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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Sheetmusicplus
Non classifié
2 708
Piano & claviers
Piano seul
3 367
Piano, Voix et Guitare
920
Piano, Voix
569
Piano Facile
460
Orgue
168
Instruments en Do
144
1 Piano, 4 mains
70
Accompagnement Piano
68
Piano grosses notes
40
Piano Trio: piano, violon, violoncelle
38
Piano Quatuor: piano, violon, alto, violoncelle
29
2 Pianos, 4 mains
26
Accordéon
20
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
10
Orgue, Piano (duo)
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
2
1 Piano, 6 mains
2
Ensemble d'Accordéons
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
282
Guitare
216
Ukulele
121
Ligne De Mélodie, (Paroles) et Accords
89
Paroles et Accords
48
Basse electrique
46
2 Guitares (duo)
25
Guitare (partie séparée)
16
4 Guitares (Quatuor)
12
Dulcimer
10
Banjo
7
Piano, Guitare (duo)
6
Mandoline
3
Basse électrique (partie séparée)
2
2 Dulcimers (duo)
2
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
898
Chorale 3 parties
281
Chorale TTBB
152
Pack Instrumental pour Chorale
148
Chorale 2 parties
148
Chorale Unison
85
Chorale SSAA
79
Voix duo, Piano
32
Voix Soprano, Piano
20
Voix haute
15
Chorale
14
Voix seule
12
Voix duo
10
Voix Alto, Piano
8
Voix Baryton, Piano
7
Voix Tenor, Piano
6
Voix moyenne, Piano
4
Voix basse, Piano
3
Voix Soprano
2
Voix, Guitare
2
Chorale SSAATTBB
2
Voix Tenor
1
Voix Soprano, Orchestre
1
Chorale SSAB, Piano
1
Voix (avec Boîtes d'Accords)
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
297
Clarinette et Piano
166
Saxophone (partie séparée)
158
Quatuor de Saxophones: 4 saxophones
158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
153
Saxophone Alto et Piano
148
Hautbois, Piano (duo)
133
Flûte traversière
101
2 Saxophones (duo)
99
Flûte, Hautbois, Clarinette, Basson
99
Clarinette
95
Saxophone Tenor et Piano
89
Clarinette (partie séparée)
89
2 Flûtes traversières (duo)
81
Saxophone Soprano et Piano
76
2 Clarinettes (duo)
66
Quatuor de Clarinettes: 4 clarinettes
60
Saxophone Alto
56
Saxophone Tenor
55
Saxophone Baryton, Piano
51
Quintette de Saxophone: 5 saxophones
48
Hautbois (partie séparée)
46
Quatuor de Flûtes : 4 flûtes
39
Flute (partie séparée)
34
Ensemble de Flûtes
32
Flûte et Guitare
31
Flûte, Clarinette (duo)
27
Ensemble de Clarinettes
26
Trio de Flûtes: 3 flûtes
24
Clarinette Basse, Piano
24
Cor anglais, Piano
23
3 Clarinettes (trio)
23
Saxophone, Clarinette (duo)
22
3 Saxophones (trio)
21
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Quintette de Clarinettes: 5 clarinettes
18
Clarinette, Trompette (duo)
17
2 Hautbois (duo)
17
2 Flûte à bec (duo)
16
Saxophone et Orchestre
15
Clarinette, Guitare (duo)
14
Hautbois
14
Hautbois, Flûte
14
Quatuor de Flûtes à bec
13
Ensemble de saxophones
13
Flûte, Violon, Piano
13
Hautbois, Clarinette (duo)
12
Flûte, Clarinette, Piano (trio)
11
Flûte, Violon
11
Saxophone Soprano
10
Flûte, Alto (duo)
10
Flûte à Bec
9
Flûte, Trompette (duo)
9
Flûte, Saxophone (duo)
9
Clarinette et Alto
8
5 Flûtes à bec
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
7
Saxophone et Guitare
7
Clarinette, Violoncelle (duo)
6
Flûte, Clarinette et Basson
6
Hautbois, Guitare (duo)
6
Saxophone Baryton
5
Clarinette, Harpe (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Basson et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
4
Cor anglais, Guitare (duo)
4
Flûte à bec Alto, Piano
4
Piccolo, Piano
4
2 Clarinettes, Piano
4
Flûte, Hautbois (duo)
4
2 Flûtes traversières, Piano
4
Flûte, Violoncelle
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Soprano
3
3 Hautbois
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Cor Anglais
3
Saxophone et Harpe
3
Flûte, Hautbois, Basson
3
Hautbois, Violoncelle
2
Saxophone et Orgue
2
Flute, harpe et violon
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte traversière, Basse continue
2
Flûte à bec Tenor
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte à bec Soprano, Piano
2
Hautbois et alto (duo)
2
Flûte à bec, Guitare (duo)
2
Harmonica
2
Ocarina
2
Hautbois, violon (duo)
2
Flûte, Violoncelle, Guitare
2
Hautbois, Basson et Piano
2
2 Clarinettes, Basson
2
Flûte à Bec, Piano
2
Flûte et Trio à cordes
1
Cornemuse
1
Saxophone, Basson (duo)
