accords
67
2 Guitares (duo)
45
Guitare (partie séparée)
43
Ukulele
43
4 Guitares (Quatuor)
36
Mandoline
28
Paroles et Accords
23
Piano, Guitare (duo)
14
Dulcimer
11
Banjo
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
6
2 Dulcimers (duo)
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
Guitare, Orchestre
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 774
Chorale 2 parties
335
Chorale 3 parties
327
Chorale TTBB
292
Chorale SSAA
206
Chorale Unison
176
Voix duo, Piano
167
Voix seule
148
Voix Soprano, Piano
37
Voix Tenor, Piano
31
Voix duo
30
Voix Alto, Piano
27
Voix Baryton, Piano
23
Voix haute
16
Pack Instrumental pour Chorale
7
Voix moyenne, Piano
6
Voix basse, Piano
5
Voix Tenor
4
Chorale
4
Voix Soprano
2
Male Voice
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix, Guitare
1
Voix Moyenne
1
+ 21 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 472
Quatuor de Clarinettes: 4 clarinettes
790
2 Saxophones (duo)
634
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
369
Flûte traversière et Piano
356
Flûte traversière
318
2 Flûtes traversières (duo)
304
Clarinette et Piano
302
Flûte, Hautbois, Clarinette, Basson
298
2 Clarinettes (duo)
287
Quatuor de Flûtes : 4 flûtes
285
Saxophone
275
Clarinette
246
Saxophone Alto et Piano
237
Hautbois, Piano (duo)
231
Saxophone, Clarinette (duo)
217
Quintette de Saxophone: 5 saxophones
200
Ensemble de saxophones
188
Saxophone (partie séparée)
175
Saxophone Tenor et Piano
169
Clarinette, Violon (duo)
148
Flûte, Clarinette (duo)
146
Saxophone Soprano et Piano
144
Ensemble de Clarinettes
139
2 Hautbois (duo)
136
Clarinette, Trompette (duo)
127
Hautbois, Basson (duo)
111
Hautbois, Clarinette (duo)
106
Saxophone Baryton, Piano
106
Saxophone Alto
83
Clarinette et Alto
80
Saxophone Tenor
78
Flûte, Violon
78
Hautbois (partie séparée)
73
Hautbois, Flûte
72
Flûte, Saxophone (duo)
71
Hautbois
70
Flûte, Alto (duo)
66
Ensemble de Flûtes
63
Flûte, Trompette (duo)
60
2 Flûte à bec (duo)
59
Quintette de Clarinettes: 5 clarinettes
58
Clarinette Basse, Piano
55
Cor anglais, Piano
51
Trio de Flûtes: 3 flûtes
48
3 Clarinettes (trio)
44
3 Saxophones (trio)
42
Flûte à Bec
34
Clarinette, Basson (duo)
28
Clarinette (partie séparée)
25
Hautbois, Violoncelle
25
Flûte, Hautbois (duo)
25
Flûte, Clarinette et Basson
24
Flûte et Guitare
22
Flute (partie séparée)
21
Quintette de Flûte : 5 flûtes
21
Quatuor de Flûtes à bec
19
2 Clarinettes, Piano
18
Clarinette, Violoncelle (duo)
17
Clarinette, Guitare (duo)
17
Flûte, Violon, Piano
17
Flûte à bec Soprano
16
Flûte, Violoncelle
16
Hautbois, Clarinette, Basson (trio d'anches)
16
Flûte, Violoncelle, Piano (trio)
14
Flûte, Hautbois, Piano (trio)
13
Cor Anglais
12
Flûte, Hautbois, Clarinette (trio)
12
Piccolo, Piano
12
Saxophone Soprano
11
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Basson
8
2 Cors Anglais Et Pianoforte
8
Hautbois et alto (duo)
7
Flûte, Violon et Violoncelle
7
2 Flûtes traversières, Piano
7
Flûte, Alto et Piano
6
Clarinette, Violoncelle, Piano (trio)
6
3 Flûtes à bec (trio)
6
Hautbois, violon (duo)
6
Flûte, Basson et Piano
6
Flûte à bec Soprano, Piano
5
Clarinette, Alto et Piano (trio)
5
Saxophone Baryton
5
Cor anglais, Guitare (duo)
4
Ocarina
4
5 Flûtes à bec
4
Flûte à bec Alto, Piano
4
2 Saxophones, Piano
4
Hautbois, Violoncelle et Piano
4
Clarinette, Basson, Piano (trio)
4
Flûte à bec Alto
4
Flûte à bec Tenor
4
Clarinette, Trombone (duo)
4
Flûte, Trombone (duo)
4
Saxophone et Guitare
3
Flûte irlandaise
3
Clarinette, Tuba
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte à Bec, Piano
3
Flute, harpe et violon
3
Hautbois, Violon, Piano
3
Ensemble De Flûte à bec
3
Hautbois, Basson et Piano
2
4 Hautbois
2
Clarinette, Contrebasse (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte traversière, Orgue (duo)
2
Harmonica
2
Clarinette, Harpe (duo)
2
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Instruments en Mib
1
2 Clarinettes, Basson
1
Flûte, trombone et piano
1
Hautbois, trombone (duo)
1
Clarinette, Orchestre
1
Cornemuse
1
Hautbois, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte, alto et harpe
1
+ 120 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
376
Quatuor de Cuivres : 2 trompettes, trombone, tuba
232
Trombone et Piano
228
Trompette, Piano
197
Trompette
178
Cor et Piano
156
Trompette, Saxophone (duo)
153
Trombone (partie séparée)
152
2 Trompettes (duo)
145
Trombone
143
2 Trombones (duo)
139
Tuba et Piano
129
Trompette (partie séparée)
129
Trompette, Trombone (duo)
123
Quatuor de cuivres: 4 trombones
