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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Songs
Non classifié
2 563
Piano & claviers
Piano seul
941
Piano Facile
660
Piano, Voix
624
Piano, Voix et Guitare
490
Instruments en Do
324
Accompagnement Piano
60
Piano Trio: piano, violon, violoncelle
45
Orgue
44
1 Piano, 4 mains
41
Piano grosses notes
27
Accordéon
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
4
Piano (partie séparée)
2
Ensemble d'Accordéons
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
363
Ukulele
348
Mandoline
273
Guitare notes et tablatures
132
Ligne De Mélodie, (Paroles) et Accords
41
Basse electrique
36
2 Guitares (duo)
16
Banjo
14
Dulcimer
8
Ukulele Baryton
5
Guitare (partie séparée)
4
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
3
Paroles et Accords
3
Ensemble de guitares
3
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
517
Chorale 3 parties
214
Chorale 2 parties
150
Voix duo, Piano
84
Voix seule
83
Voix Soprano, Piano
74
Chorale TTBB
74
Voix Alto, Piano
67
Chorale Unison
57
Voix Tenor, Piano
51
Chorale
49
Chorale SSAA
44
Voix Baryton, Piano
41
Voix duo
32
Voix haute
29
Pack Instrumental pour Chorale
21
Voix Tenor
16
Voix moyenne, Piano
14
Voix basse, Piano
12
Voix Mezzo-Soprano, Piano
8
Voix basse
4
Chorale SSAATTBB
3
Voix, Guitare
2
Chorale SSATB
1
Voix Soprano
1
Chorale SATBB
1
Voix Baryton
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
422
Saxophone
387
Flûte à bec Soprano
272
Saxophone Tenor
226
Saxophone Tenor et Piano
208
2 Saxophones (duo)
201
Quintette de Saxophone: 5 saxophones
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
140
Flûte traversière
113
Flûte, Hautbois, Clarinette, Basson
111
Flûte traversière et Piano
100
Saxophone (partie séparée)
93
Clarinette
87
2 Flûtes traversières (duo)
86
Saxophone Alto
82
Clarinette et Piano
74
2 Clarinettes (duo)
72
Saxophone Alto et Piano
71
Quatuor de Clarinettes: 4 clarinettes
67
Hautbois, Piano (duo)
64
Saxophone, Clarinette (duo)
56
Saxophone Soprano et Piano
48
3 Saxophones (trio)
44
Hautbois, Basson (duo)
42
Clarinette, Trompette (duo)
39
Harmonica
37
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
34
Hautbois (partie séparée)
34
Cornemuse
33
Saxophone Baryton, Piano
28
Flûte, Trompette (duo)
28
2 Hautbois (duo)
25
Ensemble de Clarinettes
25
Quatuor de Flûtes à bec
25
Quatuor de Flûtes : 4 flûtes
24
Ensemble de saxophones
23
Hautbois
23
Clarinette et Alto
21
Flûte, Violon
21
Flûte à Bec
20
3 Flûtes à bec (trio)
20
Hautbois, Flûte
20
Flûte, Saxophone (duo)
18
Hautbois, Clarinette (duo)
18
Cor Anglais
17
Clarinette, Basson (duo)
17
Quintette de Clarinettes: 5 clarinettes
15
Flûte, Alto (duo)
14
2 Flûte à bec (duo)
14
3 Clarinettes (trio)
14
Saxophone Soprano
13
Ocarina
13
Ensemble de Flûtes
12
Cor anglais, Piano
11
Quintette de Flûte : 5 flûtes
11
Flûte et Guitare
10
Flûte, Violon, Piano
10
Ensemble De Flûte à bec
9
Flûte à bec Alto
6
Saxophone Baryton
5
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette (partie séparée)
4
Saxophone et Guitare
4
Flûte, Clarinette et Basson
4
Clarinette, Guitare (duo)
4
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
Flute, harpe et violon
3
5 Flûtes à bec
3
Clarinette, Trombone (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte irlandaise
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle
2
Flûte à bec Tenor
2
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Hautbois, Harpe
1
2 Flûtes à bec, Piano
1
Ensemble à vent
1
Flûte, Hautbois, Basson
1
Saxophone et Harpe
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Flute (partie séparée)
1
2 Flûtes traversières, Harpe
1
Saxophone et Piano
1
Cor anglais et Harpe (duo)
1
2 Saxophones, Piano
1
Flûte de Pan
1
Hautbois et alto (duo)
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
123
Trombone et Piano
104
Trompette
99
Trombone
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trompette, Piano
61
Quatuor de Cuivres
46
Cor et Piano
45
Trompette, Saxophone (duo)
43
2 Trombones (duo)
32
2 Trompettes (duo)
28
Tuba et Piano
27
Euphonium, Piano (duo)
26
2 Cors (duo)
23
Cor
23
Trompette, Trombone (duo)
23
Trompette (partie séparée)
19
Tuba
19
Cor Anglais
17
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Euphonium
13
Cor anglais, Piano
11
Ensemble de Trombones
11
Trombone (partie séparée)
10
Quatuor de cuivres: 4 cors
9
Ensemble de Trompettes
8
2 Tubas (duo)
6
Trompette, Cor (duo)
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Cor (partie séparée)
3
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Tuba et Orgue
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
322
Violon et Piano
178
Violon
131
Violoncelle, Piano
131
Harpe
112
Violoncelle
94
Violon, Violoncelle (duo)
93
Alto, Piano
67
Alto seul
49
Violon, Alto (duo)
45
2 Violoncelles (duo)
40
2 Violons (duo)
39
Trio à Cordes: 2 violons, violoncelle
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Altos (duo)
32
Contre Basse
25
Contrebasse, Piano (duo)
23
Alto (partie séparée)
20
Trio à Cordes: violon, alto, violoncelle
19
Violon (partie séparée)
15
Alto, Violoncelle (duo)
13
2 Harpes (duo)
13
Trio à cordes
12
Violon, Guitare (duo)
12
Piano Trio: Violon, Alto, Piano
7
Ensemble de Violons
7
Harpe, Flûte (duo)
7
Harpe, Voix
7
4 Violoncelles
6
Contrebasse (partie séparée)
6
Ensemble d'Altos
5
Violoncelle , Guitare (duo)
5
Violoncelle (partie séparée)
4
Alto, Guitare (duo)
3
Trio à cordes: 3 violins
2
Violoncelle, Orgue
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Alto et Harpe