1
Clarinette, Basson, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Flûte, Violon, Guitare
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et violoncelle
1
Hautbois, Harpe
1
Flûte, Guitare, Piano
1
Flute, alto, violoncelle et guitare
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Clarinette, trompette et piano
1
Ensemble De Flûte à bec
1
2 Saxophones, Piano
1
Flûte irlandaise
1
Saxophone et Piano
1
Saxophone
1
Flûte, Alto et Piano
1
Instruments en Mib
1
Flûte à bec Alto
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
147
Trombone (partie séparée)
130
Trompette (partie séparée)
115
Trompette
96
Trombone et Piano
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trompette, Piano
83
Trombone
68
Cor et Piano
67
Cor
49
Tuba et Piano
42
Cor (partie séparée)
41
Euphonium, Piano (duo)
33
Tuba (partie séparée)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
2 Trompettes (duo)
27
Cor anglais, Piano
23
Tuba
23
Quatuor de Cuivres
23
2 Trombones (duo)
21
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 trombones
16
Quatuor de cuivres: 4 cors
13
Trompette, Trombone (duo)
13
Ensemble de Trombones
12
2 Euphoniums et 2 Tubas
10
2 Cors (duo)
9
Trompette, Cor (duo)
6
Trompette, Harpe
4
Cor anglais, Guitare (duo)
4
Euphonium
3
Trombone, Tuba (duo)
3
Ensemble de Cors
3
Trompette, violon (duo)
3
Cor et Harpe
3
Cor Anglais
3
Trombone basse et Piano
3
Ensemble de Trompettes
3
Trio de Cuivres
3
Trombone, Cor (duo)
2
Bass Clef Instruments
2
Trombone, Orgue
2
Trompette, Violoncelle et Piano
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
Trombone basse
1
Trompette, Basson (duo)
1
Trompette et Guitare
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Cors, Piano
1
Instruments en Sib
1
Trompette, Orchestre
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
554
Violon et Piano
376
Violoncelle, Piano
239
Alto, Piano
182
Harpe
142
Violon
139
Violon (partie séparée)
106
Violoncelle
103
Violon, Violoncelle (duo)
94
Trio à Cordes: violon, alto, violoncelle
93
Alto seul
89
2 Violons (duo)
57
Contrebasse (partie séparée)
52
Contrebasse, Piano (duo)
36
2 Violoncelles (duo)
35
Violoncelle (partie séparée)
35
Trio à Cordes: 2 violons, violoncelle
35
Alto (partie séparée)
33
Violon, Alto (duo)
32
2 Altos (duo)
31
Contre Basse
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Guitare (duo)
19
Violoncelle , Guitare (duo)
15
Harpe, Flûte (duo)
13
Alto, Guitare (duo)
12
Trio à cordes: 3 violins
12
Alto, Violoncelle (duo)
10
Harpe, Violon (duo)
7
4 Violoncelles
7
Trio à Cordes: 3 violoncelles
7
2 Harpes (duo)
6
Piano Trio: Violon, Alto, Piano
6
Violon, Clarinette, Piano (trio)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à Cordes: 2 violons, alto
4
Quatuor à cordes: 4 violons
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
4
Alto et Basson
3
2 Contrebasses (duo)
3
Harpe, Violoncelle (duo)
3
Trio à cordes: 3 altos
3
Violoncelle, Orchestre
3
Violon, Basse continue
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Harpe, Violon, Violoncelle
1
Trio à cordes
1
Violon, Basson (duo)
1
2 Violons et Basse continue
1
Alto et orchestre
1
Harpe, Trombone (duo)
1
Violoncelle, Basse continue
1
3 Contrebasses
1
Harpe, Voix
1
2 Violons, Piano
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 001
Orchestre à Cordes
312
Orchestre
272
Cloches
197
Ensemble Jazz
152
Ensemble de cuivres
132
Fanfare
119
Batterie
83
Orchestre de chambre
75
Percussion (partie séparée)
59
Jazz combo
30
Timbales (partie séparée)
17
Ensemble de Percussions
17
Batterie (partie séparée)
13
Percussion
9
Vibraphone
6
Marimba
6
Xylophone, Piano
4
Orchestre, Violon
2
Voix Mezzo-Soprano, Orchestre
1
2 Marimbas
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
3 Percussions
1
Marimba, Saxophone (duo)
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Instrumentation Flexible
1
+ 23 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
23 partitions trouvées
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1
Turn The Lights Back On
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Billy Joel
#
César Madeira
#
Turn The Lights Back On
#
Sheet Music To Play Editions
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1375644 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Césa...
