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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Was
Non classifié
3 255
Piano & claviers
Piano seul
1 698
Piano, Voix
735
Piano, Voix et Guitare
315
Piano Facile
231
Instruments en Do
159
Orgue
104
Accompagnement Piano
74
Piano Trio: piano, violon, violoncelle
35
1 Piano, 4 mains
30
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavecin
7
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Accordéon
3
Piano grosses notes
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
182
Guitare notes et tablatures
129
Ligne De Mélodie, (Paroles) et Accords
84
Basse electrique
38
Mandoline
38
Ukulele
31
2 Guitares (duo)
29
Paroles et Accords
12
Piano, Guitare (duo)
11
Guitare (partie séparée)
8
Mandoline, Guitare (duo)
7
Banjo
5
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
1
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
731
Chorale 3 parties
208
Chorale 2 parties
160
Chorale TTBB
99
Chorale SSAA
80
Chorale Unison
73
Voix duo, Piano
70
Voix Tenor, Piano
52
Voix Alto, Piano
44
Voix Soprano, Piano
43
Voix Baryton, Piano
35
Voix duo
29
Voix seule
25
Voix moyenne, Piano
9
Voix haute
9
Voix Tenor
6
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSAATB
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
519
Flûte traversière et Piano
338
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
334
Clarinette et Piano
280
Quatuor de Saxophones: 4 saxophones
260
Saxophone, Clarinette (duo)
250
2 Clarinettes (duo)
220
Flûte, Hautbois, Clarinette, Basson
218
Quintette de Saxophone: 5 saxophones
214
Saxophone Alto et Piano
187
Hautbois, Piano (duo)
184
2 Flûtes traversières (duo)
182
Clarinette, Violon (duo)
164
Quatuor de Clarinettes: 4 clarinettes
163
Saxophone Soprano et Piano
144
Clarinette, Trompette (duo)
138
Saxophone Tenor et Piano
131
Flûte traversière
129
Clarinette
120
Flûte, Clarinette (duo)
108
Saxophone Alto
106
2 Hautbois (duo)
99
Hautbois, Basson (duo)
87
Flûte, Violon
86
Clarinette et Alto
85
Saxophone Tenor
85
Hautbois, Clarinette (duo)
84
Ensemble de saxophones
84
Flûte, Saxophone (duo)
82
Hautbois, Flûte
81
Cor anglais, Piano
81
Saxophone Baryton, Piano
78
Saxophone (partie séparée)
75
Ensemble de Clarinettes
69
Quatuor de Flûtes : 4 flûtes
68
Flûte, Trompette (duo)
65
Flûte, Alto (duo)
61
Clarinette Basse, Piano
54
Hautbois (partie séparée)
50
Saxophone
45
Ensemble de Flûtes
41
Flûte à bec Soprano
35
3 Saxophones (trio)
34
Quintette de Clarinettes: 5 clarinettes
30
Quintette de Flûte : 5 flûtes
25
2 Flûte à bec (duo)
24
Flûte et Guitare
23
Ensemble De Flûte à bec
23
3 Clarinettes (trio)
22
Trio de Flûtes: 3 flûtes
20
Saxophone Soprano
17
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
Cor Anglais
14
Clarinette, Basson (duo)
13
Flute (partie séparée)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Ocarina
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Alto
8
Clarinette, Violoncelle (duo)
7
Flûte, Violoncelle
7
Hautbois
7
Flûte à Bec
7
3 Flûtes à bec (trio)
7
Piccolo, Piano
6
5 Flûtes à bec
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte à bec Alto, Piano
5
Harmonica
5
Clarinette (partie séparée)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Soprano, Piano
5
2 Flûtes traversières, Piano
4
Flûte, Hautbois (duo)
4
Hautbois, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Alto et Piano
3
Flûte, Violon, Piano
3
2 Clarinettes, Piano
3
Flûte à bec Tenor
3
Flûte, Clarinette et Basson
3
Flûte irlandaise
2
Clarinette Basse
2
Saxophone et Orgue
2
Saxophone et Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à Bec, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte traversière, Basse continue
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Ensemble à vent
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Piano
1
Saxophone Baryton
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
423
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
179
Trompette, Saxophone (duo)
174
Trompette, Piano
146
Trompette
136
2 Trombones (duo)
105
Cor et Piano
101
Quatuor de Cuivres
99
Trompette, Trombone (duo)
97
2 Trompettes (duo)
95
Trombone
89
Euphonium, Piano (duo)
86
Cor anglais, Piano
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Tuba et Piano
45
Ensemble de Trombones
37
Ensemble de Trompettes
36
Cor
33
Trompette (partie séparée)
29
Quatuor de cuivres: 4 trombones
27
Tuba
22
Quatuor de cuivres: 4 cors
20
Trombone (partie séparée)
19
2 Cors (duo)
19
2 Euphoniums et 2 Tubas
16
Cor Anglais
14
Ensemble de Cors
14
Trio de Cuivres
9
Euphonium
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
2 Tubas (duo)
5
4 Tubas
5
Tuba (partie séparée)
4
2 Cors Anglais Et Pianoforte
4
Cor (partie séparée)
4
Tuba et Orgue
4
Trombone basse et Piano
3
3 Trombones (trio)
3
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone et orchestre
1
Trombone basse
1
Trombone, Tuba (duo)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
572
Violon et Piano
341
Violoncelle, Piano
256
Alto, Piano
256
Violon, Violoncelle (duo)
178
Violon
177
Violoncelle
127
2 Violons (duo)
121
2 Violoncelles (duo)
107
2 Altos (duo)
107
Trio à Cordes: violon, alto, violoncelle
106
Violon, Alto (duo)
105
Harpe
95
Trio à Cordes: 2 violons, violoncelle
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
82
Alto seul
60
2 Harpes (duo)
47
Contrebasse, Piano (duo)
32
Alto (partie séparée)
21
Violon, Guitare (duo)
18
4 Violoncelles
16
Contre Basse
15
Ensemble de Violons
15
Alto, Violoncelle (duo)
13
Ensemble d'Altos
13
Violon (partie séparée)
13
Trio à Cordes: 3 violoncelles
13
Violoncelle , Guitare (duo)
11
Harpe, Flûte (duo)
9
Contrebasse (partie séparée)
8
Piano Trio: Violon, Alto, Piano
8
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Alto, Guitare (duo)
5
Violoncelle, Orchestre
4
Violoncelle, Basse continue
3
Harpe, Voix
3
4 Contrebasses
2
Ensemble de Violoncelles
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Orgue
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
869
Orchestre à Cordes
248
Orchestre
228
Ensemble de cuivres
154
Ensemble Jazz
112
Orchestre de chambre
96
Batterie
43
Cloches
