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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
4 702
Piano & claviers
Piano seul
6 601
Piano, Voix
3 353
Piano Facile
1 188
Piano, Voix et Guitare
826
Instruments en Do
238
1 Piano, 4 mains
214
Accompagnement Piano
202
Orgue
117
Piano Trio: piano, violon, violoncelle
68
Piano grosses notes
58
Accordéon
48
2 Pianos, 4 mains
28
Piano (partie séparée)
18
Piano Quatuor: piano, 2 violons, violoncelle
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
3
Clavecin
3
2 Accordéons
1
Ensemble de Pianos
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 18 instrumentations
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Guitares
Guitare
298
Guitare notes et tablatures
219
Ligne De Mélodie, (Paroles) et Accords
97
Basse electrique
91
2 Guitares (duo)
45
Ukulele
42
Guitare (partie séparée)
31
Paroles et Accords
15
4 Guitares (Quatuor)
15
Piano, Guitare (duo)
13
Mandoline
10
Dulcimer
9
3 Guitares (trio)
7
Banjo
6
Ensemble de guitares
5
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
+ 14 instrumentations
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Voix
Chorale SATB
1 673
Chorale 3 parties
349
Chorale 2 parties
339
Chorale TTBB
160
Chorale Unison
150
Voix Tenor, Piano
110
Chorale SSAA
104
Voix Soprano, Piano
89
Voix Alto, Piano
86
Voix Baryton, Piano
73
Voix duo, Piano
72
Voix seule
66
Voix duo
43
Voix haute
14
Voix Tenor
9
Voix moyenne, Piano
4
Chorale SSAB, Piano
3
Chorale
3
Chorale SSATB
2
Chorale SSAATTBB
2
Chorale SAATB A Cappella
1
Voix basse, Piano
1
Voix basse
1
Voix Soprano
1
+ 19 instrumentations
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Vents
2 Saxophones (duo)
1 019
2 Clarinettes (duo)
425
Flûte traversière et Piano
417
Saxophone, Clarinette (duo)
414
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
404
2 Flûtes traversières (duo)
399
Quatuor de Saxophones: 4 saxophones
368
Clarinette et Piano
347
Hautbois, Piano (duo)
322
Clarinette
321
Flûte traversière
292
Flûte, Hautbois, Clarinette, Basson
292
Saxophone Alto et Piano
290
Clarinette, Violon (duo)
279
Quintette de Saxophone: 5 saxophones
249
Clarinette, Trompette (duo)
246
Saxophone
238
2 Hautbois (duo)
228
Quatuor de Clarinettes: 4 clarinettes
218
Flûte, Clarinette (duo)
209
Saxophone Alto
189
Hautbois, Clarinette (duo)
186
Saxophone Tenor et Piano
181
Saxophone (partie séparée)
173
Saxophone Soprano et Piano
160
2 Flûte à bec (duo)
158
Hautbois, Basson (duo)
149
Flûte, Violon
141
Clarinette et Alto
140
Flûte, Saxophone (duo)
139
Hautbois, Flûte
130
Saxophone Tenor
128
Flûte, Alto (duo)
114
Flûte, Trompette (duo)
111
Hautbois
105
3 Saxophones (trio)
93
Saxophone Baryton, Piano
92
Hautbois (partie séparée)
87
Flûte irlandaise
79
3 Clarinettes (trio)
62
Ensemble de Clarinettes
61
Quatuor de Flûtes : 4 flûtes
53
Flûte à bec Soprano
52
Quintette de Clarinettes: 5 clarinettes
50
Cor anglais, Piano
48
Ensemble de Flûtes
45
Ensemble de saxophones
41
Trio de Flûtes: 3 flûtes
41
Flûte, Clarinette et Basson
41
Cor Anglais
36
Clarinette Basse, Piano
36
Saxophone Soprano
32
Quintette de Flûte : 5 flûtes
31
Saxophone Baryton
28
Flûte à Bec
26
Flûte, Hautbois (duo)
24
Flute (partie séparée)
21
Hautbois, Clarinette, Basson (trio d'anches)
21
Flûte et Guitare
21
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Violon, Piano
14
Quatuor de Flûtes à bec
14
Flûte, Hautbois, Piano (trio)
14
Clarinette, Guitare (duo)
13
3 Flûtes à bec (trio)
13
Flûte, Hautbois, Basson
13
Clarinette, Basson (duo)
13
Clarinette, Trombone (duo)
12
Flûte, Violoncelle, Piano (trio)
10
Clarinette, Violoncelle (duo)
10
Flûte, Clarinette, Piano (trio)
9
Clarinette Basse
9
2 Clarinettes, Piano
8
Flûte, Violoncelle
8
Harmonica
8
Flûte à bec Alto, Piano
8
2 Flûtes traversières, Piano
7
Hautbois, violon (duo)
7
Flûte à bec Tenor
6
5 Flûtes à bec
5
Hautbois, Violoncelle
5
Flûte, Violon et Violoncelle
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte à bec Soprano, Piano
5
Ensemble De Flûte à bec
4
Flûte à bec Alto
4
Clarinette (partie séparée)
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Piccolo, Piano
3
Flûte, Alto et Piano
2
Clarinette, Harpe (duo)
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
Flûte, Basson et Piano
2
Flûte, trombone et piano
2
2 Saxophones, Piano
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
2 Hautbois, Piano
2
Saxophone et Guitare