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
67
Euphonium, Piano (duo)
62
2 Cors (duo)
60
Cor
59
Quatuor de cuivres: 4 cors
58
Cor anglais, Piano
51
Ensemble de Trombones
36
Quatuor de Cuivres
35
Ensemble de Trompettes
35
2 Tubas (duo)
33
Quatuor de cuivres: 4 trompettes
31
4 Tubas
21
2 Euphoniums et 2 Tubas
21
Trompette, Cor (duo)
21
Cor (partie séparée)
18
Tuba
18
Tuba (partie séparée)
17
Trio de Cuivres
13
Cor Anglais
12
Ensemble de Cors
11
3 Trombones (trio)
10
Trombone, Cor (duo)
9
2 Cors Anglais Et Pianoforte
8
Euphonium
6
Trompette, Tuba (duo)
5
Trombone basse et Piano
5
Cor anglais, Guitare (duo)
4
Tuba et Orgue
4
Trompette, Violoncelle (duo)
4
Cor, Violoncelle (duo)
3
Trompette, Trombone, Piano
3
2 Euphoniums (duo)
3
Trombone basse
3
Cor, Tuba (duo)
2
Trompette, Basson (duo)
2
Trompette, Violoncelle et Piano
2
Cor et Basson (duo)
2
Euphonium, Tuba (duo)
2
Trombone, Violon (duo)
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Instruments en Sib
1
Cor et Harpe
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Cornet et Piano
1
3 Cors (trio)
1
+ 58 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 113
Violon
542
Violon, Violoncelle (duo)
505
Violon et Piano
441
Trio à Cordes: violon, alto, violoncelle
327
Violoncelle, Piano
310
Alto, Piano
299
Violoncelle
261
2 Violons (duo)
210
Alto seul
195
2 Violoncelles (duo)
168
Violon, Alto (duo)
167
2 Altos (duo)
154
Harpe
117
Contrebasse, Piano (duo)
94
4 Violoncelles
71
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Trio à Cordes: 2 violons, violoncelle
56
Contre Basse
49
Alto, Violoncelle (duo)
48
Contrebasse (partie séparée)
41
Quatuor à cordes : 4 altos
38
2 Contrebasses (duo)
34
Alto (partie séparée)
31
Quatuor à cordes: 4 violons
30
Violon (partie séparée)
29
Trio à Cordes: 3 violoncelles
21
Violon, Basson (duo)
20
Violon, Guitare (duo)
20
Trio à cordes: 3 violins
17
2 Harpes (duo)
14
Trio à Cordes: 2 violons, alto
13
Violoncelle , Guitare (duo)
12
Piano Trio: Violon, Alto, Piano
11
Ensemble de Violons
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Ensemble d'Altos
10
Violoncelle, Contrebasse (duo)
8
Alto, Guitare (duo)
6
Alto et Basson
5
Harpe, Flûte (duo)
5
Violoncelle, Orchestre
5
Violoncelle, Orgue
5
Violon, Clarinette, Piano (trio)
5
Violoncelle (partie séparée)
5
Alto, Orgue
4
4 Contrebasses
4
Trio à cordes: 3 altos
3
4 Harpes
3
Violon, Orgue
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Harpe, Voix
2
Flûte, Contrebasse (duo)
2
Violon, Tuba (duo)
2
Harpe, Violon (duo)
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
2 Violoncelles, Piano
2
Trio à cordes
1
2 Violons, Piano
1
Harpe, Trombone (duo)
1
2 Altos, Piano
1
Alto et Harpe
1
Violon, Violoncelle, Clarinette
1
Harpe et mandoline
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 339
Orchestre à Cordes
454
Orchestre
447
Ensemble Jazz
425
Ensemble de cuivres
311
Cloches
251
Batterie
135
Orchestre de chambre
128
Fanfare
89
Jazz combo
80
Ensemble de Percussions
51
Batterie (partie séparée)
34
Marimba
18
Xylophone, Piano
16
Percussion (partie séparée)
13
Vibraphone
9
Xylophone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
Caisse Claire
2
Piano et Orchestre
2
Vibraphone et Marimba
2
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
Timbales
1
2 Marimbas
1
Orchestre, Violon
1
Voix Mezzo-Soprano, Orchestre
1
+ 23 instrumentations
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Autres
Formation musicale - Solfège
8
Théorie de la musique
1
Instruments
ACCORDEON
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HAUTBOIS
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▽ INSTRUMENTS
ACCORDEON
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BUGLE
CHANT - CHORA…
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ACCUEIL
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Voix seule
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Europe de l'Est
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Fingerpicking
Flamenco
Folk Rock
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Halloween
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Latin / World
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Crtitères actifs :
TIME 4
Cor anglais, Piano
Partitions à imprimer
51 partitions trouvées
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Rocket Man (I Think It's Gonna Be A Long Long Time)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Rocket Man
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.548138 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and p...
