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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
bach Renaissance
Non classifié
74
Piano & claviers
Piano seul
14
Orgue
6
Piano Facile
6
Piano, Voix
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Guitares
Guitare
25
Guitare notes et tablatures
10
Mandoline
8
Ukulele
5
4 Guitares (Quatuor)
1
Voix
Chorale SATB
2
Voix Soprano, Piano
1
Chorale 2 parties
1
Chorale SSAA
1
Voix Tenor, Piano
1
Vents
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10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
8
3 Saxophones (trio)
7
Quatuor de Clarinettes: 4 clarinettes
6
Flûte à bec Alto
6
Quatuor de Saxophones: 4 saxophones
6
Flûte à bec Soprano
6
3 Clarinettes (trio)
5
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette et Piano
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Hautbois
2
Saxophone Tenor et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
3 Flûtes à bec (trio)
2
2 Flûte à bec (duo)
2
Quatuor de Flûtes à bec
2
Cor anglais, Piano
2
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2
Quatuor de Flûtes : 4 flûtes
2
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2
Saxophone Baryton, Piano
2
Flûte à bec, Guitare (duo)
1
Hautbois, Violoncelle
1
5 Flûtes à bec
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Clarinette
1
Hautbois (partie séparée)
1
Saxophone Alto
1
Hautbois, Basson (duo)
1
Flute (partie séparée)
1
2 Flûtes traversières (duo)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Ensemble de Trompettes
26
Trombone
11
Ensemble de Trombones
7
Quatuor de cuivres: 4 trombones
6
Tuba
4
Trombone et Piano
3
Euphonium
3
Trompette, Piano
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
2
Cor
2
2 Trombones (duo)
2
Tuba et Piano
2
Quatuor de cuivres: 4 cors
2
Trompette
1
2 Trompettes (duo)
1
4 Tubas
1
Trombone basse
1
Trompette (partie séparée)
1
Cor et Piano
1
Quatuor de Cuivres
1
Ensemble de Cors
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Violon et Piano
3
Violon
3
Contrebasse, Piano (duo)
2
Alto, Piano
2
Alto seul
2
Violoncelle, Piano
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Harpe
1
Quatuor à cordes: 4 violons
1
Contre Basse
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violons (duo)
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
+ 18 instrumentations
Retracter
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Ensemble de cuivres
3
Marimba
1
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
bach Renaissance
Cor anglais, Piano
Partitions à imprimer
2 partitions trouvées
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Minuet in G major by Bach for English Horn and Piano
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Cor anglais, Piano
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DÉBUTANT
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Christian Petzold and Johann S
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Ander
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Minuet in G major by Bach for
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Woods Only, Arrangements
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.1050867 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Tr...
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English Horn,Piano - Level 1 - SKU: A0.1050867 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Renaissance,Traditional. Score and part. 4 pages. Woods Only, Arrangements #655202. Published by Woods Only, Arrangements (A0.1050867). This easy arrangement for english horn and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
Luther: Out of the Depths for English Horn & Piano
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Cor anglais, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and ...
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English Horn,Piano - Level 1 - SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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