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English Horn,Piano - Level 3 - SKU: A0.1375644 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by César Madeira. Children,Contemporary,Multicultural,Pop,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #960181. Published by Sheet Music To Play Editions (A0.1375644). Turn The Lights Back On by Billy Joel. Arrangement for English Horn and Piano. With Full Score and Individual Parts with Chords. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Turn The Lights Back On
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
Billy Joel
#
César Madeira
#
Turn The Lights Back On
#
Sheet Music To Play Editions
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1375646 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Césa...
(+)
English Horn,Piano - Level 3 - SKU: A0.1375646 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by César Madeira. Contemporary,Lent,Multicultural,Pop,Wedding,World. Score and part. 14 pages. Sheet Music To Play Editions #960183. Published by Sheet Music To Play Editions (A0.1375646). Turn The Lights Back On by Billy Joel. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Nocturne sans sommeil (Sleepless nocturne) for cor anglais and piano
#
Cor anglais, Piano
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Nocturne sans sommeil
#
David Warin Solomons
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.577212 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and part. 8 pages. David Warin ...
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English Horn,Piano - Level 3 - SKU: A0.577212 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and part. 8 pages. David Warin Solomons #2972577. Published by David Warin Solomons (A0.577212). An uneasy nocturne in which the augmented fourth (diabolus in musica - devil in music) disturbs the restless sleeper - he looks out at the night sky and wonders what is coming.
$9.00
When the Swans of Spring Return - English Horn & Piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
When the Swans of Spring Retur
#
James M Stevens Music ASCAP
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.574209 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sa...
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English Horn,Piano - Level 3 - SKU: A0.574209 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6347693. Published by James M Stevens Music ASCAP (A0.574209). Written April 3, 2021, this is an original English horn and piano composition in a romantic and nostalgic style in the key of E flat major. There is a separate horn part in the score and the accompaniment track as heard can be found under When the Swans of Spring Return Piano Track.
$6.99
Return To God (for 4 voices) (Accompaniment Track)
#
Cor anglais, Piano
#
Stephen DeCesare
#
Return To God
#
Exultet Music
#
SheetMusicPlus
English Horn,Piano - SKU: A0.1051726 Composed by Stephen DeCesare. Jewish,Sacred,Spiritual. Accompaniment. Duration 159. Exultet Music #3605. Published ...
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English Horn,Piano - SKU: A0.1051726 Composed by Stephen DeCesare. Jewish,Sacred,Spiritual. Accompaniment. Duration 159. Exultet Music #3605. Published by Exultet Music (A0.1051726). This is the accompaniment track for Return To God (for 4 voices) which is available on this site.
$3.99
Fauré: Nocturne Op. 104 for English Horn & Piano
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James Guthrie, ASCAP
#
Fauré: Nocturne Op. 104
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.551607 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Scor...
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English Horn,Piano - Level 3 - SKU: A0.551607 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324275. Published by jmsgu3 (A0.551607). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderato.
$32.95
Nocturne No.20 in C-Sharp minor - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
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César Madeira
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Nocturne No.20 in C-Sharp mino
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1319741 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,We...
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English Horn,Piano - Level 3 - SKU: A0.1319741 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908296. Published by Sheet Music To Play Editions (A0.1319741). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Grieg: Notturno Op. 54 No. 4 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 f
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.550035 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standar...
