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AUTOHARPE
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Thomas O
Non classifié
212
Piano & claviers
Piano seul
141
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61
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49
Piano Facile
31
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19
Orgue
17
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
Piano grosses notes
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
34
Ukulele
32
Guitare
13
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6
Basse electrique
5
4 Guitares (Quatuor)
3
Paroles et Accords
3
Mandoline
2
Piano, Guitare (duo)
1
+ 4 instrumentations
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Chorale SATB
118
Chorale 3 parties
39
Chorale TTBB
16
Chorale 2 parties
15
Pack Instrumental pour Chorale
8
Chorale SSAA
5
Voix duo, Piano
4
Chorale Unison
4
Voix duo
2
Voix haute
2
Voix Soprano, Piano
2
Chorale
2
Chorale SSATTB
1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
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1
Voix basse
1
Voix basse, Piano
1
+ 13 instrumentations
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Flûte traversière et Piano
21
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Alto et Piano
14
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14
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14
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13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Alto
13
Saxophone Tenor et Piano
12
2 Saxophones (duo)
12
Saxophone Tenor
12
Clarinette et Piano
11
Clarinette
10
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10
Saxophone Soprano et Piano
9
2 Clarinettes (duo)
8
Hautbois, Piano (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois (partie séparée)
7
Flûte et Guitare
6
2 Flûtes traversières (duo)
5
Clarinette (partie séparée)
4
Flute (partie séparée)
4
Clarinette, Guitare (duo)
3
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3
3 Saxophones (trio)
3
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
2 Flûte à bec (duo)
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
2
Clarinette Basse, Piano
2
Saxophone et Harpe
2
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
2 Hautbois (duo)
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Hautbois, Harpe
1
Hautbois, Flûte
1
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Cuivres
Trombone et Piano
14
Trompette, Piano
13
Trompette
13
Cor et Piano
11
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10
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8
Cor
6
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6
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5
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5
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3
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3
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3
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3
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3
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3
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3
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2
Tuba et Piano
2
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2
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2
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1
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1
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1
2 Cors (duo)
1
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1
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1
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1
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1
Quatuor de Cuivres
1
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1
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1
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66
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26
Violon et Piano
24
2 Harpes (duo)
16
Alto, Piano
14
Violoncelle
14
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13
Harpe
13
Violon, Violoncelle (duo)
12
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12
2 Violons (duo)
10
Alto seul
9
Contre Basse
8
Alto (partie séparée)
7
2 Violoncelles (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Alto (duo)
7
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6
Contrebasse (partie séparée)
6
Violoncelle, Contrebasse (duo)
5
Harpe, Trombone (duo)
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
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2
Trio à Cordes: 2 violons, violoncelle
2
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2
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
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1
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1
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1
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1
Harpe, Violoncelle (duo)
1
Harpe (partie séparée)
1
+ 31 instrumentations
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Orchestre à Cordes
28
Orchestre
14
Cloches
9
Ensemble de cuivres
8
Ensemble Jazz
7
Percussion (partie séparée)
7
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7
Orchestre d'harmonie
6
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5
Quintette à Vent
2
Orchestre de chambre
2
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1
Ensemble de Percussions
1
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1
Timbales
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Thomas O
Cor anglais, Piano
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Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
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