1
Saxophone et Piano
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte traversière, Orchestre
1
Piccolo
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Clarinette, trompette et piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
Hautbois et alto (duo)
1
Hautbois, trombone (duo)
1
4 Hautbois
1
Clarinette, Alto et Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 115 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
481
Trompette, Saxophone (duo)
293
Trompette, Piano
292
Trompette
278
Trombone et Piano
252
Quatuor de Cuivres : 2 trompettes, trombone, tuba
246
Cor et Piano
241
2 Trombones (duo)
231
Trombone
227
2 Trompettes (duo)
222
Trompette, Trombone (duo)
201
Tuba et Piano
170
Cor
168
Tuba
142
Quatuor de Cuivres: 2 trompettes, Cor, trombone
91
Trombone (partie séparée)
80
Trompette (partie séparée)
76
2 Cors (duo)
70
Euphonium, Piano (duo)
48
Cor anglais, Piano
48
2 Tubas (duo)
47
Quatuor de Cuivres
39
Cor Anglais
36
Ensemble de Trombones
30
Trompette, Cor (duo)
26
Quatuor de cuivres: 4 trombones
24
Euphonium
23
Ensemble de Trompettes
20
Cor (partie séparée)
18
Tuba (partie séparée)
15
Trio de Cuivres
13
Tuba et Orgue
12
2 Euphoniums (duo)
10
Quatuor de cuivres: 4 cors
10
2 Euphoniums et 2 Tubas
8
3 Trompettes (trio)
7
3 Trombones (trio)
6
Ensemble de Cors
5
Trombone basse et Piano
5
4 Tubas
4
Trombone, Cor (duo)
4
Trombone, Orgue
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trombone basse
2
Instruments en Sib
2
Euphonium, Tuba (duo)
2
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone, Piano
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
2 Cors, Piano
1
+ 56 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
762
Violon et Piano
476
Alto, Piano
389
Violon
380
Violon, Violoncelle (duo)
377
Violoncelle, Piano
341
2 Violons (duo)
286
Violoncelle
282
2 Violoncelles (duo)
235
2 Altos (duo)
232
Violon, Alto (duo)
232
Alto seul
205
Quintette à cordes: 2 violons, alto, violoncelle, basse
185
Trio à Cordes: violon, alto, violoncelle
181
Contrebasse, Piano (duo)
132
Contre Basse
124
Trio à Cordes: 2 violons, violoncelle
89
Harpe
78
2 Contrebasses (duo)
47
Alto (partie séparée)
28
Alto, Violoncelle (duo)
22
Contrebasse (partie séparée)
22
Trio à cordes: 3 violins
22
Quintette à cordes : 2 violons, alto et 2 violoncelles
18
Piano Trio: Violon, Alto, Piano
17
Trio à Cordes: 3 violoncelles
15
Violon (partie séparée)
15
Ensemble de Violons
13
Ensemble d'Altos
11
Trio à Cordes: 2 violons, alto
11
Harpe, Flûte (duo)
10
4 Violoncelles
9
Violon, Guitare (duo)
8
2 Harpes (duo)
7
Quatuor à cordes : 4 altos
6
Trio à cordes: 3 altos
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes: 4 violons
4
2 Altos, Piano
4
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
2 Violons, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violoncelles, Piano
3
Harpe, Violon, Violoncelle
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
2
Violoncelle, Orchestre
2
4 Harpes
1
Ensemble de Violoncelles
1
3 Harpes
1
Harpe, Violon (duo)
1
Violon, Violoncelle, Clarinette
1
Alto et Harpe
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
+ 54 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
827
Orchestre à Cordes
277
Ensemble Jazz
245
Orchestre
244
Fanfare
237
Batterie
189
Ensemble de cuivres
134
Orchestre de chambre
85
Cloches
66
Jazz combo
48
Ensemble de Percussions
32
Marimba
30
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
21
Xylophone
17
Batterie (partie séparée)
17
Xylophone, Piano
16
Percussion (partie séparée)
5
Ensemble d'École
4
Vibraphone
4
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
2 Marimbas
1
Percussion
1
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--INSTRUMENTS--
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Cor anglais, Piano
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26
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Maybe This Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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John Kander
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Andrew Middleton
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Maybe This Time
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Andrew Middleton
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.735328 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and part. 5 pages. Andrew Middl...