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English Horn,Piano - Level 3 - SKU: A0.550035 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 13 pages. Jmsgu3 #4580685. Published by jmsgu3 (A0.550035). Score: 7 pages. Duration: ca. 4:20. A very thought-provoking and expressive recital encore.
$32.95
Return To The Lord (Soprano and Tenor solo and SATB Accompaniment Track)
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Cor anglais, Piano
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Stephen DeCesare
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Return To The Lord
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Exultet Music
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SheetMusicPlus
English Horn,Piano - SKU: A0.1051724 Composed by Stephen DeCesare. Jewish,Sacred,Spiritual. Accompaniment. Duration 243. Exultet Music #3603. Published ...
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English Horn,Piano - SKU: A0.1051724 Composed by Stephen DeCesare. Jewish,Sacred,Spiritual. Accompaniment. Duration 243. Exultet Music #3603. Published by Exultet Music (A0.1051724). Tender Lenten hymn based on Joel 2: 12-13 that is scored for Soprano and Tenor solos, English Horn, SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$3.99
I Love You Truly-English horn/piano
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Cor anglais, Piano
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FACILE
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Phil Beaman
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I Love You Truly-English horn/
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Phil Beaman
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4...
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English Horn,Piano - Level 2 - SKU: A0.844639 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414777. Published by Phil Beaman (A0.844639). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Vivaldi: The Four Seasons Complete for English Horn & Piano
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Cor anglais, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Op
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 5 - SKU: A0.551435 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,...
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English Horn,Piano - Level 5 - SKU: A0.551435 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 190 pages. Jmsgu3 #5204979. Published by jmsgu3 (A0.551435). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
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Cor anglais, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6...
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English Horn,Piano - Level 3 - SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Après un rêve, Op.7 - English Horn and Piano (Full Score and Parts)
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Cor anglais, Piano
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INTERMÉDIAIRE
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Gabriel Faure
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César Madeira
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Après un rêve, Op
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1474770 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Weddin...
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English Horn,Piano - Level 3 - SKU: A0.1474770 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Classical,Lent,Romantic Period,Wedding. Score and part. 10 pages. Sheet Music To Play Editions #1052357. Published by Sheet Music To Play Editions (A0.1474770). Aprés un rêve, Op.7 by Gabriel Faure. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Jingle Bells (James Lord Pierpont) for English Horn and Piano
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Cor anglais, Piano
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FACILE
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James Lord Pierpont
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Harry Walker
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Jingle Bells
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festiva...
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English Horn,Piano - Level 2 - SKU: A0.1512106 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 10 pages. SCORE EDITIONS #1087147. Published by SCORE EDITIONS (A0.1512106). Jingle Bells, composed by James Lord Pierpont in 1857, is one of the most iconic holiday songs. Originally written to capture the thrill of sleigh rides, its joyful and infectious melody quickly turned it into a Christmas classic, despite not specifically referencing the holiday. This modern arrangement maintains the original energy while introducing a fresh interpretation, making it a perfect choice for festive concerts and celebrations.
$5.99
Windmills - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Windmills - English Horn &
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.574371 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. ...
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English Horn,Piano - Level 3 - SKU: A0.574371 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6438301. Published by James M Stevens Music ASCAP (A0.574371). Written June 13, 2021, this is an original English horn and piano composition in an introspective and a bit of a hypnotic style in the key of F Dorian. When we drove from Nashville to Colorado and back on our recent vacation throughout the state of Kansas in fields there seemed to be thousands of windmills turning gently in the breeze like those in the picture. Hope you enjoy.
$6.99
Bach-Gounod: Ave Maria for English Horn & Piano
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Cor anglais, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eng
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score...
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English Horn,Piano - Level 2 - SKU: A0.549361 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490119. Published by jmsgu3 (A0.549361). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Return To God (accompaniment track)
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Cor anglais, Piano
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Musique Sacrée
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Stephen DeCesare
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Return To God
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Exultet Music
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SheetMusicPlus
Composed by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, Lent. Accompaniment. Published by Exultet Music (S0.101859). - Accomp...
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Composed by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, Lent. Accompaniment. Published by Exultet Music (S0.101859). - Accompaniment - Christian,Contemporary Christian,Sacred,Praise & Worship,Lent - Exultet Music
$3.99
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