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English Horn,Piano - Level 3 - SKU: A0.548138 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214131. Published by jmsgu3 (A0.548138). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.
$53.95
A Time For Us (love Theme)
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Cor anglais, Piano
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FACILE
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Nino Rota
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Rodrigo Ramos
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A Time For Us
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Rodrigo Ramos
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1186273 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. 20th Century,Childr...
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English Horn,Piano - Level 2 - SKU: A0.1186273 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. 20th Century,Children,Film/TV,Multicultural,Singer/Songwriter,World. Score and part. 4 pages. Rodrigo Ramos #785931. Published by Rodrigo Ramos (A0.1186273). This legendary melody in a version facilitated by young musicians.
$4.99
Maple Leaf Rag, by Scott Joplin, for Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. ...
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English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714450. Published by David McKeown (A0.1112415). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Cor Anglais (or English Horn) and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
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English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Elite Syncopations for Solo Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pa...
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English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694910. Published by David McKeown (A0.1090780). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Cor Anglais (or English Horn) with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Steal Away, Gospel Song for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Co
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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English Horn,Piano - Level 2 - SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418045. Published by David McKeown (A0.593264). Steal Away is a beautiful spiritual arranged here for Solo Cor Anglais and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Steal Away, Gospel Song for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for En
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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English Horn,Piano - Level 2 - SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418053. Published by David McKeown (A0.593268). Steal Away is a beautiful spiritual arranged here for Solo English Horn and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Halo
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Soul/R&B
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Beyonce
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James M
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Halo
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.548282 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie. Hip-Hop,Pop,R ...
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English Horn,Piano - Level 4 - SKU: A0.548282 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie. Hip-Hop,Pop,R & B. Score and part. 16 pages. Jmsgu3 #3228763. Published by jmsgu3 (A0.548282). Duration: 4:15, Score: 12 pages, part: 4 pages, meter: common time, tempo: quarter = 84, Measures: 73. Suitable for recital, church, or combo performance.
$62.95
Morning Has Broken
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Cor anglais, Piano
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...
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English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Grieg: Peer Gynt Suite Complete for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.551501 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306323. Published by jmsgu3 (A0.551501). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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English Horn,Piano - Level 3 - SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504485. Published by jmsgu3 (A0.549522). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the English Horn! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549804 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Per...
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English Horn,Piano - Level 3 - SKU: A0.549804 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3541613. Published by jmsgu3 (A0.549804). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo parts: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Minuet by Boccherini for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Engli
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Sco...
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English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760900. Published by Woods Only, Arrangements (A0.1160605). This simple arrangement adapted for cor anglais and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Clémenace de Grandval: Quatre Pièces (Four Pieces) for English Horn and PIano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Clémenace de Grandval:
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.534590 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and part. 45 pages. Musik Fa...
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English Horn,Piano - Level 4 - SKU: A0.534590 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and part. 45 pages. Musik Fabrik Music Publishing #4736819. Published by Musik Fabrik Music Publishing (A0.534590). Clémence de Grandval was an important French female composer of the 19th century, especially prasied by Saint-Saens, with whom she studied. Only two of the four pieces were published during Grandval's lifetime and the other two aresourced from a copyist's copy given by Gillet to an oboeist who emigranted to the United States. The four movements are Lamento, Valse, Andante Espressivo (Air d'Atala) and Finale.
$19.95
Impromptu No.3, Op.90 - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schubert
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César Madeira
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Impromptu No.3, Op.90 - Englis
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1343060 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Early Music,Lent,Romanti...
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English Horn,Piano - Level 4 - SKU: A0.1343060 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Early Music,Lent,Romantic Period. Score and part. 17 pages. Sheet Music To Play Editions #928535. Published by Sheet Music To Play Editions (A0.1343060). Impromptu No.3 in Gb Major, Op.90 by Schubert. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
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