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English Horn,Piano - Level 3 - SKU: A0.735328 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and part. 5 pages. Andrew Middleton #4356101. Published by Andrew Middleton (A0.735328). From the musical Cabaret and made famous by Liza Minelli's icon voice, Maybe This Time arranged for cor anglais and piano. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Maple Leaf Rag, by Scott Joplin, for Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. ...
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English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714450. Published by David McKeown (A0.1112415). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Cor Anglais (or English Horn) and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
My Heart Will Go On (Love Theme From 'titanic')
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Cor anglais, Piano
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INTERMÉDIAIRE
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Celine Dion
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Harry Walker
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My Heart Will Go On
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1505793 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV...
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English Horn,Piano - Level 3 - SKU: A0.1505793 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1081189. Published by SCORE EDITIONS (A0.1505793). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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Cor anglais, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Favorite for solo Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Cor Angl
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pa...
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English Horn,Piano - Level 3 - SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696760. Published by David McKeown (A0.1092659). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Cor Anglais (or English Horn) with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Elite Syncopations for Solo Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pa...
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English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694910. Published by David McKeown (A0.1090780). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Cor Anglais (or English Horn) with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Gaúcho (Corta-Jaca) - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Pe...
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English Horn,Piano - Level 3 - SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899919. Published by Sheet Music To Play Editions (A0.1310946). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Can't Help Falling In Love
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Cor anglais, Piano
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DÉBUTANT
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Mariage/Ballade
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Rock
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Elvis Presley
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Langanho
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Can't Help Falling In Love
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Avery Lynn Jordan
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1220924 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Cen...
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English Horn,Piano - Level 1 - SKU: A0.1220924 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Century,Rock,Wedding. Score and part. 4 pages. Avery Lynn Jordan #817266. Published by Avery Lynn Jordan (A0.1220924). Introducing our latest product, an arrangement of Elvis Presley's classic hit Can't Help Falling In Love for English Horn and Piano. This sheet music is perfect for beginner musicians and can be used as a teaching tool for music teachers, as well as for parents who want to encourage their children to learn this beautiful piece. Our adaptation captures the essence of the original song, with its haunting melody and poetic lyrics, while also offering simplified sheet music that is easy to follow. This means that even if you're new to playing the your instrument, you'll be able to enjoy playing this beloved song in no time. Don't miss out on this fantastic opportunity to expand your repertoire and add a touch of romance to your music collection. Order now and start playing Can't Help Falling In Love today!
$6.99
Can't Help Falling In Love
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Cor anglais, Piano
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DÉBUTANT
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Mariage/Ballade
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Rock
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Elvis Presley
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Langanho
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Can't Help Falling In Love
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Avery Lynn Jordan
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1220926 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Cen...
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English Horn,Piano - Level 1 - SKU: A0.1220926 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Langanho. 20th Century,Rock,Wedding. Score and part. 4 pages. Avery Lynn Jordan #817268. Published by Avery Lynn Jordan (A0.1220926). Introducing our latest product, an arrangement of Elvis Presley's classic hit Can't Help Falling In Love for English Horn and Piano with Chords. This sheet music is perfect for beginner musicians and can be used as a teaching tool for music teachers, as well as for parents who want to encourage their children to learn this beautiful piece. Our adaptation captures the essence of the original song, with its haunting melody and poetic lyrics, while also offering simplified sheet music that is easy to follow. This means that even if you're new to playing the your instrument, you'll be able to enjoy playing this beloved song in no time. Don't miss out on this fantastic opportunity to expand your repertoire and add a touch of romance to your music collection. Order now and start playing Can't Help Falling In Love today!
$7.99
Minuet by Boccherini for English Horn
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Cor anglais, Piano
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DÉBUTANT
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Engli
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Sco...
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English Horn,Piano - Level 1 - SKU: A0.1160605 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760900. Published by Woods Only, Arrangements (A0.1160605). This simple arrangement adapted for cor anglais and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Jesus' Momma (Accompaniment Track)
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Cor anglais, Piano
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Musique Sacrée
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Stephen DeCesare
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Jesus' Momma
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Exultet Music
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SheetMusicPlus
English Horn,Piano - SKU: A0.1051779 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 230. Exultet Music #3791. ...
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English Horn,Piano - SKU: A0.1051779 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 230. Exultet Music #3791. Published by Exultet Music (A0.1051779). Meditative song about the Blessed Virgin Mary that can be used for various times throughout the liturgical year. Scored for Solo (2), English Horn, SATB, and Piano. Video Review: https://www.youtube.com/watch?v=IzGoRRFvkQM
$3.99
Mozart: Eine Kleine Nachtmusik (K.525) - English Horn Solo w/ Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Wolfgang Amadeus Mozart
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Ygor Nunes
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Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1494179 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/T...
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English Horn,Piano - Level 3 - SKU: A0.1494179 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070789. Published by Ygor Nunes (A0.1494179). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the english horn.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
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