42
Jazz combo
35
Ensemble de Percussions
20
Fanfare
19
Batterie (partie séparée)
4
Percussion (partie séparée)
4
Vibraphone
4
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Xylophone
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Ensemble d'École
1
Orchestre, Violon
1
+ 17 instrumentations
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Vous avez sélectionné:
Time Was
Cor anglais, Piano
Partitions à imprimer
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It's Been A Long, Long Time
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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Cor anglais, Piano
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
#
Cor anglais, Piano
#
FACILE
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 page...
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English Horn,Piano - Level 2 - SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Maple Leaf Rag, by Scott Joplin, for Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. ...
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English Horn,Piano - Level 4 - SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714450. Published by David McKeown (A0.1112415). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Cor Anglais (or English Horn) and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. ...
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English Horn,Piano - Level 2 - SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano
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Cor anglais, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score an...
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English Horn,Piano - Level 2 - SKU: A0.550926 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888347. Published by jmsgu3 (A0.550926). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Gaúcho (Corta-Jaca) - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Pe...
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English Horn,Piano - Level 3 - SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899919. Published by Sheet Music To Play Editions (A0.1310946). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred...
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English Horn,Piano - Level 3 - SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stand...
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English Horn,Piano - Level 3 - SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508043. Published by jmsgu3 (A0.549564). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Bach: Wachet auf for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stan...
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English Horn,Piano - Level 2 - SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
The Favorite for solo Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Cor Angl
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pa...
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English Horn,Piano - Level 3 - SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696760. Published by David McKeown (A0.1092659). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Cor Anglais (or English Horn) with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Elite Syncopations for Solo Cor Anglais (or English Horn) and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pa...
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English Horn,Piano - Level 4 - SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694910. Published by David McKeown (A0.1090780). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Cor Anglais (or English Horn) with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Onward Christian Soldiers, Gospel Hymn for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593139 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiri...
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English Horn,Piano - Level 2 - SKU: A0.593139 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416467. Published by David McKeown (A0.593139). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Cor Anglais and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Onward Christian Soldiers, Gospel Hymn for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593143 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiri...
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English Horn,Piano - Level 2 - SKU: A0.593143 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416475. Published by David McKeown (A0.593143). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo English Horn and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Steal Away, Gospel Song for Cor Anglais and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Co
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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English Horn,Piano - Level 2 - SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418045. Published by David McKeown (A0.593264). Steal Away is a beautiful spiritual arranged here for Solo Cor Anglais and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Steal Away, Gospel Song for English Horn and Piano
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Cor anglais, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for En
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...
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English Horn,Piano - Level 2 - SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418053. Published by David McKeown (A0.593268). Steal Away is a beautiful spiritual arranged here for Solo English Horn and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Handel: Largo from Xerxes for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding....
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English Horn,Piano - Level 3 - SKU: A0.549388 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492331. Published by jmsgu3 (A0.549388). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
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