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
405
Ensemble de cuivres
121
Orchestre à Cordes
98
Orchestre de chambre
85
Orchestre
83
Ensemble Jazz
52
Fanfare
49
Jazz combo
28
Cloches
16
Batterie
11
Marimba
7
Percussion (partie séparée)
5
Xylophone
4
Xylophone, Piano
2
Batterie (partie séparée)
2
Cajon
1
Vibraphone
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Ten Songs
Cor anglais, Piano
Partitions à imprimer
11 partitions trouvées
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1
I Write The Songs
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Cor anglais, Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and par...
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English Horn,Piano - Level 3 - SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486697. Published by jmsgu3 (A0.549342). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Adagio Sostenuto from "Piano Concerto No. 2" for English Horn and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Pi
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Diego Marani
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1228565 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,R...
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English Horn,Piano - Level 3 - SKU: A0.1228565 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #824643. Published by Diego Marani (A0.1228565). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for english horn (cor anglais) with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Morning Has Broken
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Cor anglais, Piano
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DÉBUTANT
#
Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu...
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English Horn,Piano - Level 1 - SKU: A0.548740 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415205. Published by jmsgu3 (A0.548740). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Flow My Tears - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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John Dowland
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César Madeira
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Flow My Tears - English Horn a
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1477275 Composed by John Dowland. Arranged by César Madeira. Baroque,Early Music,Lent,Renaissance,Traditional. S...
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English Horn,Piano - Level 3 - SKU: A0.1477275 Composed by John Dowland. Arranged by César Madeira. Baroque,Early Music,Lent,Renaissance,Traditional. Score and part. 9 pages. Sheet Music To Play Editions #1054698. Published by Sheet Music To Play Editions (A0.1477275). Flow, My Tears by Dowland. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!John Dowland (1563 - 1626) was an English composer and lutenist. He is best known for some beautiful songs which express his unhappiness such as Come, heavy sleep, Come Again, Sweet Love and Flow my tears. His instrumental music became very popular again in the 20th century.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Jingle Bells (James Lord Pierpont) for English Horn and Piano
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Cor anglais, Piano
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FACILE
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James Lord Pierpont
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Harry Walker
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Jingle Bells
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festiva...
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English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 10 pages. SCORE EDITIONS #1087147. Published by SCORE EDITIONS (A0.1512106). Jingle Bells, composed by James Lord Pierpont in 1857, is one of the most iconic holiday songs. Originally written to capture the thrill of sleigh rides, its joyful and infectious melody quickly turned it into a Christmas classic, despite not specifically referencing the holiday. This modern arrangement maintains the original energy while introducing a fresh interpretation, making it a perfect choice for festive concerts and celebrations.
$5.99
O Holy Night (Adolphe Adam) for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Adolphe-Charles Adam
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Harry Walker
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O Holy Night
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1506731 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festiv...
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English Horn,Piano - Level 2 - SKU: A0.1506731 Composed by Adolphe-Charles Adam. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 12 pages. SCORE EDITIONS #1082101. Published by SCORE EDITIONS (A0.1506731). Composed by Adolphe Adam in 1847, O Holy Night is one of the most beloved Christmas songs in classical music. The original lyrics, written in French by Placide Cappeau, were commissioned for a Christmas service in a small French town. In 1855, John Sullivan Dwight, an American abolitionist, translated the song into English. Dwight viewed the song’s message as a metaphor for the fight against slavery, which contributed to its popularity in the United States. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
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